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Yolanda Cooper The Woman Behind The Supernova Pro

Yolanda Cooper The Woman Behind The Supernova Pro

Bright Star

Yolanda Cooper is changing the game of electrical styling with her revolutionary SupernovaPRO hair tool.

by CATHERINE | CONVERSATIONS

Yolanda Cooper

It was when she was at an airport in 2016 that Yolanda Cooper had her idea for her electrical tool, the SupernovaPRO. She was checking in for a flight with overweight baggage, mainly because of the number of different hair tools she was travelling with. ‘There’s got to be an answer for this’, she thought. It turned out there was. And it’s a game-changer.

The SupernovaPRO is the world’s first three-in-one hair styler combining a fully functioning straightening iron, curling tong and wave wand in one ultra-sleek, beautiful-to-behold tool. It comes with a whole host of first-to-market patented features, including revolutionary SmartSwitch technology that makes it the only hot styling tool with three independently powered functions; premium grade ceramic plates infused with Trionic technology that softens, smooths and hydrates the hair; and a patent-pending ergonomic DoublePivot system, which relieves pressure on the median nerve to reduce the risk of carpal tunnel syndrome – a condition especially prevalent in pro stylists.

The SupernovaPRO tool

 Not bad for a young female entrepreneur from Belfast designing her first electrical tool! “I think going in blind to something allows you to be completely free of fear,” says Yolanda. “If you knew what you were getting into before you did these crazy things, half the time you wouldn’t do it because you’ve no idea how complex it is, how long these things take and how many reasons there are for it to fail. Some of the best entrepreneurs are the ones who just have no clue what they’re doing, they just go into it and commit to figuring it out later.”

Armed only with a sketch of what she felt the tool could look like, Yolanda set about hiring industry-leading industrial designers and engineers to turn her concept into a reality. It took five years to refine the tool mechanically and aesthetically as she constantly challenged her team to come up with the technology to match her ideas.

“Going in blind to something allows you to be completely free of fear” 

“Very early on we realised that if this is going to be a professional tool, then three-in-one is brilliant but it can’t be a compromised experience – we have to make each of those tools incrementally better than what’s on the market,” says Yolanda. And I think I think that’s what we’ve done. So, straighteners have always been symmetrical and rectangular, but what if you need to get right into the baby hairs at the root? We made our straightener narrower at the tip, so that it allows you – for example – to detail short fringes and work with Type 3 and 4 hair.

Ceramic technology provides great negative ions into the hair, but how do we take that even further? I’m a trichologist, so that’s why I came up with the idea of taking a heat protection formula and infusing it into the plates to give superior shine. When it came to the tong, we changed the tip to a rubber material so that you can literally hold onto it, even when the temperature is set at 200˚C. And we spent a long time perfecting the exact torsion of the spring and the double-pivot system to make the tool more comfortable to use. Consumers might not notice that benefit, because they’re only going to use the tool for 20 minutes at a time, but hair pros, who are styling nine hours a day – they’re really going to see the difference.”

Proud that the SupernovaPRO is designed, engineered and manufactured in Great Britain, and fully aware that she is competing against some industry heavyweights, Yolanda is putting her experience as a former marketing director to good use. “Core to our communication and marketing strategy is a grassroots approach,” she says. “We have a programme called The Salon Spotlight, where we send our film crew into a salon to shoot collaborative content, including interviews with the stylists and footage of them styling their client’s hair in different ways. We can also create an event in the salon, where I and our head of engineering will come along and talk to guests. And the content we create can be used for a salon’s own social media campaign to drive awareness. We may not have the budgets that some of the big brands have, but what we do have is passion and agility and the desire to go and partner with salons on a one-to-one basis.”

And finally, why the name Supernova? “I’ve always been fascinated with astrology and stargazing,” says Yolanda. “And with SupernovaPRO we’re trying to create the biggest shining star in the industry. In space, a supernova is a cataclysmic explosion. And so I thought that was a cool name, because we are aiming to be the biggest thing in the industry. It’s quite fitting.”

Retailing at £299, SupernovaPRO is exclusive to salons across the UK and Ireland. To become a stockist or purchase at the wholesale price of £199 plus VAT, visit supernovahairtools.com/pages/creativehead

The Man Who’s Changing Colour Forever

The Man Who’s Changing Colour Forever

The Man Who’s Changing Colour forever

Creative HEAD meets the brains behind Yuv Lab – potentially the biggest industry game-changer since the hairdryer.

by CATHERINE | DOCUMENTS

Francisco Gimenez

Thought about your colour bar lately? It’s where your colourists mix the concoctions that command some of the highest charges on your treatment menu, but it’s also where your business haemorrhages money, too. Salon owners estimate that at least 40 per cent of the colour they buy goes to waste. And that’s why Francisco Gimenez has been thinking about your colour bar too.

The Mexico City-born tech entrepreneur is the brains behind the Yuv Lab, billed as the first smart, bespoke hair colour lab for salons and freelance colourists, looking to streamline and automate the colour formula process dramatically to reduce waste and costs while making clients happier.

Gimenez, whose engineering background predisposes him to problem-solving “I’ve been called a disruptor, but I have never set out deliberately to challenge things,” he says), had spent years thinking about and observing professional colour during his time with the customised hair colour business, eSalon. He had seen how colourists always mix colour by hand, a process that is not only susceptible to improvisation but that almost automatically creates a surplus of unused formula. It tends to taketwo to three shades to mix a client’s colour but only about half or a quarter tube of each shade is used. If colour runs out mid-application, it’s normal to run back to the colour bar and mix the full amount again, in order to get the same consistency. Says Gimenez: “What’s left in the mixing bowl after colouring a client’s hair gets thrown out, as does unused product in the multiple bottles of colour opened to create that person’s shade, since opened bottles of colour have a short shelf life before the formula begins to oxidise. If what’s left over isn’t quickly used on another client, it simply gets thrown away.

Yuv ambassadors Grace Dalgleish, Jack Mead & Lydia Wolfe and Samantha Cusick

On top of that, salons typically purchase a professional colour brand’s full portfolio of 100+ shades, many of which are nearly identical with only very subtle pigment differences,” he continues. “Itopened my eyes to all the unnecessary spending and excess waste that’s occurring, and I thought, there has to be a better business model.”

Gimenez’s solution is the Yuv Lab (pronounced “you’ve”), a patent-pending refillable cartridge-based dispenser that’s light enough to carry under your arm (making it perfect for freelancers, too), and that can store and dispense millions of customised colour formulations. Instead of mixing colour by hand, Yuv does it all with the touch of a button. The machine’s sensors – Gimenez had a whole team of robotics and manufacturing experts working for him – measure and calibrate exactly how much of each colour is to be used on a client, then it stores that information online for future visits, eliminating the need for keeping clients’ formulas on hand-written notecards (which as we all know, can often be marked incorrectly or get lost altogether).

Yuv uses refillable aluminium cartridges, rather than single-use plastic bottles, ticking important sustainability boxes – every delivery includes prepaid return shipping labels to send empty cartridges back to the company. The colour itself (which Gimenez knew had to be world-class) was created by a speciality colour formulation lab in Switzerland. It provides up to 100 per cent grey coverage, using ME-PPD technology to dramatically reduce allergic reactions. The Lab is also equipped with all the developers needed, including a cream bleach, and offers the flexibility to substitute ingredients to create semi-permanent formulas. 

But here’s the bit that’s truly revolutionary: you don’t purchase any colour inventory upfront. Yuv Lab runs on a ‘pay as you dispense’ model, meaning salons and freelancers will only be charged for what they use, eliminating paying for dead stock and cutting down on waste. The smart system tracks colour consumption over time and adjusts consignment deliveries to match what you use, streamlining inventory and saving precious shelf space.

“We bill for the grams of colour used, which is precisely tracked by the Yuv Lab machine and stored in your online account,” explains Gimenez. “The cost per full tube of colour is roughly the same as what the other major salon brands charge, but it’s pay-as-you-go colour, so you get better value because each tube lasts longer, and you never pay for unused formula.” He estimates that Yuv can reduce product waste and cut colour spend by as much as 35 per cent on both fronts.

It costs £49 a month to subscribe, which includes a Yuv Lab, an iPad to access its app, a thermal printer to label hair colour bowls, and access to its business solutions.Even with our fee, you still save 25 to 35 per cent on overall colour costs because Yuv cuts out product waste and you’re not paying for inventory,” says Gimenez. “And renting the machine, rather than buying it upfront, removes all fear of expensive commitment.”

Gimenez has thought about potential barriers to Yuv Lab, too – for example, he knows that colourists get attached to their current colour brand and so do their clients, who’ve been depending on the existing hair colours. To get salons and hair colourists comfortable with switching, Yuv grasps what’s been effective for them to date to enable its machine to replicate that.

Explains Gimenez, “Instead of forcing people to learn a new system, Yuv allows each hairdresser working in the salon to customise their account. That means Yuv works bespoke to each colourist and their way of working, which means it’s not a problem if you have a new team hire and they’ve got their own unique approach to mixing and using colour.”

WHEN INSPIRATION WON’T STRIKE – GRACE DALGLEISH

WHEN INSPIRATION WON’T STRIKE – GRACE DALGLEISH

GRACE DALGLEISH ON... WHEN INSPIRATION DOESN'T STRIKE

The 2023 double Most Wanted award winner shares her guide on how to find inspiration when it’s playing hard to get

We all know the importance of finding inspiration. It’s a powerful force that drives creativity, motivation, and the generation of new ideas. It often involves a deep emotional or intellectual connection that sparks enthusiasm and a sense of purpose. Finding inspiration can be a highly personal and subjective experience, but what happens when inspiration dries up? Even with the best will in the world, all artists experience periods when inspiration just isn’t there. What can colourists do when it happens? 

 Switch up your tools 

Why should we be limited to a tint brush? It’s fun to experiment with different sized paintbrushes; different angles can create various blends and placements. Sponges are a great way to create seamless freehand blends, making the most commercial applications fun. 

Play with paints 

Truly understand your colour wheel; it’s essential to know this inside out to take your formulas to the next level. When looking to customise shades, play with acrylic or water paints to understand how to create the most unique tones. For example, while working on different shades of greens, I found that adding a dot of red to my formula created a more muted beige effect, giving me the perfect pistachio.  

Get swatching 

Personalisation is exactly where colour is; crafting colour for the individual and giving our clients a reason to return to us. After playing around with paints, I love to test my shades on swatches to see how they transfer onto hair. This gives me a starting point, allowing me to keep tweaking until I find that perfect shade.  

Press pause 

To be creative, we need downtime. It’s essential to pause and stop. I find new inspirations spark when I take a break from social media and immerse myself in something other than hair – whether that be watching a documentary or taking a walk and observing people. Recently, I was inspired by a group of students who had been colouring their hair themselves. It was super visual and made me consider how I could recreate it. 

Inspiration can’t be forced; it needs to flow through you. When life is busy or there’s a deadline attached it can be difficult to feel inspired. Looking at colour through a different perspective, stepping away from the situation or trying something new, gives internal space for creative thinking and fresh ideas to come alive. Inspiration can’t be forced but it can be encouraged, it needs to be nurtured. Stay open and stay curious. 

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The Maciver Brothers On How To Master The Men’s Market

The Maciver Brothers On How To Master The Men’s Market

WHAT THE MAN SAYS: MARK & PETER MACIVER

In this podcast, recorded in 2020, the Maciver brothers discuss the rise of the men’s market, the modern male client and what exactly makes guys tick?

From a first supermarket job earning £4 an hour, to the owner of a success personal training business, Peter Maciver (aka PMAC) is the powerhouse behind the fitness transformations of high-profile stars including Marvin and Rochelle Humes and Reggie Yates. His older brother, Mark, who recalls working 19-hour days in a factory for just £27, runs SliderCuts, a booming barbershop in East London. He’s published a book, developed an impressive line of merchandise, and he’s worked with leading brands from Dior and Louis Vuitton to Facebook and Reebok.

A Creative HEAD podcast project in partnership with Treatwell

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THE COLLABORATORS: DARREN & JACKIE AMBROSE, D&J AMBROSE

THE COLLABORATORS: DARREN & JACKIE AMBROSE, D&J AMBROSE

DARREN & JACKIE AMBROSE

True visionaries with creativity at their core

Darren and Jackie Ambrose – co-founders of D&J Ambrose in Pinner – unpack their longstanding partnership, which has combined individual passions to achieve spectacularly original outcomes. Also championing new faces, the duo works hard to mentor and inspire rising stars in their salon, as well as through important industry initiatives. True visionaries with creativity at their core, enjoy their ‘collaborator story’…

A Creative HEAD video project in partnership with L’Oréal Professionnel Paris

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IN CONVERSATION WITH: JORDANNA COBELLA

IN CONVERSATION WITH: JORDANNA COBELLA

IN CONVERSATION WITH: JORDANNA COBELLA

Wella Passionista, salon owner and… handcuff-wielding lawyer?

Hear about colourist Jordanna Cobella’s extraordinary career curveballs, why she’s been busy ringing up headmistresses, and which famous faces she’d love to work with in this exclusive conversation, hand-picked from Creative HEAD’s video archives.

A Creative HEAD video project in partnership with Wella Professionals

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