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GET THE LOOK – HAIR BARCODING FOR KWK BY KAY KWOK S/S24

GET THE LOOK – HAIR BARCODING FOR KWK BY KAY KWOK S/S24

GET THE LOOK – HAIR BARCODING FOR KWK BY KAY KWOK S/S24

The inside spin on session stylist Nick Irwin’s otherworldly look for the futuristic designer.

Kay Kwok is a Hong Kong fashion designer known for his futuristic and contemporary designs. He combines avant-garde fashion with digital influences to create an unconventional aesthetic, perfectly exampled by a 3D-printed custom-made art piece designed for Beyoncé’s Renaissance tour.

His first time working with Kay Kwok, this season Nick Irwin transported us to another planet with a futuristic hair look centred around the concept of hair barcoding. The idea behind the show was to tap into Kay’s references towards futurism, while also maintaining the individuality of each model. With this in mind, Nick and his team were able to craft an almost barcode-like effect using a gelled strip placed in certain areas of each model’s hair. 

The Session Label hero products

The Jelly
“We’ve set the hair with a great product called The Jelly, which gives you a glossy, almost plastic, futuristic feel with the finish. It’s a lightweight gel that you can comb and manipulate the hair with.”

The Coat
“The Coat is a super, super light shine spray. If you use lots of it and spray close to the head, it makes the hair super glossy. We’ve used that with a wide-tooth comb over the surface to a give an almost barcode-like feel to the hair.”

The Strong
“To make the hair hold in the area we’ve added the gel strip, we use The Strong – a super strong hold hairspray.” 

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JAMES EARNSHAW – MY TAKE ON A BIG 70’S BLOW-OUT

JAMES EARNSHAW – MY TAKE ON A BIG 70’S BLOW-OUT

JAMES EARNSHAW: MY TAKE ON... A BIG '70S BLOW-OUT

A new twist on the Farrah Fawcett classic with big, bouncy waves.

“I love this ’70s blow-out because it has really moved from a trend to something more classic. People love it, the flicks and texture always perform super well on social, and also it’s such a fun look to add colour with too!”

It’s really important to start with the perfect prep. I use lots of Amika Brooklyn Bombshell Blowout Spray, which is great as you can really layer it up to create a strong base. I apply this all the way through the roots and ends. It’s also good to add a small amount of smoothing cream to the ends – I love Amika Supernova Moisture and Shine Cream for this is as it’s super lightweight. 

Using my ghd helios hair dryer, I blast dry the hair to remove lots of moisture. This is when I’ll then divide the hair into sections. Sectioning off is so important for the direction you want the hair to sit, I like to take all my sections diagonally. Working diagonally back means the hair sits a lot better, and this also creates more width which is key for that ’70s feel.

 

Once sectioned I use the dryer and round brush, starting around the face and over-directing the hair forward as I blow the ends backwards. I go over each section a few times and switch between hot and cool to really seal in the curl and volume. It’s important to use lots of tension and pull the hair out as you dry. Once I reach the crown, I like to alternate the direction I dry – some towards the face and some backwards – but I still over-direct the roots forward. 

After the hair is dried, I leave it to cool ideally for around five minutes so it can really set. I then spritz with lots of Amika Un.Done Texture Spray and get my hands in and massage the roots, this breaks up any section marks and helps me to see how the hair is falling. Next, I tilt the head back and brush the hair upside down to create as much width as possible, before applying more texture spray.

 

Always use your fingers to manipulate the hair so it sits exactly how you want! You can finish with hairspray, but personally I prefer texture spray as it is drier and keeps the hair looking more modern and fluffy. This finish is perfect for creating the ultimate Insta hair.”

 

 

 

 

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