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“ONLY ONCE WE FEEL IT, CAN WE START TO MOVE THROUGH IT” – WHAT YOU NEED TO KNOW ABOUT…FAILURE

“ONLY ONCE WE FEEL IT, CAN WE START TO MOVE THROUGH IT” – WHAT YOU NEED TO KNOW ABOUT…FAILURE

"ONLY ONCE WE FEEL IT, CAN WE START TO MOVE THROUGH IT” – WHAT YOU NEED TO KNOW ABOUT...FAILURE

Things fall apart, it’s inevitable, but it’s how you respond to failure and grow from it that will lead to success. 

Unsplash Bernard Hermant

Unsplash/Bernard Hermant 

That fuzzy feeling when you attract a new client, turn a lovely profit, or receive a pat on the back for a job well done… it’s great, isn’t it? But life can’t be all good news. We humans are bound to take a wrong step and face failure at various points. Instead of seeing failure as the bogeyman of business, see opportunities for improvement, suggests Gina Conway, owner of Gina Conway Aveda Salon and Spa. “I had to close two locations after lockdown. But I looked at the positives. I had more time and energy to put into one salon and academy, and breathed fresh life into it. Knowing what I know now, and after many ups and downs, I feel I’m in the best professional place in my life.” Failure can be used as a litmus test to figure out whether you’re on the right track in your business. “Sometimes, the world isn’t quite ready, and it’s telling you to listen harder and make some changes,” adds Gina.

Ben Lifton, founder of social media marketing brand Content Kweens, marketing services firm UGC Creators, and a speaker at Salon Smart 2024, advises to check if what you’re experiencing is actually failure… “or does the thing we wanted not serve us anymore”? If it is failure, sit with the feeling as “only once we feel it, can we start to move through it”. Then he advises to process that but “don’t look back and regret”, because that leads to resentment. Afterwards, “identify what influenced us to end up where we are now”, then finally learn and take that learning forward.

“Knowing what I know now, and after many ups and downs, I feel I’m in the best professional place in my life.”

Gina Conway

Perceived failures can leave everyone in a business feeling deflated. But at hair and beauty salon Fringe Benefits in Gloucester, owner Marina Hodgins employs a positive approach to turn things around. “When team members have left and taken their clientele, which has a detrimental effect on turnover and team morale, we dust ourselves off and start again,” she says. “We contact clients to offer an alternative team member that they would be suited to, offering a bonus such as a free reconditioning treatment to demonstrate how we value their support. This helps to grow a team member, boosting confidence.”

Constant success could lead to complacency. Failures, on the other hand, encourage business leaders to stand up and fight. In the case of Fiona Canning Allen, owner of Ark-i-tec Hair in Bradford, failure wasn’t the end “but a stepping stone to growth”. “I’ve learnt to adapt and seek support to navigate the evolving landscape of salon ownership,” she admits. “Through these experiences I’ve become resilient, determined to flourish even amid challenges, and focused on fostering a salon environment where both clients and staff thrive.”

Unless you’re superhuman, failure is an inevitable occurrence in your career. When faced with it, listen to these voices above and unpack them first. Use the experience to grow, learn and get better. Once a positive analysis of your perceived failure has had its use, move on with your chin up, head up, and heart full… 

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“I Love Doing Hair On Clients But Can’t Handle Traditional Salons” – Ashleigh Hodges On The Genesis Of Mash Creative Studio

“I Love Doing Hair On Clients But Can’t Handle Traditional Salons” – Ashleigh Hodges On The Genesis Of Mash Creative Studio

“I Love Doing Hair On Clients But Can’t Handle Traditional Salons” – Ashleigh Hodges On The Genesis Of Mash Creative Studio

The Hackney-based space is now open for creatives, with sustainability at its core.

Ashleigh Hodges keeps a lot of plates spinning. There’s her role as a global colour ambassador for Davines, her session work as part of the Hairdotcom team and her ever-expanding involvement with the Fellowship for British Hairdressing. Now, she’s opened her own space as well as unveiling her own education. Ashleigh talks us through the key ingredients to her Mash… 

What’s the aim of Mash Creative Studio?  
To offer a sustainable, calm and creative space for hair professionals and beyond. I work in so many areas of our industry – from flying around the world on campaign shoots, teaching or working on TV – so I wanted to create a space to bring my creative community together. Being a former photographic studio, it was perfect to create a multi-functional space for creatives. I love doing hair on my clients but can’t handle being in traditional salons – so much noise and stimuli for this autistic girl. I wanted to create a space that offers a calm environment for both hairdresser and client, with sustainability at the forefront.  

What’s on offer at Mash? 
We offer the space for photoshoots, seminars, education, intimate events, chair rental and more. If you’re trying to make the world a better place, we have the creative space for you to do just that. 

Ashleigh Hodges

Ashleigh Hodges

“I love doing hair on my clients but I can’t handle being in traditional salons – so much noise and stimuli for this autistic girl!” – Ashleigh Hodges

Talk us through the design concept… 
Sustainability was at the forefront of our design. Working with the motto “the world doesn’t need more stuff” made us think outside the box creatively when it came to interior design. All the furniture has been sourced second-hand from markets or flea markets, the House of Hackney feature wallpaper and soft furnishings were sourced from a sample sale. My aim was to curate a beautiful canvas for people and brands to be able to make their own mark when renting out, while keeping our own signature character.  

How will you be marketing your space to collaborators?  
We have created beautiful brochures about the space that are sent out to everyone on our mailing list. Authentic marketing is my aim, reaching out to people personally and helping to shape their creative ideas into reality. East London is a hub of creativity so connecting with others within the community is paramount. Curated social media posts, and working with those within our growing community to spread the word and benefit from that. 

Mash Creative Studio
Mash Creative Studio

What advice do you have for independent stylists looking for a working space?   
Find the space that’s right for you. Test a few out, try them on for size before you settle down. You will know if it’s right within the first hour. There are so many great work spaces out there depending on your professional needs. Look at your business and find the right one that aligns with it. Think of it as a long-term brand collaboration; you want to make sure your two brands lift each other up.  

What are your future plans?  
So many things! My brain never rests. I already have more plans for Mash Creative in the pipeline, and with the launch of my new academy there’s lots coming there too. And to top it off, I’m about to become the Fellowship for British Hairdressing’s youngest ever president. I’m ready to shake things up for sure! 

Six Final Checks Ahead Of The Most Wanted And It List Entry Deadline

Six Final Checks Ahead Of The Most Wanted And It List Entry Deadline

SIX FINAL CHECKS AHEAD OF THE MOST WANTED AND IT LIST ENTRY DEADLINE

You’ve made the time and done the work, so don’t fall at the final hurdle. Consult this checklist for the best chance of success.

MWIT Judge 23

1: Don’t miss the deadline.
It may sound obvious, but set 50 alarms and reminders, highlight the date on your calendars, pin a giant note to your wardrobe door… 9pm, Monday 20 May is the cut-off for submitting your completed entries.  

2: There’s an age limit for It Listers.
If you’re entering the It List, you must be aged 30 or under at the competition closing date (Monday 20 May), and proof of age is required at the time of entry. Make sure you’re within range – and if you’re not, remember, there is no age limit for Most Wanted.

3: Re-check the category criteria.
Each category asks for specific entry content, and how you supply this content differs between them. So, make sure you provide precisely what’s stated within the criteria – and if you’re entering multiple categories, don’t assume the same applies. To further hammer home the importance of this point, we provide our judges with criteria for entry, and this is what they refer to when delivering their scores. Missing content = missing the mark.  

4: Keep to the page counts, timeframes and file delivery formats.
After pouring time and energy into your entries, don’t let an oversight like exceeding the maximum number of PDF pages, or going over the stated video duration, be your downfall. To avoid disqualification, stick within the limits and adhere to the file delivery instructions as outlined on the category page for the award you are entering. Again, these details can differ, so check and check again, to make doubly sure you aren’t over- – or incorrectly – submitting.  

5: Don’t forget your ‘supporting imagery’.
It’s a small but crucial detail; each category asks for some ‘supporting imagery’, which may be used to promote your success if you reach the finals. We need it, so don’t forget it! For It List categories, this also includes proof of age (such as a copy of the picture page of your passport, your driving licence, or your birth certificate). Omit nothing! 

6: Supply correct – and your OWN – details on the entry form.
When you upload your entries, you are required to complete an online entry form. This part’s vitally important, because if the judges put you through, we use the details you provide to showcase your success as a finalist and to keep in touch throughout the next stages of the competition. The details must be your own, as the entrant (they cannot be those of a third party – for example, a PR representative), so take a minute to check everything’s present and correct before you hit ‘upload’. 

So, that’s it – six final checks to help you deliver your entries in line with requirements. For general guidance on how to enter, and answers to frequently asked questions, visit the ‘entry instructions’ sections at the Most Wanted and It List pages.  

Now, go forth and master MWIT!

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THE MISSION? TO “DECOLONISE” PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

THE MISSION? TO “DECOLONISE” PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

THE MISSION? TO "DECOLONISE" PERCEPTIONS OF TEXTURED HAIR – AND STOP THE SHAME

Yasemin Hassan deep dives into her photo series and exhibition Talking Textures – celebrating, educating and redefining the cultural significance of textured hair.

Talking Textures event, April 2024

Curated by barber Yasemin Hassan and captured through the lens of photographer Yeliz Zaifoglu, the photo series and exhibition Talking Textures dives deep into the intricate relationship between beauty, cultural identity, and the resilient nature of hair, especially within the Southwest Asian & North African (SWANA) communities. 

Hosted at Ugly Duck London, Yasemin sees Talking Textures as more than an exhibition; it’s a movement to celebrate, educate, and redefine the cultural significance of textured hair. Spanning across 26 photographs, a short video, and a panel discussion that was held on 12 April, the project seeks to bring to light the challenges, beauty rituals, and the profound connection between hair and cultural identity in SWANA regions. 

Yasemin herself has emerged as a pivotal figure for individuals with textured hair in London, particularly within the SWANA community. While that’s thanks in part to extensive experience on high-end fashion shoots and London Fashion Week, it’s also coupled with personal conversations within her community. Her mission is to “decolonise” perceptions of hair and address the underrepresentation of SWANA identities in the hair industry. 

Roman Sys
Yasemin Hassan

Working closely with Dania Arafeh, founder of 3EIB – a SWANA fashion platform reclaiming the Arabic word 3Eib, meaning ‘shame’ – this project is a reaction to the underlying shame that SWANA individuals often experience from others within their own cultures, as well as what’s taught in the mainstream media about beauty. 

Yasemin breaks down the concept behind each image, and the powerful message each shot conveys… 

Reclaiming Control 
Riyam Salim  

Reclaiming Control 
Michaela Mousicous wearing 3EIB  
Hair makes us feel powerful. We use our hair to reclaim our identity. Talking Textures explores this by considering the amount of people that go to a salon after a big life change and want to consolidate this with a drastic hair change. These images in the series are about power and taking control over our hair.  

Carving Imperfections 
Ali Nasreldin wearing Mehdi Studio  
The media often idealises the ‘perfect curls’ – no frizz and a solid, clean shape when focusing on afro textures. In the full series of images Talking Textures plays on the phrase ‘bedhead’ to contrast to perfect curls. 

Changing Shape 
Peyam Zangana    
People with curly hair often talk about it being ‘too big’ and ask me to make their hair sit flatter. In full series collection, Talking Textures celebrates the shape using the concept  of ‘hat hair’, contrasting to this image which is the unrealistic flattened hair shape. 

Masking Identity  
Eman Alali wearing Isis Dünya  
Many people use hair length and fringes to mask and hide their SWANA features. Talking Textures plays on the use of hair as a mask by using the concept of ‘straggly ends’ to do this. 

Embracing Femininity 
Tahini Molasses wearing Ziyad Buainain 
Talking Textures closes the series by questioning: What is femininity? Does femininity have to be gendered within SWANA communities? Many women idealise long hair as being the height of femininity and beauty. The final set of images through this concept makes the statement that femininity can be unconventional. 

Director/curator/lead hair: Yasemin Hassan 
Photographer: Yeliz Zaifoglu  
Make-up: Tina Khatri  
Styling: 3EIB / Dania Arafeh
Hair assistants: Shaun Birmingham, Amy Clarke, Matthew Tharp 
Shot at Woolf Kings X 

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SCHWARZKOPF PROFESSIONAL REVEALS THE 2024 #SKPCOLLECTIVE TEAM

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SCHWARZKOPF PROFESSIONAL REVEALS THE 2024 #SKPCOLLECTIVE TEAM

Six social media stars from across the industry have been selected to join the prestigious team.

#SKPCollective 2024 team

2024 #SKPCollective team

Following a fast-paced final audition day at Schwarzkopf Professional headquarters, the 2024 #SKPCollective team has been chosen. Out of the 12 talented finalists who showcased their skills and creativity, six social media-savvy stars have risen to the top, impressing the judges, including Creative HEAD’s digital director Kelsey Dring, with their passion for hairdressing and
their innovative approach to social media content creation.

The final auditions, held on Monday 8 April, commenced with a warm welcome from the Schwarzkopf Professional team, followed by the reveal of an exciting challenge. Each finalist was tasked with creating, editing, and posting an engaging reel within just one hour, using a box of Schwarzkopf Professional products. With an open brief emphasising the importance of showcasing their unique personality, the finalists rose to the occasion and delivered an impressive variety of content, ranging from hair transformations to ‘POV’ skits

behind the scenes SKP Collective
#SKPCollective audition process

Following a brief lunch break, the finalists engaged in one-on-one interviews with the judging panel, where they demonstrated their social media expertise, shared their vision for the #SKPCollective team, and reflected on their experience throughout the day.

The standard of talent showcased during the auditions was seriously impressive, making the final decision incredibly difficult for the judging panel. However, after much deliberation, the six members of the new #SKPCollective team for 2024 were selected…

Meet the new #SKPCollective team:
Alex Melville from The Hair Club in Stirling – @_styledbyalex
Chantelle Jones from Seckingtons in Northampton – @chantellehaircraft
Grainne McClelland from Coventry – @grainnemcclelland_hair
Harry Watson from DooDahs Hair in Hertfordshire – @hairbyharryx
Tommy Hardy from House of Marshall in Falkirk – @tommyhardyhair
Vishali Visavadia from London Road Hair in Leicester – @vsvstylist

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