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LAUREN BELL – A PASSION FOR INDIVIDUALITY

LAUREN BELL – A PASSION FOR INDIVIDUALITY

0{{current_slide_index}}/0{{total_slide_count}} LAUREN BELL [A passion for individuality] View photos

LAUREN BELL – A PASSION FOR INDIVIDUALITY

The session stylist on pay transparency and proving a point

Lauren Bell

London-based Lauren Bell spent years honing her craft before going freelance in January 2020; she is self-represented and her published highlights include prestigious publications such as Vogue, Harper’s Bazaar, and Elle.

Artistic by nature, Lauren immersed herself in the beauty industry at a very young age. Her introduction to the fashion world in 2015 led her to work backstage at runway shows with some of the biggest names in the industry. This experience sparked a passion for individualism as expressed through fashion and beauty.

Lauren’s natural talent in hairstyling has allowed her to build an extensive portfolio and clientele, working with all hair types and capable of achieving any desired look. “Building relationships with muses, artists, and brands to bring their vision to life is the most fulfilling part of my job,” she says

Lauren Bell

London-based Lauren Bell spent years honing her craft before going freelance in January 2020; she is self-represented and her published highlights include prestigious publications such as Vogue, Harper’s Bazaar, and Elle.

Artistic by nature, Lauren immersed herself in the beauty industry at a very young age. Her introduction to the fashion world in 2015 led her to work backstage at runway shows with some of the biggest names in the industry. This experience sparked a passion for individualism as expressed through fashion and beauty.

Lauren’s natural talent in hairstyling has allowed her to build an extensive portfolio and clientele, working with all hair types and capable of achieving any desired look. “Building relationships with muses, artists, and brands to bring their vision to life is the most fulfilling part of my job,” she says

What would you say are your strongest points as a hair artist?

My strongest points are my eye and my fearlessness towards styling hair. I’ve always had the courage to try out different approaches to applying products and techniques. It’s my art, an opportunity for me not to think and just do, go with the feeling, and it’s one of the few times I actually allow myself to get out my head. I also believe my communication skills and being at ease around other people allow me to create a rapport with models and build the trust that’s needed for me to create.

What is important to you, as a hair professional? In other words, what do you want to offer your clients?

Comfort, safety, hair integrity, an opportunity to express themselves, enhance themselves, build trust, not worry about how they look so they can speak their truth or tell their story. It’s become very important for me to work with people who have something to say so I can support them to do this.

The last three months: where have you been, who have you worked with, and what have you been planning?

Since the beginning of the year I’ve been working in Europe for hair brands. I’ve been to Berlin for fashion week and worked fashion week in London with Bimini. I’ve been to fancy hotels with clients, location shoots with Self Esteem, the Brits and worked in London studios with brands like Sephora and Juicy Couture. I’ve also created content and collaborated on editorials, so there’s been a real variety.

Looking back, who/what has got you to this point in your career?

My determination to prove a point! I recently gave a talk at college for Careers Week and it reminded me how determined I had to be to prove that I CHOSE this path to become a hairdresser, that it wasn’t a last resort. I think my need to prove that has definitely played a part in how successful I am now. Also, it goes without saying that I’m here because of my love for this craft and the amazing people I get to work with and the mentors that have helped me direct my path and encourage my growth as a stylist and as a human being.

Your ultimate creative collaboration – what would that look like? Who would be in it?

Oh, wow… Somewhere hot, at dusk, with warm sea air blowing through the hair, all the supermodels, activists and iconic actresses of the past and present on set… It’s really hard for me to answer who would actually be as there are too many people I admire. I see it being a day shoot by the pool and then taking to the coast for the celebration runway. Err, do you think I need a holiday? Lol.

What excites you about hairdressing right now?

There are so many new paths in this industry for people to explore and find out what works for them. I love that about my own journey. My career has been very explorative and full of variation; I don’t know if hairdressing can be beaten in this sense. As someone who has an innate curiosity for people and places, I sometimes have to take a minute to celebrate all the different locations I have had the opportunity to travel to for work and all the different kinds of people I get to meet along the way. The variation and freedom really excite me. 

I love this image from a Juicy Couture campaign. The model, Vix, had beautiful hair and I really like the shine I created with product.

This was a super-fun shoot with stylist @izzymoriartythompson and photographer @ulas_merve. I love how we captured movement through the braids I created and embellished with wooden beads.

This is a look I created for [performer and drag artist] Bimini at LFW. I got creative and made a pony out of gaffer tape. It’s always exciting using different materials in place of hair.

I love this look I created using a coloured wax in place of a root – it works so well with the rest of the texture. I’d smashed a pot of the same colour that morning, which gave me the initial inspiration. It’s similar to [ceramics process] kintsugi and techniques used by Cyndia Harvey at Diesel. This was shot in my flat by my friend and make-up artist, Aimee Twist.

Shot by Morgan Roberts, with make-up by Aimee Twist. I love the simplicity of this beauty shot, and how I used small details of hair to complement the make-up.

I love this BTS image from a shoot I worked on. I used so much gel to create the high-shine effect, the hair looks unreal – like it’s set in resin.

What frustrates you about hairdressing right now?

As a self-represented freelance stylist, I find myself getting frustrated with the rates and budget dance that I have to do. I have noticed a big shift in how I am approached for work and how ‘shopping around’ for the cheapest rate has become very noticeable in discussions – I’d hardly call them negotiations. It concerns me that we don’t know how much we should be charging (it isn’t easy to find out, either, believe me) and with clients being able to reach out directly to people via social media platforms, it’s creating so much variation in rates that it has the potential to devalue everyone. I think there needs to be more education on the fee aspect of our job, more honest communication around it. Maybe even a union? A dedicated, pre-scripted rate education platform? While I respect that there is a journey to be had with regards to experience, skill base and our own personal worth, I worry that we are very vulnerable to being taken advantage of, especially compared to other creative fields in the fashion industry.

 What’s your opinion on why so many hair pros work for free backstage and on set, and how do you think hair pros can establish more value for the work they do?

I think assisting for free has a value if you know what you want and choose a stylist that you admire – then it’s like a free education course. Do I think it should be totally free? No, it shouldn’t come at a cost to the individual, as it so often does. But when you’re starting out, it’s vital to learn on-set etiquette and how to create hair in that field, and assisting for free is often ‘sold’ as an opportunity to network, which it can be. I was lucky enough to work with people who cared about my career, so I was encouraged to network with the photographer’s assistants, to collaborate with them and build my own portfolio. However, it’s important to manage expectations.

Working for free was a huge part of the beginning of my career. Coming from a working class family, I did not have the resources to sign up for bootcamps or education programmes, and nor could I afford to work solely for free. This meant I had to work triple time so I could eventually afford to go self-employed. I have no regrets, because it takes time to learn, reflect, explore, educate yourself and find your style/ethos. However, I can’t help but wonder whether my career could have gone faster, and I would have had more energy for my creativity if those early financial barriers hadn’t been there.

It’s a shame that some of the most creative aspects of our industry are considered low- to no-pay. Should there be a small fee to make it more affordable? It’s a difficult one to get your head around when the stylist you’re assisting isn’t get paid either. And that’s a problem, especially when the other people on set are getting paid. I don’t have the answers for how things will change, but in an ideal world none of us should be working for free in the first place.

This was a super-cool creative look that we worked on for the episode of Drag Race where musician Self Esteem was a judge. It includes a nod to Betty Boop as our reference for glamour.

This was a BTS shot that Aimee took on her digital camera. I love the hair details into the model’s face.

This is a wig that I have which worked perfectly with some wax to create the texture I wanted.

A campaign for a jewellery brand. I love how clean this look is. It was so cool seeing it on posters plastered on walls all around Berlin!

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“GRUNGE” BY THE HOUSE OF COLOUR ART TEAM

“GRUNGE” BY THE HOUSE OF COLOUR ART TEAM

"GRUNGE" BY THE HOUSE OF COLOUR ART TEAM

‘Grunge’ from the House of Colour Art Team takes a trip back to the ‘90s, favouring Calvin Klein-esque minimal black and white photography to make the raw and real styling take centre stage.

Photography by Lee Mitchell
Hair: House of Colour Art Team
Make-up: Declan Doyle
Styling: House of Colour Art Team

 

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‘AGE OF DECADENCE’ BY SKPCOLLECTIVE

‘AGE OF DECADENCE’ BY SKPCOLLECTIVE

‘AGE OF DECADENCE’ BY SKPCOLLECTIVE

Vibrance, the new collection by the #SKPCollective, delivers a decadent take modern colour and texture. It’s a plush setting of fabrics and feelings, with a modern yet retro aesthetic to amplify the super luxe vibe with a smattering of fun 

Photography by Michael Young 

Hair: #SKPCollective using IGORA Vibrance –

Amy O’Sullivan, Layla Relf, Ed Mascarenhas, Joe Taylor, Chris Donohue, Kat Cartwright 

Creative direction: Hooker & Young 

Photography: Michael Young 

Styling: Lewis Cameron

Make-up: Maddie Austin 

 

 

 

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FOCUS ON: MICHAEL YOUNG – A JOURNEY INTO IMAGE-MAKING

FOCUS ON: MICHAEL YOUNG – A JOURNEY INTO IMAGE-MAKING

0{{current_slide_index}}/0{{total_slide_count}} MICHAEL YOUNG [A journey into image-making] View photos

Focus On: Michael Young – A Journey Into Image-Making

The photographer shares his journey into image-making, frame by frame.

by ATHERINE | PORTFOLIOS

Michael Young

“My journey into hair photography began around a decade ago, initially as an extension of my creativity in hair. What began as experimental test shoots quickly turned into a passion. Immersing myself in the world of hair and fashion photography, I studied techniques, developed concepts and collaborated with some of the best stylists and models around.

With each shoot, I pushed my creative boundaries, exploring new genres and possibilities. Photography has become my canvas for capturing the artistry of hair, fashion and beauty in a single frame. From concept to creation, every step is an opportunity to unleash my imagination and creative vision.

My photography allows me to showcase diversity, celebrate self-expression and tell captivating stories. It’s not just about taking pictures – it’s about capturing moments and leaving a lasting impression.

Michael Young

“My journey into hair photography began around a decade ago, initially as an extension of my creativity in hair. What began as experimental test shoots quickly turned into a passion. Immersing myself in the world of hair and fashion photography, I studied techniques, developed concepts and collaborated with some of the best stylists and models around.

With each shoot, I pushed my creative boundaries, exploring new genres and possibilities. Photography has become my canvas for capturing the artistry of hair, fashion and beauty in a single frame. From concept to creation, every step is an opportunity to unleash my imagination and creative vision.

My photography allows me to showcase diversity, celebrate self-expression and tell captivating stories. It’s not just about taking pictures – it’s about capturing moments and leaving a lasting impression.

The Meadow

Photography by Michael Young

Shooting outdoors during the mid-summer months is amazing. The sunlight’s touch on the meadow landscape, especially at sunset, creates a mesmerising backdrop for those fleeting moments. Shooting in direct sunlight adds a texture that’s  impossible to mimic indoors – each element of the landscape comes alive in the golden hues, drawing viewers deeper into the frame. Using natural light allowed me to authentically capture those ephemeral moments, telling a story through each frame and creating a dreamlike atmosphere that accentuates the hair’s beauty. These images are testament to the power of the sun, capturing beauty in a way studio lighting can’t match.

Ungendered

Photography by Michael Young

This shoot encapsulates the transformative power of genderless fashion. By challenging traditional norms, we created a narrative of acceptance and self-expression, where individuality reigns supreme. The stripped-back aesthetic, with its focus on the models through controlled lighting, allows the authenticity of the subject’s identity to shine through. This is more than just a hair shoot; it’s a declaration of a more inclusive and fluid future, where everyone is free to explore and celebrate their unique style without being confined by societal labels. It’s a message of empowerment and liberation, inviting viewers to embrace their true selves without limitations or constraints.

Annabel’s

Photography by Michael Young

This shoot oozes with the opulence and decadence of a private members club. It’s actually our lounge at home, with some extra props and ornate backdrops creating an air of mystery and allure! Shot with direct lighting, each frame is saturated with intricate details and sumptuous textures, transporting viewers into a world of exotic taste and extravagance. Here, fashion becomes a symbol of privilege and sophistication, inviting viewers to indulge in the allure of Annabel’s.

“My camera kit varies depending on what and where I’m shooting. I started with Canon and have pretty much stuck to that, collecting different camera bodies and lenses along the way. I mostly shoot portrait work with a 50mm prime lens, but that can vary if I’m shooting full length with a more fashion focus. I shoot remotely, as well as at my home studio and London studios, so a large amount of my kit needs to be transportable. Lighting, soft boxes and other accessories are mostly by the Swedish brand Profoto –  they’re incredibly versatile and deliver excellent results, but also give me the freedom to move around. “

NUDE 

I love the simplicity of this picture. There’s no complication or distraction, just a testament to the power of minimalism, where every element serves to enhance and highlight the sheer beauty of the moment.

ODDITY

This portrait captures emotion, personality and narrative. Through experimentation with lighting, make-up and pose, the picture becomes a visually striking creation that challenges perceptions and evokes emotion.

TAPESTRY

The warm sepia tones of this portrait evoke a feeling of nostalgia. The model’s serene expression and delicate features are charming and graceful, reminiscent of tradition and culture.

REVERIE

Enveloped in a serene calmness and lost in their own thoughts whilst drifting into the quiet expanse… This image is a snapshot of a fleeting moment where innocence and serenity converge.

ANARCHY

There’s an air of rebellion and chaos in this image, which challenges perceptions, provokes thought and celebrates the unapologetic expression of self.

SERVING FACE

I love the interplay of shadow and light in this picture. The dramatic poses and expressions create a sense of high drama – it’s a visual feast of power, passion and glamour. 

‘HARDCORE HAPPINESS’ BY AMELIA EVANS

‘HARDCORE HAPPINESS’ BY AMELIA EVANS

'HARDCORE HAPPINESS' BY AMELIA EVANS

Borne from the fearless rave culture of the ‘90s, Hardcore Happiness from HARE & BONE’s Amelia Evans bottles that fleeting spark of collective, communal joy. Bold panels and shine bands look as if they are reflecting the lights and lasers of your favourite clubs of yesteryear. Immersive, nostalgic, yet strikingly contemporary… 

Photography: Jack Eames
HairAmelia Evans, HARE&BONE
StylingMasha Mombelli
Make-up:
 Faye Marie 

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‘MONOCHROME DOMES’ BY TOM CONNELL

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Davines art director Tom Connell strips it back to basics in black and white and captured in natural daylight. It explores the special moments that can happen during a cut that can be as fresh and exciting as the final look.

Hair and art direction: Tom Connell for Davines
Colour: Ashleigh Hodges
Hair team: Mathew Gavin, Alessandro Tammaro, Nadina Ray
Make-up: Michelle Guandalini. Photography: Tom Connell

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