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They’re In A Different League 

They’re In A Different League 

A Creative HEAD shoot in partnership with Diva Pro Styling  

Each hair stylist has their own little idiosyncrasies when it comes to styling techniques. Give each stylist a brief, with the same tools, and each one will deliver something completely different… so, that’s what we did. Creative HEAD, in partnership with Diva Pro Styling, assembled Rebecca Jacques, Birte Klintworth and Giuseppe Stelitano and gave each their own brief – challenging them to bring concepts to life on three different heads of hair, all helped to life by the breadth of Diva Pro Styling tools in their kit bags, including the new range of Diva Atmos Professional Stylers.   

These briefs were set within the prism of S/S25 runway trends. Think Chloë, a fashion house that often sees its show models sporting ‘undone’ hair, but sending their looks down the S/S25 catwalk noticeably more dressed and ‘done’. From celebrity looks to client requests, there’s a noticeable return to hair that looks styled. And this is the season to try something fresh – from festivals to summer parties, events to holiday hair, we’ve pushed our stylists to the ‘finish’ line to create wearable looks with an editorial vibe that clients will covet.   

For a few years, beauty trends have shied away from anything that looked like you made a real effort. Slowly, we’ve seen a return to hair that looks ‘done’. From Sabrina Carpenter to the wives of Capitol Hill, big hair is BACK. It’s blown out, it’s bouncy and it’s bringing us back to the ‘90sGiuseppe Stelitano has embraced the big brief and delivered to the max.  

For a few years, beauty trends have shied away from anything that looked like you made a real effort. Slowly, we’ve seen a return to hair that looks ‘done’. From Sabrina Carpenter to the wives of Capitol Hill, big hair is BACK. It’s blown out, it’s bouncy and it’s bringing us back to the ‘90sGiuseppe Stelitano has embraced the big brief and delivered to the max.  

The Look: Hair was prepped with mousse and blasted dry using the Diva Professional Atmos 2 Atom Hair Dryer. Then section by section, Giuseppe used the Digital Crimper from the root to the nape to set in that texture he needed for the final updo. Once done, he brushed through, shaped then twisted hair in pieces before pinning. Using the new Atmos Professional 13mm Super Slim Styler, he straightened small sections to create a windblown effect (“I can go literally to the edge, tapping at the ends and bending over at the root”).  

The Trick: “Because I need the volume, especially on the top, I use the Digital Crimper vertically and kept going upwards,” says Giuseppe. “You’re almost directing the roots as well.” 

The Tools: Diva Professional Atmos 2 Atom Hair Dryer; Digital Crimper

The Look: This is almost an undone updo, a little messy but elevated. Giuseppe started by gently stretching out Rubi’s curls using the Atmos 2 Atom Hair Dryer and his fingers. Then he added a couple of donuts on the top of the head to build the hair up. After brushing the hair, around the hairline, he went in with the new Atmos Professional 13mm Super Slim Styler to create a soft wave. He then switched to the 25mm Standard Styler, where there was more hair to manage. Visually building up the hair and to add definition, he used the 19mm Digital Tong on selected areas on top and through the front sections.   

The Trick: “I use the Atmos Professional Styler almost for backcombing, on a lower heat,” says Giuseppe. “I use it at the end, to finish the look – pulling down, so it almost locks in a nice, soft flatness.” 

The Tools: Diva Professional Atmos 2 Atom Hair Dryer; Atmos Professional 13mm Super Slim Styler; Atmos Professional 25mm Standard Styler; 19mm Digital Tong  

 

The Look: We’re donning the red swimsuit and heading back to the ‘90s for this one, as Giuseppe found inspiration in the iconic blonde waves of Pamela Anderson. Using the Atmos 2 Ultra Hair Dryer with a nozzle (“The Ultra has a bit more power”) he blow-dried section by section with a round brush, drying any product – he used thickening spray – from roots to ends. He then turned to the new Atmos Professional 25mm Standard Styler, taking sections (not too big) and creating a glamorous blow dry. Finally, fixing the diffuser to the dryer, he diffused the hair lightly on a cold setting before finishing with the Atmos Professional 25mm Standard Styler – again through the front, adding a bigger curl. 

The Trick: “I over-direct the hair forward,” says Giuseppe. “Then with the styler, you can go close to the roots, give it the first bend – this will determine the type of curl – and then slowly, gently, just pull the styler up, holding the ends of the hair while you’re doing it, so you still have control. This gives curl and hold.” 

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer with a nozzle and a diffuser; Atmos Professional 25mm Standard Styler 

The embrace of natural texture over the past few years has been a breath of fresh air, creating space for anyone with any kind of kink or coil to get playful. Rebecca Jacques understood the assignment, from the perennially popular beachy wave (with added micro braids!) to wet-look zigzag bends to the swept-over joy of a cloud of delicately embellished coils. 

The embrace of natural texture over the past few years has been a breath of fresh air, creating space for anyone with any kind of kink or coil to get playful. Rebecca Jacques understood the assignment, from the perennially popular beachy wave (with added micro braids!) to wet-look zigzag bends to the swept-over joy of a cloud of delicately embellished coils. 

The Look: Hair was prepped with mousse and hydration spray then blow-dried using the Diva Professional Ultra 2 Atmos Hair Dryer. With the new Atmos Professional 13mm Super Slim Styler, she added kink and bend to horizontal sections of hair, using low elevation and a high tension – pulling out the volume a little bit towards the ends, rather than forcing it into a new shape and structure. She also went through with the Digital Wave & Curl to create a more stretched out wave in places. Hair was slicked back using the edges of a detailed editorial brush – “you get a super slick sideburn area” – before finishing with a strong centre part, and two tiny triangles of hair pulled through. The Atmos Professional Wide Stylerstraightened the ends. 

The Trick: “There was a variation on how tight we pressed the Digital Wave & Curl into the hair,” says Rebecca. “Sometimes we got a more intense imprint, other times it was slightly softer.”

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer; Atmos Professional 13mm Super Slim Styler and 42mm Wide Styler; Digital Wave & Curl 

The Look: Taking zigzag sections prepped with a dry texture spray for grip, mainly along the parietal ridge, Rebecca created pockets of texture using the new Atmos Professional 25mm Standard Styler. When it’s all brushed out, it’s less uniform, more lived in – it was about enhancing Gerda’s natural texture rather than pulling it out. Rebecca straightened the edges with the styler, then added some skinny braids to finish the look. 

The Trick: “Rather than the ‘S’ bend you normally see, I’m physically curling it and then turning it straight all the way around to continue that pattern,” says Rebecca. “Keep the styler completely vertical, because we’re not looking at volumising at the root. Straightening out that edge afterwards gives it a cool, lived-in look.”

The Tools: Diva Atmos Professional 25mm Standard Styler

The Look: Using a cocktail of mousse, hydration spray and serum, some of the hair was twisted into place at the back, where the curl pattern was different to the front. A lot of the prep was done using the Diva Professional Atmos 2 Ultra Hair Dryer (“Because it’s got a deeper diffuser, you can really get into the root area, but I love the smaller one for the more detailed curls, too.”). Rebecca looked at which curls required more definition, working through horizontally with the section pattern, armed with the Gold Dust Multi Wand with the micro barrel. Because Rubi’s hair was going to be pushed over to one side, she alternated the curl pattern so that it pushed against the root for maximum lift. Some of the curls were broken up with Rebecca’s fingers to expand the shape, then to add a little more flare, she flattened out part of the root with the Multi Wand using a compressing technique, elevating the hair with high tension away from the scalp. 

The Trick: You’ll notice the detail at the side, where Rebecca went super low to keep it more editorial, using a tail comb to press and set the hair against the scalp using a cool shot from the Atmos 2 Ultra Hair Dryer. 

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer with diffuser; Gold Dust Multi Wand using the micro barrel. 

This trend has an air of superiority, an edge that demands that you look but don’t touch. It’s about a deliberate application of care and curation, planned and prepped for the ultimate outcome. Birte Klintworth’s understanding of the brief has amplified this idea of ‘perfection’ beyond the norm. Texture is retained, playful elements are applied but everything is seen through a lens that is altogether editorial and fresh. 

his trend has an air of superiority, an edge that demands that you look but don’t touch. It’s about a deliberate application of care and curation, planned and prepped for the ultimate outcome. Birte Klintworth’s understanding of the brief has amplified this idea of ‘perfection’ beyond the norm. Texture is retained, playful elements are applied but everything is seen through a lens that is altogether editorial and fresh. 

The Look: Hair was prepped smooth with a strong blow dry, thanks to a round brush and the Diva Professional Atmos 2 Ultra Hair Dryer (“It’s great because it makes the hair super shiny as well”). Using the 25mm Digital Tong (with a little hairspray for hold), Birte took some sections of hair and over the surface used the roundness of the tong but also the clamp to create clearly defined edges. “I don’t want to make them look too busy,” says Birte. “It’s really about placement and visually seeing what makes sense, looking back into the mirror to see how it’s evolving. I’m keeping it very minimal, because that’s going to make it look smoother and pristine.” 

The Trick: “I hold the tong horizontally,” says Birte. “I put the tong on top of the hair, and then I bend the hair against the clamp, so on the upper level, there’s going to be a mark, and then on the lower level, you can see the curve of the top.” 

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer; Digital Tong in 25” 

The Look: Firstly, the hair in the nape zone was blow-dried upwards, then fixed into a pony – tied with an elastic. The sides were dressed with plenty of setting spray and once set, Birte tied the hair sections up and over the existing ponytail. Her last section – the top of the hair – leaving a little bit of a visible parting, is dressed the same way. Twisting the hair up, Birte applied hairspray at the ends, and using the Atmos Professional XXL Styler, straightened them into more definitive spikes.  

The Trick: “I prepped the hair with the Atmos Dryer, blow drying from the roots into the direction of my ponytail.”

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer; Atmos Professional 51mm XXL Wide Styler  

The Look: Birte tied a ponytail, very smooth and close to the natural shape of Rubi’s head, but with a strip of hair left out in the front. That was dried using the Atmos 2 Ultra Hair Dryer with the diffuser attachment and draped on top of the flatter surface. Birte saturated the hair in the ponytail with a curl cream and then diffused it “so it can really settle and get a nice volume”. Once dry, she used an elastic to tie the hair – creating her own unique sculpture. “I create a little bit of definition in some places,” says Birte. “You can see the curl, but that one piece of elastic is running through and tied in different places.” She then turned to the Micro Stick to define a couple of pieces.  

The Trick: “I pick up the natural texture and don’t manipulate it much, using the Micro Stick,” says Birte. “I just want to give it a little more definition.” 

The Tools: Diva Professional Atmos 2 Ultra Hair Dryer with diffuser; Micro Stick 

A Creative HEAD shoot in partnership with Diva Pro Styling  

Photography: Harvey Williams-Fairley, assisted by Loredana Hrinciuc   

Hair: Rebecca Jacques, assisted by Aimee Atkins; Birte Klintworth, assisted by Amber Carpen; Giuseppe Stelitano, assisted by Tiziana Di Marcelli – all for Diva Pro Styling

Key tools: Diva Atmos Professional Styler – XXL Wide 51mm, Wide 42mm and Super Slim 13mm; Atmos 2 Dryer; Atmos 2 Atom Dryer; Atmos Micro Stick; Digital Crimper; Digital Wands

Fashion: Issie Gibbons

Make-up: Eliza Clarke, assisted by Babi Campos 

Editorial: Amanda Nottage (Creative HEAD)

Digital and social media: Kelsey Dring (Creative HEAD), Caitlyn Brandom (Creative HEAD), with video editing support from Rux Amarazeanu 

Creative direction and production: Joanna Kidd (Creative HEAD)

Models: Rubi Deschamps (W MGMT), Gerda Kazakeviciute (W MGMT), Ping (Named Models)

Shot at Spring Studios in London  

 

 

Looking For Your Next Colour Technique? Convertible Colour Is A Fresh Way to Deliver Bespoke Results

Looking For Your Next Colour Technique? Convertible Colour Is A Fresh Way to Deliver Bespoke Results

Looking For Your Next Colour Technique? Convertible Colour Is A Fresh Way to Deliver Bespoke Results

Gina Conway’s technique blends bold colour with everyday wearability

by CAITLYN | TECHNIQUES

When it comes to innovative colour techniques, Gina Conway has mastered the art of blending playfulness with practicality. Her convertible colour method is designed to give clients a pop of personality that can be hidden or revealed at will. As Gina puts it, “It’s something a little bit of fun and spicy that’s just for you.”

Convertible colour offers clients a subtle yet exciting way to experiment with bold shades without committing to a full transformation. By placing vibrant colour just beneath the natural parting, this technique lets clients enjoy the best of both worlds.

“If I’m going to a conservative setting, I can completely hide it by parting my hair on the opposite side,” explains Gina. “Or, if I just want to kind of see a little bit of it, I’ll pull my hair back, and you’ll see a little streak of it coming down.”

For clients with grey hair, convertible colour offers a chic and modern alternative to harsh regrowth lines. “When the grey comes in, it still is fun and cute and cool,” Gina shares. “It’s perfect because it’s still light, so you don’t have that strip of contrast…”

Gina often recommends complementary colour pairings like fuchsia and copper or milk chocolate and caramel. “Soft pink tends to be everybody’s favourite right now,” she adds. “But finding two colours that wear well together can make all the difference.”

 

Perfect For:

The Corporate Convert: Clients who need to maintain a conservative look while expressing their personality

The Colour Curious: Perfect for those who’ve been eyeing creative colours but aren’t ready for full coverage

The Grey Transition Client: Ideal for adding dimension while embracing natural silver

The Style Chameleon: Clients who love changing their look based on occasion

The Creative Professional: Those who balance corporate environments with creative industries

How to Create Convertible Colour

The process is straightforward but requires a keen eye for placement and blending:

Section Placement: Choose a section about an inch and a half wide, just below the natural parting.

Blend Seamlessly: Add a quarter-inch strip of natural colour over the bold shade to ensure it can be hidden when styled.

Tailor the Colour: Select shades that suit the client’s lifestyle. Gina notes, “It’s a fun little secret pop that lets clients feel like they’re trying something new without it being overwhelming.”

Convertible colour is suited to clients balancing different aspects of their lives. “If they’ve got a playful lifestyle but a conservative job, you know how far you can get away with it,” says Gina. The result is a personalised touch that reflects their personality while adapting to their daily needs.

For colourists, Gina’s convertible colour technique is an opportunity to connect with clients in a fresh, exciting way. Whether it’s blending grey regrowth with rose gold or creating vibrant streaks of fuchsia, this method offers endless possibilities. As Gina puts it, “It’s a great way to present something new to clients you’ve been working with for years.”

How to Offer Blondes The Best Of Both Worlds

How to Offer Blondes The Best Of Both Worlds

How to Offer Blondes The Best Of Both Worlds

Siobhan Jones shares her freehand balayage technique for the perfect pairing of softness with high coverage

L’Oréal Professionnel Paris global ambassador Siobhan Jones shares the perfect technique for delivering high-coverage blonde, using freehand balayage free weaving. “This technique is perfect for anyone who loves the softness of balayage, but is looking for the coverage of foils,” says Siobhan

Dia Light Formula
Contour: 10.18 with 9vol
Roots: 8.21 with 9 vol
Mid-lengths: 9.21 + 9.82 with 9 vol
Ends: 10.18 with 9 vol  

Siobhan Jones freehand balayage

Get the look  

Step 1: The model’s hair is a natural base seven. Start by parting hair in a classic sectioning pattern. 

Step 2: Starting at the hairline, take a diagonal section and weave, then use the edge of the tint brush and paint L’Oréal Professionnel Paris Blond Studio Purple Lightening Balm from root to tip. Use your hands to push it down the hair shaft.

Step 3: Join the hair let out from underneath and saturate to the ends, using your hands to push in the balm which will guarantee a nice, bright lift.

Step 4: Repeat this throughout the sides, weaving, painting and saturating the hair.

Step 5: Move diagonally off the parting, starting on the hairline to create a beautiful contour.

Step 6: Moving through the parting on a diagonal angle, use the free weaving technique, which will give a graduated, yet full coverage effect.

Step 7: Repeat this technique throughout the back diamond section on a diagonal. Once you reach the desired lift, gloss over with a Milky Tea toner using L’Oréal Professionnel Paris Dia Light for a beautiful, high-shine blonde.

Step 8: To finish, apply L’Oréal Professionnel Paris Pli to the hair and blow dry smooth and dress with a wide barrel tong for a soft wavy finish.

Related

“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration

“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration

“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration 

From Instagram DMs to creative collaboration IRL, hairstylist Laura Chadwick and photographer Elisabeth Hoff shall all about their first shoot together.

Laura Chadwick
Laura Chadwick
Elisabeth Hoff
Elisabeth Hoff

How did the shoot collaboration come about – have you both worked together previously? 

Laura: I’ve admired Elisabeth’s work for a long time, so when I decided to reach out to her on Instagram, I was thrilled she was interested in collaborating. We started discussing ideas, and I was immediately drawn to her creativity and vision. We had plans initially, but Covid interrupted them. Fortunately, we reconnected earlier this year and decided to finally bring our ideas to life. This was our first time working together, but Elisabeth’s dedication and attention to detail made the process seamless and inspiring. 

Elisabeth: I have followed Laura’s work for several years. I love her style and her creativity. I can see she is a creative grafter, and I was not wrong. Her dedication to what she does on the day was impressive. 

What was the inspiration behind the theme of ‘emotive hair’, and what made you decide to capture the connection between hair and human emotion? 

L: Elisabeth’s concept of linking hair with emotions really resonated with me. Hair is such a powerful medium for self-expression. The idea of using hairstyles to represent joy, sorrow, anger, and fear felt like a natural way to visually communicate these universal emotions. Our hair can significantly impact our confidence and how we feel about ourselves, so capturing that connection was both a challenge and a delight. Each style aimed to embody an emotion, highlighting how our outward appearance can reflect our inner states. 

E: Like it or not, we humans are ruled by our emotions. The inspiration behind the series ‘emotive hair’ comes from the profound impact emotions have on our daily lives and how they are expressed through our hair. We chose to focus on the four core emotions of joy, sorrow, anger, and fear because they are universal experiences that everyone can relate to.  

Each hairstyle in this series was crafted to represent an emotion. We have tried to capture the essence of what it feels like to experience joy, sorrow, anger, or fear through the hair. By doing so, I wanted to highlight the close connection between our inner emotional states and our outward appearance. Through the series, I hope to encourage the viewer to reflect on their own emotional experiences and the subtle ways they express them through their style. It also shows how changing our look can change our mood.  

Joy

Why did you choose those particular hair looks captured? 

L: When I came across Paul Ekman’s work on the four core emotions, it clicked that these could form the foundation for our shoot. The universality of joy, sorrow, anger, and fear made them the perfect choices to explore through hair. Given our limited time, focusing on four distinct looks was both realistic and impactful, allowing us to delve deeply into each emotion and create a cohesive narrative. 

E: When Laura discovered the work of psychologist Paul Ekman, who identified these four universal emotions, it reinforced the idea that building a shoot around them could be impactful. We also only had one day for the shoot, and we knew we could realistically achieve four distinct looks in one day. This approach allowed us to create a strong, cohesive series with what is hopefully a compelling story behind each emotion. 

 

Sorrow
Fear

What did prep for each of the looks entail? Talk us through any key techniques and products 

L: Creating each look required meticulous planning and a selection of techniques and products to embody the emotions we wanted to convey. Here’s a breakdown of each look: 

 Sorrow: 

Inspiration: We aimed to capture a melancholic and delicate aesthetic. The look needed to evoke a sense of softness and vulnerability. 

Techniques: To achieve this, I started by creating smooth, sleek hair that framed the face, using a straightening iron to eliminate any frizz and create a polished finish. The ends were kept slightly damp to add a touch of natural, undone texture, symbolising the weight of sorrow. 

Products: I used a smoothing serum to ensure the hair remained sleek and frizz-free. A light-hold gel was applied to the damp ends to maintain the soft, wet look without making the hair too stiff. 

Fear: 

Inspiration: We wanted a look that felt chaotic and intense, reflecting the inner turmoil associated with this emotion. 

Techniques: Lots of volume was added to create a wild, frizzy texture. I backcombed sections and used a diffuser while blow-drying to enhance the natural curl and frizz. The aim was to make the hair appear as though it was standing on end, mirroring the feeling of fear. 

Products: I used a volumising mousse at the roots to create lift, followed by a texturising spray to add grit and hold. A strong-hold hairspray was essential to keep the volume and frizz intact throughout the shoot. 

Anger: 

Inspiration: It needed to be depicted with a fierce and striking hairstyle that showed intensity and aggression. 

Techniques: I chose to work with sharp, angular shapes and tight braids to create a look that was structured and powerful. The hair was sectioned into small parts and braided tightly then wrapped with elastic, before styling into an upward, spiky formation to add a sense of dynamism and tension. 

Products: A strong-hold gel was used to keep the braids neat and in place. I also used edge control to smooth down any fly-aways and ensure the look remained sharp and defined. For the spikes, I employed a hair wax to mould and shape the braids, followed by a generous amount of hairspray for maximum hold. 

Joy: 

Inspiration: The goal was to convey a sense of lightness, playfulness, and exuberance. Joyful hair needed to radiate positivity and energy, which bouncy waves with volume naturally provide. 

Techniques: I started by washing the hair and applying a volumising mousse to the roots while it was still damp. After blow-drying with a round brush to lift the roots and add volume, I used a large-barrel curling iron to create loose, bouncy waves. Each section of hair was wrapped around the curling iron for a few seconds, and then released to form soft curls. Once the entire head was curled, I gently brushed through the curls with a wide-tooth comb to create a more relaxed, wavy texture and enhance the volume. 

Products: For the lift and fullness, a volumising mousse was key, along with a texturizing spray to add grip and enhance the texture of the waves. A shine serum was also Applied sparingly to add a touch of shine and keep the hair looking healthy and vibrant. 

Anger

As two fellow creatives, how imperative is it to collaborate with other creatives? For any hair pros who might be on the fence about reaching out to photographers, make-up artists, and so on to collaborate, what is your advice? 

L: Collaboration is vital in our field. Working with other creatives brings fresh perspectives and skills that can elevate your work. My advice to hair professionals hesitant about reaching out is to take the leap. Find collaborators who respect and understand your vision and be clear about your goals and expectations. Embrace the creative process (including the possibility of failure) as it’s an essential part of growth. Every successful creative journey involves risks and mistakes, but those experiences can lead to extraordinary outcomes and innovations. 

E: I believe in following your creative gut—if you have an idea, it’s there for a reason, and you should follow it with determination. Often, the universe provides the answers or brings the right people into your path to collaborate with, as it did during this shoot. 

Although it is a collaboration, it’s important to stay true to your original vision. Allow others to contribute without diluting the core concept, as too many voices can often muddy the original idea. Finding collaborators who understand and align with your vision is key, as is communicating that vision. 

 


Photography: Elisabeth Hoff
Hair: Laura Chadwick
Make-up: Czar Joshua Ventura
Production: Holly Charlton at Hoff Productions Ltd.
Models: Joy – Kelly Brennan @ Mrs Robinson Management, Sorrow – Gemma Seymour @ The Milk collective,  Anger – Kwan Jo @ Wilhelmina, Fear – Alexandra Beaton 

How can you capture hair transformations in a way which feels fresh? James Parr has the solution

How can you capture hair transformations in a way which feels fresh? James Parr has the solution

How can you capture hair transformations in a way which feels fresh? James Parr has the solution

Nashwhite’s James Parr is capturing hair makeovers through a fresh lens.

“The whole concept of ‘The Switch Up’ grew from a personal need to scratch a creative itch – not just from a hair perspective but on a visual level as well. I grew tired of seeing the same stuff on social media and felt like I wanted to bring a fresh approach to the table.
 
Working with my friend and fellow creative and videographer, Paddy Walker, we came up with a concept that ripped up the rule book with how we shot it. This allowed me to get hands on with the direction of the filming and the project.
 
Working with the Wahl styling range was great for this as the tools were perfect for creating more movement and texture in the hair, while ensuring I could still deliver my signature hairdressing style. 
 
This is the first in a new concept where we will be having free reign and bringing a whole new meaning to the term ‘makeover’.” 
 
 
 
Hair: James Parr, using Wahl
Visuals: Paddy walker
Colour technician: Siobhan Fagan
Make-up: Sacha Jones
Model: Ana Maria