‘Grunge’ from the House of Colour Art Team takes a trip back to the ‘90s, favouring Calvin Klein-esque minimal black and white photography to make the raw and real styling take centre stage.

Photography by Lee Mitchell
Hair: House of Colour Art Team
Make-up: Declan Doyle
Styling: House of Colour Art Team

Vibrance, the new collection by the #SKPCollective, delivers a decadent take modern colour and texture. It’s a plush setting of fabrics and feelings, with a modern yet retro aesthetic to amplify the super luxe vibe with a smattering of fun 

Photography by Michael Young 

Hair: #SKPCollective using IGORA Vibrance –

Amy O’Sullivan, Layla Relf, Ed Mascarenhas, Joe Taylor, Chris Donohue, Kat Cartwright 

Creative direction: Hooker & Young 

Photography: Michael Young 

Styling: Lewis Cameron

Make-up: Maddie Austin 

The Meadow

Photography by Michael Young

Shooting outdoors during the mid-summer months is amazing. The sunlight’s touch on the meadow landscape, especially at sunset, creates a mesmerising backdrop for those fleeting moments. Shooting in direct sunlight adds a texture that’s  impossible to mimic indoors – each element of the landscape comes alive in the golden hues, drawing viewers deeper into the frame. Using natural light allowed me to authentically capture those ephemeral moments, telling a story through each frame and creating a dreamlike atmosphere that accentuates the hair’s beauty. These images are testament to the power of the sun, capturing beauty in a way studio lighting can’t match.

Ungendered

Photography by Michael Young

This shoot encapsulates the transformative power of genderless fashion. By challenging traditional norms, we created a narrative of acceptance and self-expression, where individuality reigns supreme. The stripped-back aesthetic, with its focus on the models through controlled lighting, allows the authenticity of the subject’s identity to shine through. This is more than just a hair shoot; it’s a declaration of a more inclusive and fluid future, where everyone is free to explore and celebrate their unique style without being confined by societal labels. It’s a message of empowerment and liberation, inviting viewers to embrace their true selves without limitations or constraints.

Annabel’s

Photography by Michael Young

This shoot oozes with the opulence and decadence of a private members club. It’s actually our lounge at home, with some extra props and ornate backdrops creating an air of mystery and allure! Shot with direct lighting, each frame is saturated with intricate details and sumptuous textures, transporting viewers into a world of exotic taste and extravagance. Here, fashion becomes a symbol of privilege and sophistication, inviting viewers to indulge in the allure of Annabel’s.

“My camera kit varies depending on what and where I’m shooting. I started with Canon and have pretty much stuck to that, collecting different camera bodies and lenses along the way. I mostly shoot portrait work with a 50mm prime lens, but that can vary if I’m shooting full length with a more fashion focus. 

I shoot remotely, as well as at my home studio and London studios, so a large amount of my kit needs to be transportable. Lighting, soft boxes and other accessories are mostly by the Swedish brand Profoto –  they’re incredibly versatile and deliver excellent results, but also give me the freedom to move around. “

TAPESTRY

The warm sepia tones of this portrait evoke a feeling of nostalgia. The model’s serene expression and delicate features are charming and graceful, reminiscent of tradition and culture.

SERVING FACE

I love the interplay of shadow and light in this picture. The dramatic poses and expressions create a sense of high drama – it’s a visual feast of power, passion and glamour. 

Davines art director Tom Connell strips it back to basics in black and white and captured in natural daylight. It explores the special moments that can happen during a cut that can be as fresh and exciting as the final look.

Hair and art direction: Tom Connell for Davines
Colour: Ashleigh Hodges
Hair team: Mathew Gavin, Alessandro Tammaro, Nadina Ray
Make-up: Michelle Guandalini. Photography: Tom Connell