Tia Lambourn – founder of Bay Studios in Derby and both Tia Lambourn Education and The Blonding Bible online platform AND a Redken Advocate – knows what NOT to do when blonding a client! These are the mistakes to avoid

MISTAKE 1 – Rinsing too early

The bleach is on and you’re panicking: ‘I’m using a blue bleach, and it looks like it’s ready to come off’. What ends up happening is that the hair’s quite yellow underneath. What I usually recommend in my education and Blonding Bible classes is to take out a tiny strand of hair from the foil and do an elasticity test, instead of just judging it visually. You can then feel if it’s ready to come off. If it has started to feel a bit stringy, then that can also save you from breakage. That has saved me in the past, when I’ve thought: ‘this needs another 20 minutes’.

I’ve been in the middle of a colour correction where the hair looks orange, and I’ve pulled on it, I’ve felt that it’s got a little bit of give, and I know I need to take it off now.

MISTAKE 2 – Ignoring the clear

When it comes to glossing, not everyone utilises the clear. The most used ‘colour’ in my salon is the clear! Sometimes the hair lifts so perfectly that what you’re going to end up doing is almost making it look slightly muddy, or a bit heavy, or when there’s a lot of pigment in the hair, it makes it appear darker. So, if you do have a client who wants to be mega blonde, and you’ve managed to lift them to a really nice level 11, you want to gloss with your chosen shade and the same amount of clear – go half and half. In some scenarios, I’ll even do three-quarters clear, one-quarter of the chosen shade.

MISTAKE 3 – Using ash toners for a bright finish

Ash was a big trend, everyone wanted to be an icy blonde or platinum, but for really bright blondes, I’m always reaching for the warmer shades. A lot of the time you have a client who wants to be mega blonde, but they want to be ashy, so colourists will mix up an ash toner. But if you think of a white cloud compared to a grey cloud, the grey cloud has more ash in it… and it looks darker. With a blonde tone that’s more ashy, it’s going to appear slightly more dull. It’s not actually dull, it’s just got a heavy amount of pigment in there, so it’s going to appear that way because it’s not going to reflect the light so much. You can do a mix of warm and ash so that it is not golden, but it’s not super ashy. It’s more of a creamy milky blonde, then you get the best of both worlds.