THE MET GALA’S MOST MEMORABLE HAIR MOMENTS

THE MET GALA’S MOST MEMORABLE HAIR MOMENTS

THE MET GALA’S MOST MEMORABLE HAIR MOMENTS

Hair looks inspired by The Garden of Time theme at fashion’s iconic event.

Fashion’s biggest night of the year, The Met Gala, is never short of iconic outfits… but it also never fails to deliver striking hair looks, too. While the official Costume Institute exhibition on display at the Metropolitan Museum of Art is Sleeping Beauties: Reawakening Fashion, the dress code and general theme of the Met Gala was the Garden of Time. How did some of the big names interpret that concept? Let’s take a look 

Pablo Iglesias and Matt Rez - Penelope Cruz Met Gala

Penelope Cruz

Hair: Pablo Iglesias on styling and Matt Rez on colour, using Moroccanoil
Inspiration: “The inspiration behind the look were classic Hollywood movies from the ‘30s full of glamour in black and white mixed with all the fairytale characters, from Sleeping Beauty to Snow White,” explained Pablo. “Penelope wanted a chocolate-y copper vibe for a change! She looks beautiful with warm tones. Moroccanoil has the perfect chocolate tones to do the job!” Matt added. 

Peter Burkill Harris Reed Met Gala

Harris Reed

Hair: Peter Burkill using Dyson Corrale hair straightener
Inspiration: “Drawing inspiration from the enchanting beauty of Pre-Raphaelite art, we meticulously crafted a hairstyle embodying a lived-in charm, highlighting Harris Reed’s long, eroded copper locks gracefully cascading down his back,” explained Pete. Achieving this look involved sculpting intricate braids and delicate water waves, evoking the romantic allure of the era. To complement this hairstyle, Harris wore a custom piece, taking inspiration from his latest collection, ‘Shadow Dance’, where archive wallpaper was revitalised, stripped back to silk, and repurposed on to garments, symbolising the reawakening of beauty in line with the theme for this year’s Met Gala.

Ursula Stephen Zendaya Met Gala

Zendaya

Hair: Ursula Stephen, using Dyson Supersonic r Professional Hairdryer
Inspiration: “Subtle beauty, very delicate, very confident,” shared Ursula. The loose strands around the front of the face make the up-do look soft and natural, it embodies the Garden of Time theme, paired perfectly with a striking headpiece and earthy, blue and green tones of the dress.

Bryce Scarlett Jacob Schwartz Brie Larson Met Gala

Brie Larson

Hair: Bryce Scarlett on styling and Jacob Schwartz on colour, using Schwarzkopf Professional BLONDME and IGORA VIBRANCE
Inspiration: “My version of the expensive Monday Blonde, I call it Spun with Gold and involves a meticulously thorough amount of micro highlights throughout the entire hair. It’s the perfect amount of light and dark blended to give extra life to the hair,” explained Jacob. 

Takisha Sturdivant-Drew Kerry Washington Met Gala

Kerry Washington

Hair: Takisha Sturdivant-Drew, using OSiS from Schwarzkopf Professional
Inspiration: “Kerry’s gorgeous dark violet Oscar De La Renta dress is the perfect representation of the theme Garden of Time and I knew I had to match that chic, bold, and fairy-like energy with her hair,” said Takisha. “I love a pixie cut on Kerry and decided this was the perfect moment for an elevated pixie cut to bring the whole look together.” 

Irinel De Leon Karlie Kloss Met Gala

Karlie Kloss

Hair: Irinel De Leon, using Dyson Supersonic r Professional Hairdryer
Inspiration: “We wanted to keep the hair a little more on the simple side because of the intricate detail in the dress,” said Irinel. “The dress is embellished with Swarovski crystals throughout with flowers draping down the length of the dress; therefore we wanted the hair to feel soft, whimsical yet polished. The low chignon with wispy pieces around the face and ears, add a bit of softness to the look.” 

Jacob Schwartz and  Jillian Halouska Rebecca Ferguson Met Gala

Rebecca Ferguson

Hair: Jillian Halouska on styling and Jacob Schwartz on colour, using IGORA VIBRANCE from Schwarzkopf Professional
Inspiration: “Rebecca is starring opposite Chris Pratt and Anabelle Wallis in the MGM sci fi thriller series, Mercy. I thought of her futuristic character when creating her blondes,” said Jacob. “We are calling it Galactic Blonde.” 

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“I’M NOT REALLY A PERSON WHO TENDS TO FOLLOW TRENDS, I LISTEN TO CLIENTS” – WELCOME TO THE NEW ERA OF DYLAN BRADSHAW

“I’M NOT REALLY A PERSON WHO TENDS TO FOLLOW TRENDS, I LISTEN TO CLIENTS” – WELCOME TO THE NEW ERA OF DYLAN BRADSHAW

“I'M NOT REALLY A PERSON WHO TENDS TO FOLLOW TRENDS, I LISTEN TO CLIENTS" – WELCOME TO THE NEW ERA OF DYLAN BRADSHAW

No longer just a hair salon, Dylan’s renovated Dublin space is a lifestyle store for the modern consumer.

Dylan Bradshaw, Dublin

The idea for the refresh of the iconic Dylan Bradshaw salon in Dublin had started gestating before Covid. It had been a decade since the last refit, so Dylan and his wife and business partner Charlotte were keen on a change. Then the lockdowns hit. “It makes you have a serious rethink about what you want to do, where you want to be,” he recalls.

DYLAN BRADSHAW

Dylan Bradshaw

With a reputation for high-end service and luxury experience, would the new era of Dylan Bradshaw see him pare back as the cost of living crisis hit? “We’ve doubled down,” he laughs. “The consumer has changed, and the industry has changed. I’m not really a person who tends to follow trends, I listen to clients. We’re a high-end brand, and our business comes from all over the country. In a world where everybody’s trying to simplify and dumb things down, and I want to give more of a luxury experience. We went from a salon to a store; we’re a lifestyle space now.”

About 18 months ago, the salon increased prices by 25 per cent across the board, giving clients six months’ notice. The cost of running a business had increased, and he had to act accordingly. The business also heavily invests in upskilling staff to ensure that elevated salon experience. “Our job is to take care of people, we’re professionals giving the very best service. At the same time, we can’t be stupid, we must charge accordingly. If you treat it like a serious business, people will take your business seriously.”

Dylan Bradshaw salon ku.fee coffee bar

ku.fee: The speciality tea and coffee shop called with its bespoke La Marzocco Linea PB S ABR espresso machine 

And serious he is, as the careful thought behind the new look business attests. The front of the late eighteenth-century Dublin townhouse – originally occupied by the salon’s front desk – is now a speciality tea and coffee shop called ku.fee. Dylan spent a year tasting coffee roasts to find the perfect choice, has a €12,000 bespoke La Marzocco Linea PB S ABR espresso machine and even completed a barista course with the manager. While it’s a new business for Dylan to reach fresh customers, ku.fee baristas are also on hand to brew the perfect beverage for salon clients as part of their service.

Once inside the store, you’ll discover a carefully curated collection of lovely things in home, hair, beauty and personal care. It’s a shopper’s paradise. And he’s pairing up with Dublin-based barber brand Faction, which will take the top floor of the building. There’s also a space that can be rented for shoots or events, used recently by Hair by Sam McKnight for its Irish launch.

Dylan Bradshaw salon retail

Yes, you can buy shampoo, but you can pick up so much more with  
the curated retail selection

Dylan bradshaw salon backwash

Renovated backwashes: The iconic Gamma & Bross Teknowash Plus units 

Dylan Bradshaw salon

Seating pods: For those wanting to work or enjoy a coffee 

Dylan bradshaw seating pods

Within the hair salon, Dylan hasn’t taken the easy path, opting to reuse and repurpose as much as possible with a firm eye on sustainability. He points to his Gamma & Bross Teknowash Plus units as an example, all stripped, rebuilt and reconditioned with new motors. “It’s not saving money, it would be cheaper and easier to buy new stuff. We have a huge focus on our waste,” he admits. “I want to do better, I want to move in a different direction.”

He’s also ensured with the renovation that the team had a proper space to relax in between clients, rather than a staff room the size of a broom cupboard. “They work hard on their four days, but then they get three days off, and then they come back into the salon focused and ready to work their socks for the business. It’s very important that we have a team that’s happy to work within the space.”

In the middle of the salon, you’ll find six pods where clients can sit and plug in with their laptop and have a coffee (perhaps while their colour develops). The space also feels much bigger, thanks to the clever lighting and more soothing material choices (repurposed Connemara marble, pure oak wood, and terrazzo floors). The reception desk is a long and spacious island, akin to a luxury kitchen to avoid any kind of divide between front of house and guests. It’s all part of the brand becoming more closely knit to its neighbourhood. Has the introduction of the coffee shop confused clients? “There’s a lot of head scratching when people come to the door, they’re not sure. ‘I’m going into a cafe?’,” he laughs. “And I like that, because that means we’re shaking things up.” And that door is open for lots more opportunities to defy expectations…

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“I LOVE DOING HAIR ON CLIENTS BUT CAN’T HANDLE TRADITIONAL SALONS” – ASHLEIGH HODGES ON THE GENESIS OF MASH CREATIVE STUDIO

“I LOVE DOING HAIR ON CLIENTS BUT CAN’T HANDLE TRADITIONAL SALONS” – ASHLEIGH HODGES ON THE GENESIS OF MASH CREATIVE STUDIO

“I LOVE DOING HAIR ON CLIENTS BUT CAN’T HANDLE TRADITIONAL SALONS” – ASHLEIGH HODGES ON THE GENESIS OF MASH CREATIVE STUDIO

The Hackney-based space is now open for creatives, with sustainability at its core.

Ashleigh Hodges

Ashleigh Hodges

Ashleigh Hodges keeps a lot of plates spinning. There’s her role as a global colour ambassador for Davines, her session work as part of the Hairdotcom team and her ever-expanding involvement with the Fellowship for British Hairdressing. Now, she’s opened her own space as well as unveiling her own education. Ashleigh talks us through the key ingredients to her Mash… 

What’s the aim of Mash Creative Studio?  
To offer a sustainable, calm and creative space for hair professionals and beyond. I work in so many areas of our industry – from flying around the world on campaign shoots, teaching or working on TV – so I wanted to create a space to bring my creative community together. Being a former photographic studio, it was perfect to create a multi-functional space for creatives. I love doing hair on my clients but can’t handle being in traditional salons – so much noise and stimuli for this autistic girl. I wanted to create a space that offers a calm environment for both hairdresser and client, with sustainability at the forefront.  

What’s on offer at Mash? 
We offer the space for photoshoots, seminars, education, intimate events, chair rental and more. If you’re trying to make the world a better place, we have the creative space for you to do just that. 

Talk us through the design concept… 
Sustainability was at the forefront of our design. Working with the motto “the world doesn’t need more stuff” made us think outside the box creatively when it came to interior design. All the furniture has been sourced second-hand from markets or flea markets, the House of Hackney feature wallpaper and soft furnishings were sourced from a sample sale. My aim was to curate a beautiful canvas for people and brands to be able to make their own mark when renting out, while keeping our own signature character.  

How will you be marketing your space to collaborators?  
We have created beautiful brochures about the space that are sent out to everyone on our mailing list. Authentic marketing is my aim, reaching out to people personally and helping to shape their creative ideas into reality. East London is a hub of creativity so connecting with others within the community is paramount. Curated social media posts, and working with those within our growing community to spread the word and benefit from that. 

Mash Creative Studio
Mash Creative Studio

What advice do you have for independent stylists looking for a working space?   
Find the space that’s right for you. Test a few out, try them on for size before you settle down. You will know if it’s right within the first hour. There are so many great work spaces out there depending on your professional needs. Look at your business and find the right one that aligns with it. Think of it as a long-term brand collaboration; you want to make sure your two brands lift each other up.  

What are your future plans?  
So many things! My brain never rests. I already have more plans for Mash Creative in the pipeline, and with the launch of my new academy there’s lots coming there too. And to top it off, I’m about to become the Fellowship for British Hairdressing’s youngest ever president. I’m ready to shake things up for sure! 

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THE MISSION? TO “DECOLONISE” PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

THE MISSION? TO “DECOLONISE” PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

THE MISSION? TO "DECOLONISE" PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

Yasemin Hassan deep dives into her photo series and exhibition Talking Textures – celebrating, educating and redefining the cultural significance of textured hair.

Talking Textures event, April 2024

Curated by barber Yasemin Hassan and captured through the lens of photographer Yeliz Zaifoglu, the photo series and exhibition Talking Textures dives deep into the intricate relationship between beauty, cultural identity, and the resilient nature of hair, especially within the Southwest Asian & North African (SWANA) communities. 

Hosted at Ugly Duck London, Yasemin sees Talking Textures as more than an exhibition; it’s a movement to celebrate, educate, and redefine the cultural significance of textured hair. Spanning across 26 photographs, a short video, and a panel discussion that was held on 12 April, the project seeks to bring to light the challenges, beauty rituals, and the profound connection between hair and cultural identity in SWANA regions. 

Yasemin herself has emerged as a pivotal figure for individuals with textured hair in London, particularly within the SWANA community. While that’s thanks in part to extensive experience on high-end fashion shoots and London Fashion Week, it’s also coupled with personal conversations within her community. Her mission is to “decolonise” perceptions of hair and address the underrepresentation of SWANA identities in the hair industry. 

Roman Sys
Yasemin Hassan

Working closely with Dania Arafeh, founder of 3EIB – a SWANA fashion platform reclaiming the Arabic word 3Eib, meaning ‘shame’ – this project is a reaction to the underlying shame that SWANA individuals often experience from others within their own cultures, as well as what’s taught in the mainstream media about beauty. 

Yasemin breaks down the concept behind each image, and the powerful message each shot conveys… 

Reclaiming Control 
Riyam Salim  

Reclaiming Control 
Michaela Mousicous wearing 3EIB  
Hair makes us feel powerful. We use our hair to reclaim our identity. Talking Textures explores this by considering the amount of people that go to a salon after a big life change and want to consolidate this with a drastic hair change. These images in the series are about power and taking control over our hair.  

Carving Imperfections 
Ali Nasreldin wearing Mehdi Studio  
The media often idealises the ‘perfect curls’ – no frizz and a solid, clean shape when focusing on afro textures. In the full series of images Talking Textures plays on the phrase ‘bedhead’ to contrast to perfect curls. 

Changing Shape 
Peyam Zangana    
People with curly hair often talk about it being ‘too big’ and ask me to make their hair sit flatter. In full series collection, Talking Textures celebrates the shape using the concept  of ‘hat hair’, contrasting to this image which is the unrealistic flattened hair shape. 

Masking Identity  
Eman Alali wearing Isis Dünya  
Many people use hair length and fringes to mask and hide their SWANA features. Talking Textures plays on the use of hair as a mask by using the concept of ‘straggly ends’ to do this. 

Embracing Femininity 
Tahini Molasses wearing Ziyad Buainain 
Talking Textures closes the series by questioning: What is femininity? Does femininity have to be gendered within SWANA communities? Many women idealise long hair as being the height of femininity and beauty. The final set of images through this concept makes the statement that femininity can be unconventional. 

Director/curator/lead hair: Yasemin Hassan 
Photographer: Yeliz Zaifoglu  
Make-up: Tina Khatri  
Styling: 3EIB / Dania Arafeh
Hair assistants: Shaun Birmingham, Amy Clarke, Matthew Tharp 
Shot at Woolf Kings X 

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TARIQ HOWES’ MODERN MOHAWK CAUSED A SCENE

TARIQ HOWES’ MODERN MOHAWK CAUSED A SCENE

TARIQ HOWES' MODERN MOHAWK CAUSED A SCENE

A twist on a styling staple, Tariq Howes combined early noughties nostalgia with ‘footballer craze’ energy to deliver an evolution of the classic mohawk at The Coterie: In Session, held in Manchester in October 2022. Presented first to a live audience, Tariq’s take on the iconic style is as fresh today as it was then. 

A Creative HEAD event in partnership with BaByliss PRO, hosted by George Driver, formerly of Elle UK.

Hair: Tariq Howes
Make-up: Lou Pye
Fashion: Sonia Genders assisted by Gee Stanley
Model: Andre Hassan
Videography: Black Rock Creative
Photography: Ema Crompton
Production: The Creative Partnerships division at Creative HEAD
Venue: fivefourstudios 

Tariq Howes The Coterie: In Session Manchester
The Coterie: In Session Manchester Tariq Howes
The Coterie: In Session Manchester Tariq Howes

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DOMESTIC ABUSE: THE WARNING SIGNS AT WORK YOU NEED TO KNOW

DOMESTIC ABUSE: THE WARNING SIGNS AT WORK YOU NEED TO KNOW

DOMESTIC ABUSE: THE WARNING SIGNS AT WORK YOU NEED TO KNOW

Concerned for the welfare of your colleague or client? Celebrity hairstylist Sam Kerswell shares his first-hand experience, so you know how best to help.

Sam Kerswell

Sam Kerswell, photographed by Lynett Genockey of Harplette Photography with make-up by Tracy Graham

It’s no secret that the hair salon is seen as a safe space by clients – it’s a chance for them to vent, divulge details from their personal lives and chat to hairdressers like old friends. Often, hairdressers consider themselves to be agony aunts, but what happens when it goes beyond discussing a new relationship or family drama?

A hair salon can be a lifeline for someone experiencing abuse and may provide a safe place to seek help, be it as a client or as an employee at the space. For hairdresser Sam Kerswell, a survivor of domestic abuse, his clients knew something was up because of him repeatedly cancelling or rescheduling appointments. When they eventually got to see Sam in person, they noticed how his physical appearance had changed because of the abuse he was suffering at home.

Like so many victims of domestic abuse, Sam was afraid to speak out against his abuser, with those in his life none the wiser as to what was causing the bruises, weight loss, and much more besides. Fast forward a year, and he’s now sharing his story to raise awareness and help anyone else who is suffering in silence.

If you’re concerned about a colleague or client, here Sam shares the signs you should be looking out for, and what to do if you’re wanting to offer support but unsure how to help. 

10 things to look out for

1. Physical injuries: Notice unexplained bruises, cuts, or marks, especially if they occur frequently or seem to be escalating in severity.
2. Changes in behaviour: Look for sudden changes in mood, anxiety, or withdrawal from social interactions.
3. Isolation: If a co-worker or client becomes increasingly isolated, avoids social gatherings, or makes excuses to not participate in group activities, it could be a sign of controlling behaviour from an abusive partner.
4. Excessive absences or tardiness: Consistent tardiness or unexplained absences could indicate the need to hide injuries or emotional distress caused by domestic abuse.
5. Unusual financial strain: Notice if a co-worker or client suddenly experiences financial difficulties, such as requesting pay advances, selling personal items, or borrowing money frequently. This could be a result of financial control or manipulation by an abuser.
6. Fearfulness or nervousness: Pay attention to signs of fearfulness, nervousness, or being easily startled, especially if they seem to be in the presence of their partner.
7. Overly controlling partner: If a co-worker or client’s partner exhibits overly controlling behaviour, such as constantly calling or texting, monitoring their whereabouts, or restricting their communication with others, it could be a red flag.
8. Unexplained excuses or cover-ups: Be wary of inconsistent or implausible explanations for injuries, missed work, or changes in behaviour. Unexplained weight loss and excuses as to why is also an indicator as some abusers limit food intake.
9. Uncharacteristic clothing choices: Notice if a co-worker or client wears clothing that seems inappropriate for the weather or situation, which could be an attempt to hide physical injuries.
10. Expressions of fear or concern: If they confide in you about feeling afraid or concerned about their safety at home, take their words seriously and offer support and resources for help.

Sam Kerswell with friend Annie Franklin

Sam with friend Annie Franklin

Sam Kerswell behind the scenes

Sam behind the scenes of a photo shoot

How to help

1. Choose a private and safe space: Initiate the conversation in a private setting where the individual feels comfortable and safe. This could be a quiet office or a secluded area away from others.
2. Express concern and support: Begin the conversation by expressing genuine concern for their well-being. Let them know that you’ve noticed certain signs or behaviours that have raised concerns and that you are there to support them.
3. Listen actively: Allow the individual to share their thoughts, feelings, and experiences without interruption. Practice active listening by maintaining eye contact, nodding, and providing affirmations to show that you are engaged and empathetic.
4. Avoid judgment and blame: Refrain from making assumptions or placing blame on the individual for their situation. Instead, focus on validating their experiences and feelings while offering reassurance that they are not alone, and that help is available.
5. Offer resources and assistance: Provide information about available resources, such as domestic violence hotlines, counselling services, legal assistance, and support groups. Offer to assist them in accessing these resources if needed, while respecting their autonomy to make their own decisions.
6. Respect confidentiality: Assure the individual that any information they share with you will be kept confidential to the extent possible, while also explaining any legal or professional obligations you may have to report certain disclosures of abuse.
7. Create a safety plan: Work together to develop a safety plan tailored to their specific situation, which may include steps to ensure their immediate safety, such as identifying safe places to go or establishing a code word to signal for help.
8. Follow up and check in: Continue to offer support and check in with the individual regularly to see how they are doing. Let them know that you are there for them whenever they need someone to talk to or if they need assistance in any way.

By approaching these conversations with empathy, understanding, and a commitment to supporting the individual’s autonomy and well-being, you can help clients and colleagues feel empowered to seek help and make positive changes in their lives.

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