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How to Offer Blondes The Best Of Both Worlds

How to Offer Blondes The Best Of Both Worlds

How to Offer Blondes The Best Of Both Worlds

Siobhan Jones shares her freehand balayage technique for the perfect pairing of softness with high coverage

L’Oréal Professionnel Paris global ambassador Siobhan Jones shares the perfect technique for delivering high-coverage blonde, using freehand balayage free weaving. “This technique is perfect for anyone who loves the softness of balayage, but is looking for the coverage of foils,” says Siobhan

Dia Light Formula
Contour: 10.18 with 9vol
Roots: 8.21 with 9 vol
Mid-lengths: 9.21 + 9.82 with 9 vol
Ends: 10.18 with 9 vol  

Siobhan Jones freehand balayage

Get the look  

Step 1: The model’s hair is a natural base seven. Start by parting hair in a classic sectioning pattern. 

Step 2: Starting at the hairline, take a diagonal section and weave, then use the edge of the tint brush and paint L’Oréal Professionnel Paris Blond Studio Purple Lightening Balm from root to tip. Use your hands to push it down the hair shaft.

Step 3: Join the hair let out from underneath and saturate to the ends, using your hands to push in the balm which will guarantee a nice, bright lift.

Step 4: Repeat this throughout the sides, weaving, painting and saturating the hair.

Step 5: Move diagonally off the parting, starting on the hairline to create a beautiful contour.

Step 6: Moving through the parting on a diagonal angle, use the free weaving technique, which will give a graduated, yet full coverage effect.

Step 7: Repeat this technique throughout the back diamond section on a diagonal. Once you reach the desired lift, gloss over with a Milky Tea toner using L’Oréal Professionnel Paris Dia Light for a beautiful, high-shine blonde.

Step 8: To finish, apply L’Oréal Professionnel Paris Pli to the hair and blow dry smooth and dress with a wide barrel tong for a soft wavy finish.

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Beyond the Basics: Unlock Iridescent Colour With Brian ‘Leo’ McCallum’s Splicing Technique

Beyond the Basics: Unlock Iridescent Colour With Brian ‘Leo’ McCallum’s Splicing Technique

Beyond the Basics: Unlock Iridescent Colour With Brian ‘Leo’ McCallum’s Splicing Technique

Learn how splicing achieves customisable colour and sets new trends in the industry

by CAITLYN | DOCUMENTS

When it comes to hair colouring, innovation is everything. We heard from renowned colourist, Brian ‘Leo’ McCallum, about his revolutionary “splicing” technique, a method that’s quickly becoming a favourite among stylists seeking to push the boundaries of creativity. Speaking exclusively to Creative HEAD, Brian shares the inspiration behind his technique, its versatility, and its future in the industry. 

The splicing technique was born from his desire to bring more depth and dimension and create a metallic feel. “As colourists, we work with slices every day,” Brian explains. “But I wanted more of an iridescent feel to these pieces.” This led him to experiment with the direction of the slices. After bleaching, he takes each section and splices it in the opposite direction, creating a stunning metallic effect. 

While splicing may seem similar to traditional slicing at first, the technique introduces a subtle but significant shift in execution. “Splicing gives you the ability to add harmonious or clashing colours quickly and efficiently,” Brian says. It’s not drastically different from traditional methods, but it does offer a unique twist—literally. 

Halley Brisker

Brian Leo McCallum

By altering the direction in which slices are made, stylists can create a more dynamic and customised look. This technique enhances the colouring process by allowing for more precise colour placement, which can result in a variety of visual effects, from subtle blends to bold contrasts. This flexibility makes splicing an invaluable tool for any stylist looking to push the boundaries of traditional hair colouring. 

The technique uses a range of high-quality products to achieve its unique results. Pictured below, Brian used Goldwell Elumen to create vibrant greens, Goldwell Topchic for striking silvers, and Goldwell Colorance for a rich rust orange hue. By splicing sections in different directions, these colours can either harmonise or contrast, depending on the desired effect. The result is a look that is both bold and sophisticated, with a depth that catches the light in a way traditional techniques cannot. 

One of the key benefits of the splicing technique is its versatility. “It can be used on all hair types,” he notes. Like any new technique, splicing comes with its own set of challenges. According to Brian, the biggest hurdle is speed. “The primary challenge for stylists learning the technique is speed,” he admits. “However, like any skill, practice leads to improvement. With a few attempts, stylists of all levels find it becomes easy to master.”  

“Splicing enhances the colouring process by allowing stylists to be more creative with colour placement. For clients, it promotes a more individualised and bespoke colour service.”

As hair trends continue to evolve, so too will the applications of the splicing technique. Brian originally developed splicing for creative looks in photo shoots, but it has since found a place in commercial salon work. “The possibilities are endless,” he says. As more stylists begin to experiment with splicing, it is likely to become a staple in the industry, offering new ways to bring depth, dimension, and individuality to hair colour. 

Every Colourist Should Know This Half-And-Half Colouring Technique

Every Colourist Should Know This Half-And-Half Colouring Technique

Spice up your colour and cutting services with a fresh technique from the Allilon team.

Join Evie and Aki from Allilon in this exciting collaboration, as they demonstrate a stunning colour and cut combination. Discover how even the simplest haircutting techniques can be transformed into something extraordinary with Evie’s amazing half-and-half colouring technique. Enjoy the journey!

 

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Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week 

The Most Wanted 2024 Creative Talent finalist shares how he crafted bespoke looks inspired by the playfulness of circus troupes

Cirque du Soleil performance at Kid Studios
Image from @KidSuper

For his second voyage to Paris during Fashion Week, award-winning hairstylist Richard Phillipart turned his attention to Men’s Fashion Week S/S25, bringing his trusted #TeamPhillipart with him to both Études Studio & KidSuper Studios.  

After making his international debut in March, Richard and his team worked on four shows across London, Milan, and Paris for the men’s catwalks – an impressive feat without an agent! 

Bringing big top energy to one of the four fashion capitals, the KidSuper Studios show saw the circus as the overarching theme, while exploring interconnectedness and the unseen forces shaping our world, using strings and puppetry to delve into who controls the strings in our lives, both literally and metaphorically. This included models walking the runway attached by strings to giant hands that circled the stage on tracks as if the models were puppets being played with by giants. Taking the theme one step further, the show also included a spectacular performance by Cirque du Soleil.  
Behind the scenes at Kid Studios
Images by @jowkid
Richard Phillipart at Kid Studios

The look 

Inspired by the whimsical charm of vintage marionettes, Richard designed individual looks for each model that focus on sleek dynamic shapes with “spit curls” and flicked edges that invoke the playfulness of circus troupes. Contrasting longer hair textures reflect the collection’s vibrant and eclectic spirit. 

Backstage at Kid Studios

The how-to 

All models had their hair prepared by cleansing and treating with MyOrganics Supreme Shampoo and Miracle Mask, chosen as they provide intense nourishment without weighing it down. 

Hair was then coated with My Organics Hydrating Strong Mouse to add a pliable texture and hold. A strong parting was given to all models, and their hair was blown away from the face.  

Once dry, MyOrganics Water Moulding Wax was applied liberally. Using a strong brush, the wax was worked into the hair in the desired direction. Hair was then drenched in MyOrganics Strong Hold Hydrating Hairspray and the finished style was set using a hairdryer and diffuser. 

Final look at KidSuper Studios
Final look at KidSuper Studios
“Spit Curls” were shaped into place using MyOrganics Water Moulding Wax and an edges brush to achieve the crisp shape. 

MyOrganics Restructuring Shine Spray was applied moments before the models walked the runway to give the hair a high gloss finish. 

Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Politics, culture, bygone eras, personal stories it all meshed and motivated Richard Phillipart to create two arresting looks for one of our best-loved Creative HEAD front cover stories back in 2018. This is two minutes of creative genius, and we’re still swooning.  

A Creative HEAD shoot in partnership with BaByliss PRO 

Hair: Richard Phillipart
Make-up: Cat Parnell
Fashion: Mekel Bailey
Videography: Sledge
Photography: Jon Baker
Production: The Creative Partnerships division at Creative HEAD
Shot on location in East London 

 

Lauren Bell the Coterie: In Session
Lauren Bell The Coterie: In Session
Lauren Bell The Coterie: In Session

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The Revolutionary Rick-Rack Curl

The Revolutionary Rick-Rack Curl

The Revolutionary Rick-Rack Curl

Home-made jumbo setting pins, smooth moves, and a watchful eye – respect the technique, as Lauren Bell aces rick-rack texture for The Coterie: In Session crowd back in 2021.  

A Creative HEAD event in partnership with BaByliss PRO, hosted by journalist and broadcaster, Ateh Jewel.

Hair: Lauren Bell
Make-up: Tricia Woolston
Fashion: Issie Gibbons
Model: Nirvana Proag @ First Management 
Video and production: Sledge
Photography: Harvey Williams-Fairley 
Venue: Jet Studios 

Lauren Bell the Coterie: In Session
Lauren Bell The Coterie: In Session
Lauren Bell The Coterie: In Session

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