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“There’s A Massive Problem. And We’re Going To Fix It!”

“There’s A Massive Problem. And We’re Going To Fix It!”

“There’s A Massive Problem. And We’re Going To Fix It!”

Jade Hayter’s new capsule collection of salon-friendly fashion is not just elegantly tailored, it will help you do your bit to save the planet.

by CATHERINE | INFORM

Jade Hayter

Make no mistake, Jade Hayter, hairdresser and founder of the 145 Collective, a hub for freelancers and businesses in Glasgow, loves fashion. It’s fast fashion she has a problem with, the production of rapid, low-cost, trend-driven clothing that drives nearly 10 per cent of global carbon emissions, consumes huge amounts of water – and the vast majority of which ends up in landfill.

Adding to her feeling of unease was the discovery that 140,000 metric tons of that textile waste are generated by hairdressers – mainly garments discarded after contamination by hair colour and bleach. This high risk of damage means hairdressers often resort to wearing cheap clothing in the workplace, perpetuating the disposable clothing culture. But while there were plenty of discussions around sustainability focused on chemical waste from products, it seemed nobody was talking about the impact of textile waste. Something, it occurred to Jade, had to be done.

“There was nowhere that I could buy really nice, tailored clothes that weren’t going to get ruined at work,” she says. I’m talking about the clothes that I like to wear on days when I don’t have clients or when I’m not doing colour. And that got me thinking, ‘What I need are some really nice statement pieces that I can wear to work and not have to worry about them.’ And when I did a deep-dive into the stats around how much clothes get ruined at work, I was disgusted. And I thought, ‘There has to be a better option.’”

The capsule collection includes smart tailored pieces for men and women

Jade, who studied fashion and textiles before becoming a hairdresser, set about her mission of re-writing the fashion cycle by designing a collection of elevated, bleach-proof clothing that would appeal to the modern hair pro, last longer, be kinder to the planet and which could be worn season after season. In the end, it took her almost a year before she discovered a fabric that was up to the task – a coated polyester that is almost 100 per cent bleach-proof – but now, with the launch of her new business, her dream has now finally become reality.

Available to pre-order exclusively now at jadehayter.com (get a 20 per cent discount using code JH20 until 31 July), Jade’s launch collection consists of an oversized blazer, a waistcoat and trousers for women, plus an oversized shirt and trousers for guys (though Jade is keen to point out that men have also asked to wear the blazer). Smartly tailored and with beautifully detailed stitching and buttons, the collection is currently available in black and navy-blue options, with plans to release the styles in different colours moving forward. A classic T-shirt is also in the pipeline.

“I’m not saying you have to wear top-to-toe Jade Hayter,” she says. “This is a capsule collection and the idea is that you can combine these pieces with other items of your own. I’m more interested in creating a movement where you’re educating people on how to wear clothes well. It’s imperative that we have a capsule wardrobe that we don’t discard, we actually keep adding different pieces s we move forward. The key thing about fast fashion is that constant new season, new this, new that. I wanted to design pieces that are timeless, that suit any age, any style – it’s for everyone.”

All articles are bleach- and tint-proof and designed to last

With prices starting at £65 for the waistcoat and rising to £140 for the blazer, Jade realises this presents a challenge when it comes to her desire to halt the rise of fast fashion. While shoppers, and particularly the younger generation, say they’re concerned about sustainability, a recent study by Sheffield Hallam University found that nine out of 10 Gen Z-ers are still buying fast fashion. The fact that Shein adds, on average, an eye-watering 6,000 new styles to its website every day shows the scale of what she’s facing.

Jade insists her clothes will never go on sale (“This is such a driving factor in fast fashion”) but she’s offering an initial 20 per cent discount on orders and in the longer term will introduce a reuse andrecycle initiative where clothing can be returned to be cleaned, repaired and re-sold at a discount price. All the packaging is 100 per cent curbside recycled, too.

The fact that it’s normalised in our industry just to bin clothes that are ruined needs to stop,” saysJade. “It’s a massive problem but it needs to be fixed and I really do want to change things. People have laughed at me because I’m just one person, but I’m so passionate about my brand and what it can achieve. What I’m doing really stands out from other bleach-proof lines that are popping up but that are emulating fast fashion. There’s room for everyone and I want to build a community of stylish hairdressers who want to do good and look good. If I can change the way someone thinks about purchasing, then I’ve done what I set out to do.”

How Does Fast Fashion Affect The Environment? 

According to the United Nations, the fashion industry is responsible for between 8 and 10 per cent of all global carbon emissions*. That’s more than all international flights and shipping combined.

It also accounts for 20 per cent of all wastewater production. About 93bn cubic metres of water – enough for 5 million people to survive – is used by the fashion industry every year.

A significant portion of discarded clothing ends up in landfill. Globally, the textile industry occupies roughly 5 per cent of all landfill space, with about 92 million tons of textile waste produced every year.

Only 1 per cent of used clothes are recycled into new clothes, according to the European Parliament. On average, Europeans use nearly 26kg of textiles and discard about 11kg of them every year. Most (87 per cent) are incinerated or landfilled.

The rise of fast fashion has been crucial in the increase of clothing consumption, driven partly by social media and the industry bringing fashion to consumers at a faster pace than in the past.

New strategies to tackle this issue include developing new business models for clothing rental, designing products in a way that would make re-use and recycling easier (circular fashion), convincing consumers to buy clothes of better quality that last longer (slow fashion) and generally steering consumer behaviour towards more sustainable options.

Despite the growing popularity of sustainable and ethically made fashion among younger generations,fast fashion is growing rapidly in volume and profit. According to research by CoherentMI, in the United States alone, fast fashion was worth $41.15 billion in the year 2023 and is anticipated to reach $59.85 billion by 2030.

Iconic Scottish Hairdresser Charlie Miller OBE Has Passed Away

Iconic Scottish Hairdresser Charlie Miller OBE Has Passed Away

Iconic Scottish Hairdresser Charlie Miller OBE Has Passed Away

Founder of the namesake salon group had been diagnosed with Alzheimer’s disease in 2015

by AMANDA | INFORM

Charlie Miller OBE, the iconic hairdresser behind the Charlie Miller salons group in Edinburgh and a driving force in creative British hairdressing, has died.

Diagnosed with Alzheimer’s disease in 2015, he had been living under the care of the team at Queen’s Manor Care Home for the past three years. He died peacefully on Monday, surrounded by family.

Charlie Miller received an OBE in 2012

Reopening of the Stafford Street salon after refurbishment in 2019

With a six-decade strong career, Charlie was adored not only for his talent with hair but also an inspirational leader whose passion and creativity helped shape the careers of many professionals across the industry. He received an OBE from the Queen in 2012.

His sons, Jason and Joshua Miller, have led the brand since 2009. “Charlie was so much more than the name above the door – he was a force of creativity, integrity and love. He built something truly special: not just a business, but a family. We’re proud to be his sons, and to carry forward the legacy he began,they said.

Parliament welcomes back The Hair Council

Parliament welcomes back The Hair Council

Parliament welcomes back The Hair Council

MPs and guests gather at Westminster for first time since Covid

by AMANDA | INFORM

The Hair Council returned to Parliament for their first gathering there since Covid.

Invited by Rupa Huq MP, The Hair Council and selected guests enjoyed afternoon tea while hearing updates on their quest to make state registration mandatory and celebrating those that have championed the cause.

Long term supporter and campaigner for The Hair Council, Andrew Barton, was awarded with a Master Professional certificate for his commitment. “For over two decades I have lent my voice to the Hair Council to push this cause forward and to shout loudly about what we need, and that is mandatory registration in this industry,” he said. 

Julia Lopez MP and Rupa Huq MP

Andrew Barton

Registrar and chief executive, Gareth Penn, shared how the push for mandatory state registration can help shape the future for small businesses. “There is a lot more work we need to do. We are a skilled, essential unified workforce who contributes thousands of jobs and billions of pounds to the UK Exchequer. We are making excellent progress towards our mandatory registration, because that is still the foundation of what the Hair Council is all about. The more of us that are State Registered, the more of a voice we have,” he said.

Support was also shared by attending MPs. “I have massive respect for all that you do. You are a pivotal part of the high street and the campaign you have for state registration is really important,” said Rupa Huq MP, who hosted the event.

“You are anchors in the high street and the people that provide a sense of heart,” added Julia Lopez MP. You are continuing to give people employment rights and career opportunities, so thank you for doing all that. I ask all of you to lobby your MPs, because we shouldn’t keep taking industries like this for granted. Incredibly important grass roots small businesses are keeping our high streets going.

Who’s In The Pink At The L’Oréal Colour Trophy Grand Final?

Who’s In The Pink At The L’Oréal Colour Trophy Grand Final?

Who’s In The Pink At The L’Oréal Colour Trophy Grand Final?

The return of the world’s longest-running live hair competition revealed a fruity favourite and jaw-dropping shows

by AMANDA | INFORM

Barnsley’s Russell Eaton salon is the 2025 L’Oréal Colour Trophy overall winner, with a candy pink hue by Angela Thomson that wowed the judges.

A clean-bleached buzz cut saw Scottish regional winner Jason Hall Hairdressing in Edinburgh take second place, while Eastern regional winner Trinder Hair Studios in St Albans scooped the third place.

L’Oréal Colour Trophy 2nd Place: Jason Hall Hairdressing, Edinburgh

L’Oréal Colour Trophy 3rd Place: Trinder Hair Studios, St Albans

Old Billingsgate provided the venue as L’Oréal Professionnel celebrated their 69th L’Oréal Colour Trophy Grand Final in the safe hands of sharply attired host Will Best. An X-shaped stage, backed by an immersive wall of video screens that played a huge role in the whole production, served a blistering series of model looks from UK salons and two exceptional show teams.

Chromatique by Berni Ottjes

L’Oréal Professionnel’s global artist Berni Ottjes and D&J Ambrose both presented other worldly creations with AI-generated worldscapes playing on the monster screens behind the models. Chromatique by Antwerp-based Berni, assisted by Josh and Sophie-Rose Goldsworthy of Goldsworthy’s, was a journey through time, to the present and the future beyond. Every hair finish was a sculpture, with each silhouette illustrating an echo of time. This was a symphony of texture, colour and form – mouthwatering coppers and deeper reds alongside future-facing blondes – with the show highlighting new innovations such as bio-based materials, illuminated hair accessories and 3D printed elements, all blurring the lines between fashion, art and technology.

Realhallucination by D&J Ambrose

Realhallucination by D&J Ambrose was a powerful presentation exploring how we see things through our digital eye. Darren and Jackie Ambrose, supported by iD Artists Zak Hulbert (Blushes), Morgan Graham (MG The Studio) and Stephen Campbell (Hair & Co) and with creative colour from Alex Lord, invited the audience to tap into sensory stimulation, to feel and see their journey through iconic fashion. The initial futuristic vibe melted into an anarchic punk-infused display including break dancing, digital graffiti, bleached buzz cuts, raw lengths with matte blues and grey tones, before switching again to a Westwood-informed Regency feel. Acrobatic dancers with neon braided pieces wowed; Goldfrapp’s ‘Strict Machine’ the pumping soundtrack that hit the hardest.

Aurélien Guibret, the new managing director of L’Oréal Professional Products, was joined by Sussan Verghese, UKI general manager of L’Oréal Professionnel, to reveal the overall winner. Once that confetti bomb of victory had exploded, DJ Nick Bright led the after-party celebrations.

The winners are

L’Oréal Colour Trophy overall winner: Russell Eaton, Barnsley

L’Oréal Colour Trophy 2nd Place: Jason Hall Hairdressing, Edinburgh

L’Oréal Colour Trophy 3rd Place: Trinder Hair Studios, St Albans

L’Oréal Colour Trophy Star Award: Tribe Salons, London

 L’Oréal Colour Specialist Award: Massarella & Jones, Leamington Spa

L’Oréal Colour Trophy Afro Award: Peg Hair, Brighton

L’Oréal Colour Trophy Moving Image: Mia Barraball, Headmasters Walton

L’Oréal Colour Trophy Future Talent: Alisha Drew, Jessica McDermott, Katie Miller, Olivia Braithwaite and Rosie Davies

L’Oréal Colour Trophy Regional Winners

Western: Anthony John Salons, Litchfield

Eastern: Trinder Hair Studios, St Albans

Southern: TGB Spa, Brighton

London: Brooks & Brooks, London

North Eastern: Russell Eaton, Barnsley

North Western: Unity Hair & Beauty, Liverpool

Northern Irish: Andrew Mulvenna, Belfast

Scottish: Jason Hall Hairdressing, Edinburgh

L’Oréal Set To Acquire Color Wow

L’Oréal Set To Acquire Color Wow

L’Oréal set to acquire Color Wow

Brand will join the beauty giant’s Professional Products division

by AMANDA | INFORM

L’Oréal are set to acquire Color Wow, the pro haircare brand behind buzz-worthy heroes such as XL Bombshell Volumizer and Dream Coat. Based in the US and UK, Color Wow was founded by Gail Federici in 2013 and includes a collaboration with global stylist Chris Appleton within their product portfolio.

The range of products have gained a loyal and devoted following among stylists, media and consumers, with more 130 beauty award wins. From their initial Root Cover Up kit to their Curl Wow extension, Color Wow provide a wide range of innovative solutions for some of consumers’ most tricky hair problems.

The brand has seen rapid growth, thanks in part to advocacy and its engaged online community. Launched as a professional brand initially, Color Wow is now omnichannel, sold in salons, stores and online.

For L’Oréal’s Professional Products division, the move strengthens their portfolio even further, which includes L’Oréal Professionnel, Kérastase, Shu Uemura Art of Hair, Redken, Pureology and Matrix, among others. “As a premium haircare brand, with high levels of proven efficacy at an accessible price point, this acquisition will give us an increased foothold in haircare and in the styling category,” said Omar Hajeri, president of L’Oréal Professional Products.

“Joining L’Oréal is an incredible opportunity for the entire Color Wow team,” added Gail Federici. “Becoming part of the world’s number one beauty company, will set the stage for Color Wow’s continued success and help drive our innovation to new heights.”

The deal will close following the customary closing conditions, including the standard regulatory approvals.

Tracey Ann Smith Gets New Role

Tracey Ann Smith Gets New Role

Tracey Ann Smith Gets New Role

Meet the new creative director of MOOD Hair Colour

by AMANDA | INFORM

Tracey Ann Smith has been unveiled as the new creative director of MOOD Hair Colour.

Tracey will lead and oversee all things creative across product development, visual identity, and campaign imagery, thanks to her experience of both brand and creative strategising, work on globally renowned campaigns and leadership of salon and art teams.

“I’m honoured to join a brand that celebrates individuality and creative freedom,” said Tracey. “MOOD Hair Colour for me has always stood out for its incredible heritage, product innovation and products that perform. I’m looking forward to developing the MOOD Creative Team and I can’t wait to push boundaries, showcase the brand and be part of this new and exciting era.”

“MOOD Hair Colour is all about self-expression, transformation, and fearless colour — and Tracey’s vision perfectly aligns with our mission to empower individuals, explore product innovation and of course, support the hairdresser,” added Eddie Renda, managing director of distributor, JGR UK.