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London Fashion Week SS26

London Fashion Week SS26

London Fashion Week SS26

A quick peek at the hair to share

by AMANDA | EXPLORE

Photography: Mattero Valle

Dreaming Eli

Danilo Giangreco for Revlon Professional

Titled “My Name is Amore”, the show was a love letter to women everywhere, set against the dramatic backdrop of the Gothic-style St. Cyprian’s Church in Marylebone. Hair was styled to echo the theme of romance; ethereal, soft, and polished yet with an undone edge. Danilo created the ‘love-me-knot’, a look that suggested the intimacy of love itself, intentional, passionate, and touched with the tenderness of the morning after. Hair was knotted and braided into a halo-like shape, then twisted into a delicate bun with loose pieces left to fall, evoking both softness and sensuality. A perfect match for a show bursting with feminine softness and strength all rolled into one!

Photography: Thomas Morgan for Authentic Beauty Concept

Erdem

Anna Cofone for Authentic Beauty Concept

It was back to British Museum for Erdem – it’s become his unofficial #LFW home – as names such as Beth Ditto and Ambika Mod gathered to enjoy the breathtakingly romantic pieces, inspired by the 19th Century Swiss medium Hélène Smith. Her trances “carried her across centuries, continents and planets”, and she believed herself to have lived other lives – within the French court, as an Indian princess and as a traveller in the Martian skies. Plenty for Anna to get her teeth into when it came to stories for the hair. She referenced the classic ‘70s mystery ‘Picnic at Hanging Rock’, alluding to the girls’ mussed-up, partied-out, next day hair. The hair looks embodied girls caught in fleeting moments – hair tousled and lived-in, with abstract waves and kinks.

Emilia Wickstead

Soichi Inagaki for Bumble and bumble

This collection drew on the radical sensuality and striking contrasts of photographer Robert Mapplethorpe – beauty and brutality, softness and severity, art and desire.

To mirror Wickstead’s meditation on contrast and quiet sensuality, lead hairstylist Soichi Inagaki using Bumble and bumble created hair that felt refined yet effortless, with soft movement as each model’s natural texture was accentuated. The result channelled the collection’s themes of duality, with hair that felt lived-in and intimate, yet carried the sculptural elegance and quiet power of a Mapplethorpe portrait.

Photography: Joss Wild for Authentic Beauty Concept

Susan Fang

Anna Cofone for Authentic Beauty Concept
The hair direction was inspired by the symbiotic relationship between nature and human design. Models wore a blend of natural, lived-in textures contrasted with sculptural, almost futuristic shapes; a vision of beauty set thousands of years ahead. Floating loops, sweeping side partings and weightless textures captured Susan Fang’s creative theme perfectly. Overall, an effortless, lived-in feel with a touch of the poetic.

Vin + Omi

Karoliina Saunders for R+Co

Dishevelled, worn, messy beehives and explosive hair that looked shattered reflected the show’s concept of dysphoria, with tools to hand from Cloud Nine. Both styles were crafted using donated synthetic wigs, underscoring the show’s powerful message of sustainability. Backcombing magic starts with R+Co Sky Line Dry Shampoo; its powdered texture delivers that perfect, runway-ready volume. She kept the product line up minimal, using R+Co Vicious for hold and Rockaway Sea Salt Spray on the ends to achieve a worn-in finish, enhanced with razoring for those edgy, shattered details. She also razored the ends to achieve the same effect.

AKOK

Richard Phillipart for Authentic Beauty Concept

On the top floor of Hamleys, tucked between plushie Pokémons and toy planes, designer Anamika Khanna unveiled her debut LFW collection for AKOK. Reinventing traditional Indian garments with a contemporary edge, the show was complemented by hair direction from Richard Phillipart, tailoring looks to each model’s individuality. Some styles carried a smoother, more refined texture, while others embraced a grungier, undone finish. Across the board, there was a carefree essence running through, enhanced by subtle braids threaded beneath the hair.

Karina Bond

Efi Davies for TONI&GUY

Efi led the TONI&GUY Session Team in crafting a 3D silhouette within the hair, extending the back of the head shape to create a squared, top-heavy effect. Elements of Karina’s 3D printing technique were seen using studs in the hair, adding a futuristic edge. With ‘The Midnight Sun’, the label presented a contrast to the rise of illusory AI fashion, with pioneering innovation and craftsmanship that feel otherworldly yet exist in the physical realm.

Richard Quinn

Sam McKnight for Hair by Sam McKnight

An haute couture updo, the look was an ode to glamour and elegance, with a sleek French twist and volume. With Naomi Campbell opening the show, what followed was a showcase of silhouettes, from caped column gowns to ‘50s tulle skirts.

Edeline Lee

Philipp Haug for Schwarzkopf Professional

SS26 The theatrical elements of the clothes were contrasted with modern, sleek hair with strong partings in a ponytail or neatly tucked into the statement collars. A clean approach was taken to keep the focus on the clothes, styling hair away from the face and incorporating different hair length models. Minimalist ponytails and high-collar clothing were paired with strong side partings to evoke a sense of strength.

Roksanda

Anna Cofone for Authentic Beauty Concept

A fantastic show blending sculptural beauty and high-gloss style to honour Roksanda’s 20 years of visionary design. Backstage, Anna shaped hair like modern art to carve fluid, high-shine shapes. With wide-tooth combs, sculptural lines and curves were etched into both short and long styles with sides kept sleek and square, crowns pushed back into graphic forms. Diffused drying sealed the structure, creating looks that were fluid yet bold, mirroring Roksanda’s dynamic silhouettes.

Rory Docherty

Richard Phillipart for Authentic Beauty Concept

A lived-in, summer-fresh look by Richard and his team, inspired by the prints and designs on the clothes, hand drawn by Rory and featuring sea anemones, pebbles, stones and the movement of water. They wanted to evoke that same fresh crisp summer feeling in the hair. Starting with Authentic Beauty Concept Glow Spray Serum, he layered on Nymph Salt Spray for that effortless, air-dried texture. Solid Pomade up front and the Strong hold spray kept every raked strand perfectly in place

Cos Sakkas for TONI&GUY

Cos led the TONI&GUY Session Team in capturing the allure of movie icon Sharon Tate, evoking the spirit of late ’60s California glamour. The look features a voluminous beehive silhouette paired with soft, face-framing strands, a modern interpretation that pays homage to her signature elegance and the bouffant styles of 1967. Retro yet contemporary, the hair complemented Paul Costelloe’s Boulevard of Dreams collection, a vibrant ode to femininity, freedom and effortless glamour.

Harri

Danilo Giangreco for Revlon Professional and American Crew

Danilo worked with American Crew and Revlon Professional to embrace the models’ own style, making them feel like their true selves on the runway, celebrating natural curls, all textures, mullets and extra-long hair, embracing individuality and what made each of the models unique. The concept for the show was creatives walking to work and the line-up featured a mix of models and working people. The hair looks played into the ongoing, genderless hair trend of balancing softness with edge working across masculine and feminine aesthetics. For men’s hair, full fringes and curtain bangs remain a strong hair trend in 2026 adding character and personal expression to layered cuts. 

Oscar Ouyang with NEWGEN

Kim Rance

The NEWGEN space was buzzing, and backstage carried the same energy; lively yet calm, organised chaos with a playful edge, and yes… feathers everywhere! These feathers, sourced as by-products from chickens and turkeys, were woven into both the outfits and the hair, giving the show a slightly feral, eccentric “public school boy” vibe. Former It List winner, Kim Rance, was on hand, curling, brushing and artfully tucking in feathers to create the look of a mischievous pillow fight aftermath.

Left: Patrick Wilson (photography by Matteo Valle) Right: Issac Poleon (photography by Alexis White)

SPOTTED!

Hairstylists hit the runway at Harri, with session stylists Patrick Wilson and Issac Poleon walking rather than doing hair (Danilo Giangreco for Revlon Professional had that job!)

Look Who’s Hitting The Decks At MWIT!

Look Who’s Hitting The Decks At MWIT!

Look Who’s Hitting The Decks At MWIT!

See y’all on the dancefloor!

by CATHERINE | INFORM

Creative HEAD are VERY excited to announce that Phoenix Brown will be leading us onto the dancefloor at the Most Wanted and It List Grand Final this year, at a cocktail-filled After-Party, which is sponsored by Olaplex.

Phoenix, daughter of Spice Girl “Mel B”, has been choosing her own lane in the music industry, playing DJ sets at trendy clubs, private events and celebrity parties in London and LA, including at the 2024 BAFTA Awards.

She’s known for reading the crowds and keeping the dancefloors moving with sounds that mix Afrobeats with dancehall, R&B, and global club rhythms – so make sure you’re ready to throw your shapes.

Offstage, Phoenix brings the same vibrant flair to fashion, mixing vintage pieces and bold streetwear into looks that echo her musical style. Earlier this week she made her catwalk debut at London Fashion Week SS26, modelling for NYC streetwear label, Sprayground.

She’s also going into schools and colleges as an ambassador for Women’s Aid, a charity supporting women and children affected by domestic violence (Mel B, who was awarded an MBE for services to charitable causes and vulnerable women, is also an ambassador).

“Even though I don’t know them and I don’t know their life, I can understand the situation that they’re in on a personal level,” says Phoenix.

“If I had had that growing up, to understand that I wasn’t alone and that it wasn’t my fault and there’s ways that you can go round the situation it would have helped me so much.”

The Most Wanted and It List Grand Final takes place at Drumsheds, London, on Monday 13 October. Tickets are selling fast. To get yours, click here.

FEMINA by Jacqueline Hirst

FEMINA by Jacqueline Hirst

FEMINA by Jacqueline Hirst

Celebrating the stages in a woman’s life, this first collection from Jacqueline Hirst explores a woman, full of ambition and desperate to have it all. “This is a very personal collection for me, with each model representing a different look and thought process. From the different stages, stresses of life that break us before we rebuild ourselves each time,” says Jax. Follow the journey…

by AMANDA | PORTFOLIOS

Avarice – This is all about gluttony, wanting it all and pure consumerism. The wig was created by Jax and adorned with flowers, pearls and butterflies.

Lilith – The dark mother. A woman whose strength will protect with a passion of no bounds.

Bryderus – A woman whose anxiousness takes over her world.

Bellatrix – A warrior woman who holds no prisoners. The wig, also created by Jax, is for the fierce look, cutting with clippers for a solid line.

Serenus – The composed woman, who has lived through it all, brings a sense of calm.

Hair director: Jacqueline Hirst @jaxrhair
Lead assistant: Emma Dixon @emmadixonhair
Assistants: Kerry Galliano @kerrygallianohair and Lucy Melvin @lucy_melvin_hair
Make-up: Rebecca Cox @beccsmakeup
Photography: Liam Oakes @liamoakesphoto

Hair & Care Presents: Beyond Vision – Championing Inclusion in Fashion and Beauty

Hair & Care Presents: Beyond Vision – Championing Inclusion in Fashion and Beauty

Hair & Care Presents: Beyond Vision – Championing Inclusion In Fashion And Beauty

The fashion and beauty industries celebrate innovation, but one vital element is still too often ignored: accessibility. Beauty is meant to be a language of self-expression, a way to show the world who you are. But what happens when spaces designed for visibility leave millions unable to participate?

by ZURI | INFORM

Hair & Care, the Hackney-based non-profit founded by award-winning hairstylist Anna Cofone, has been asking this question from the very beginning. Through monthly workshops for blind and low-vision women and girls, the organisation reimagines beauty as an experience beyond the surface, something to be felt, heard and a place for community. For Anna, the work is deeply personal. Her father, who lived with retinitis pigmentosa, viewed self-care as an act of dignity and visibility. That devotion lives on in Hair & Care’s mission: to make beauty a space of belonging for everyone. 

Last week, the project took centre stage with the premiere ofBeyond Vision” at Sea Containers London, a short film and panel discussion that invited audiences to see beauty through a new perspective. 

Film by: Hector Hilleary

A Sensory Approach To Beauty 

Directed by Hector Hilleary, “Beyond Vision” invites us to see beauty through an unconventional lens, one shaped not by appearances, but by sensation. In Anna’s workshops, self-care unfolds as a fully sensory experience: the glide of a brush, the mist of a spray, the warm caress of water on the scalp. These rituals affirm identity as much as they nurture confidence and personal expression. For the women featured, the workshops offered a rare space of mutual understanding, where they could be their authentic selves and feel seen. 

The film’s gentle power lies in showing how confidence and community emerge side by side. As participants laughed, experimented, and encouraged one another, it became clear that beauty is not a privilege of sight but a practice of care, connection, and recognition. 

Image by: Hector Hilleary

Breaking Misconceptions 

That spirit flowed into the evening’s panel discussion, where the conversation turned toward dismantling stereotypes. Too often, blind and low-vision people are assumed not to care about their appearance, simply because their experience of beauty is different. Yet, as one attendee shared, “Looking in the mirror and not seeing what’s looking back makes you hyper-conscious.” It was profoundly moving, a reminder to consider: what would self-care mean if we couldn’t see ourselves? The comment reframed the issue entirely: it isn’t disinterest but rather a heightened awareness shaped by exclusion. 

Moderated by Vogue Business journalist Maliha Shoaib, the panel gathered blind broadcaster and activist Lucy Edwards, fashion designer Chet Lo, Dazed beauty director Alex Peters, deafblind social media analyst Jane Manley, and founder Anna. Together they pressed the industry to view accessibility not as an afterthought but as an essential design principle. As Jane Manley urged, “Do things from the front, not from the back.” From packaging to websites to in-store experiences, accessibility is most impactful when it is built in from the beginning. 

Image by: John Armour

A Call To Lead With Change 

The conversation carried weight beyond the event. More than 2 million people in the UK live with sight loss today, a number expected to double by 2050. This is not a niche audience, but a growing community too often underserved and underfunded. While many brands cite cost as a barrier, the reality is clear: accessibility is not charity, it is both a moral and commercial imperative. 

Hair & Care is already showing what’s possible. Through its Making Fashion Accessible programme, recognised by British Vogue and the BBC, the non-profit has brought inclusivity to London and Copenhagen Fashion Weeks, collaborating with leading designers to ensure accessibility is built into every aspect of fashion. Their workshops continue to provide blind and low-vision women with safe, sensory-led spaces to experiment with beauty on their own terms. 

The premiere of “Beyond Vision” was a reminder that change begins in moments like these: a film that sparks empathy, a panel that challenges assumptions, and a project that insists on visibility. 

The question now for the wider industry is this: the next time you launch a product, design packaging, or plan a campaign, will accessibility be an afterthought, or will you choose to lead from the front? 

Image by: Madoka Take

What’s The ‘Come Back Cut’?

What’s The ‘Come Back Cut’?

What’s The ‘Come Back Cut’?

From ill-judged bangs to poorly-thought through perms – big hair decisions often follow a moment of upheaval. This Isle of Man salon is putting a positive spin on the transformational haircut.

by HAYDN | INFORM

Magnificence Hair and Beauty, the Douglas salon led by Maggie Thompson, has unveiled an inspiring new service concept: The Come Back Cut. She created The Come Back Cut because she’s always believed hairdressing should support people through life’s toughest moments. As a mum of four neurodiverse children and someone who’s faced her own health challenges, she knows how powerful a fresh start can feel.

The service was inspired by that desire to help clients step into a new identity, whether after illness, motherhood, divorce, or simply a big life change. For her, a haircut isn’t just a trim, it’s a line in the sand; a way of saying goodbye to the past and embracing the new you.

For Maggie, the idea was born from wanting to go deeper than the aesthetics of a cut. The Come Back Cut is more than just a haircut; it’s a celebration of your journey and a reminder of your strength,” she explains. “My mission is to create a space where women feel empowered to embrace change and walk out with a renewed sense of self.”

Each service begins with a tailored consultation, digging into face shape, lifestyle, personality and aspirations. Maggie then works her magic, combining technical expertise with a naturally empathetic approach to create a look that’s not just flattering, but perfectly aligned with who the client is right now.

For the hairdressing community, it’s a bold reminder of the unique role stylists play in their clients’ lives: not just delivering sharp cuts and fresh colour, but offering a safe, supportive space for confidence and identity to flourish. The launch taps into a wider industry shift where purpose-driven services go beyond the technical to spotlight wellbeing, empowerment and connection.

And as for feedback, Maggie says, “The demand has been amazing, it has been busier than Christmas! When we launched, we had 9 bookings in the very first week, most of them brand-new clients!”