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“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

The founder of Bond shares all about the larger space, designed with both the team and clients in mind.

by  | CREATIVE PROJECTS

Located in the heart of Shoreditch in the serene and picturesque Arnold Circus you’ll find the new Bond salon space. An upgrade in size from the previous iteration, founder Ursula Moore felt it was time to expand and offer clients something new. “I had noticed this location a few years ago and always envisioned it as an ideal spot for a hair salon,” she shares. Packed with unique charm away from the bustling Shoreditch High Street, it gives clients a fresh hairdressing destination that stands out from the crowd.

The first salon, designed by Jenny at Milk Design, featured a modern deco aesthetic that was both minimalistic and warm. When considering the new interior, Ursula knew it was crucial to carry over this design ethos to the new location, as it is integral to the brand identity. “The colour scheme throughout is feminine with a strength to it, striking a perfect balance between elegance and resilience,” she comments. She opted for timeless, durable elements such as oak wood furniture, alongside timeless classics, such as The Adria II styling chair from Takara Belmont. The inclusion of black worktops, fixtures, and fittings throughout adds an edgy sophistication.

The lie-down wash beds, designed in collaboration with Max Woodall, are also a highlight of the salon and unsurprisingly have gone down a storm with clients. “It was important to us that the hair wash experience is something to look forward to,” Ursula explains. “Additionally, I had the backwash area elevated slightly so that taller individuals, like me, do not have to crane over while shampooing, making the process more comfortable for both clients and stylists.”

Spanning three floors, the new location also offers an abundance of natural light, especially on the top floor, which is used for styling. It features two large skylights and windows running the full length of one side of the room with a beautiful view of the park opposite.

To deliver a calm environment for both team and clients, Bond specialises in personalised one-on-one services with longer appointment times. This ensures that when working on a client’s hair, stylists dedicate their full attention exclusively to the client, even during hair colour processing. This also reduces wait times, delivering a totally serene experience.

“I aimed to create an environment that would be enjoyable not only for our clients but also for our team,” Ursula says. “This is more than just a salon; it is a beautiful place that we look forward to being in every day.”

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“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration

“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration

“Hair Is Such A Powerful Medium For Self-expression” – Laura Chadwick and Elisabeth Hoff Discuss Their First Creative Collaboration 

From Instagram DMs to creative collaboration IRL, hairstylist Laura Chadwick and photographer Elisabeth Hoff shall all about their first shoot together.

Laura Chadwick
Laura Chadwick
Elisabeth Hoff
Elisabeth Hoff

How did the shoot collaboration come about – have you both worked together previously? 

Laura: I’ve admired Elisabeth’s work for a long time, so when I decided to reach out to her on Instagram, I was thrilled she was interested in collaborating. We started discussing ideas, and I was immediately drawn to her creativity and vision. We had plans initially, but Covid interrupted them. Fortunately, we reconnected earlier this year and decided to finally bring our ideas to life. This was our first time working together, but Elisabeth’s dedication and attention to detail made the process seamless and inspiring. 

Elisabeth: I have followed Laura’s work for several years. I love her style and her creativity. I can see she is a creative grafter, and I was not wrong. Her dedication to what she does on the day was impressive. 

What was the inspiration behind the theme of ‘emotive hair’, and what made you decide to capture the connection between hair and human emotion? 

L: Elisabeth’s concept of linking hair with emotions really resonated with me. Hair is such a powerful medium for self-expression. The idea of using hairstyles to represent joy, sorrow, anger, and fear felt like a natural way to visually communicate these universal emotions. Our hair can significantly impact our confidence and how we feel about ourselves, so capturing that connection was both a challenge and a delight. Each style aimed to embody an emotion, highlighting how our outward appearance can reflect our inner states. 

E: Like it or not, we humans are ruled by our emotions. The inspiration behind the series ‘emotive hair’ comes from the profound impact emotions have on our daily lives and how they are expressed through our hair. We chose to focus on the four core emotions of joy, sorrow, anger, and fear because they are universal experiences that everyone can relate to.  

Each hairstyle in this series was crafted to represent an emotion. We have tried to capture the essence of what it feels like to experience joy, sorrow, anger, or fear through the hair. By doing so, I wanted to highlight the close connection between our inner emotional states and our outward appearance. Through the series, I hope to encourage the viewer to reflect on their own emotional experiences and the subtle ways they express them through their style. It also shows how changing our look can change our mood.  

Joy

Why did you choose those particular hair looks captured? 

L: When I came across Paul Ekman’s work on the four core emotions, it clicked that these could form the foundation for our shoot. The universality of joy, sorrow, anger, and fear made them the perfect choices to explore through hair. Given our limited time, focusing on four distinct looks was both realistic and impactful, allowing us to delve deeply into each emotion and create a cohesive narrative. 

E: When Laura discovered the work of psychologist Paul Ekman, who identified these four universal emotions, it reinforced the idea that building a shoot around them could be impactful. We also only had one day for the shoot, and we knew we could realistically achieve four distinct looks in one day. This approach allowed us to create a strong, cohesive series with what is hopefully a compelling story behind each emotion. 

 

Sorrow
Fear

What did prep for each of the looks entail? Talk us through any key techniques and products 

L: Creating each look required meticulous planning and a selection of techniques and products to embody the emotions we wanted to convey. Here’s a breakdown of each look: 

 Sorrow: 

Inspiration: We aimed to capture a melancholic and delicate aesthetic. The look needed to evoke a sense of softness and vulnerability. 

Techniques: To achieve this, I started by creating smooth, sleek hair that framed the face, using a straightening iron to eliminate any frizz and create a polished finish. The ends were kept slightly damp to add a touch of natural, undone texture, symbolising the weight of sorrow. 

Products: I used a smoothing serum to ensure the hair remained sleek and frizz-free. A light-hold gel was applied to the damp ends to maintain the soft, wet look without making the hair too stiff. 

Fear: 

Inspiration: We wanted a look that felt chaotic and intense, reflecting the inner turmoil associated with this emotion. 

Techniques: Lots of volume was added to create a wild, frizzy texture. I backcombed sections and used a diffuser while blow-drying to enhance the natural curl and frizz. The aim was to make the hair appear as though it was standing on end, mirroring the feeling of fear. 

Products: I used a volumising mousse at the roots to create lift, followed by a texturising spray to add grit and hold. A strong-hold hairspray was essential to keep the volume and frizz intact throughout the shoot. 

Anger: 

Inspiration: It needed to be depicted with a fierce and striking hairstyle that showed intensity and aggression. 

Techniques: I chose to work with sharp, angular shapes and tight braids to create a look that was structured and powerful. The hair was sectioned into small parts and braided tightly then wrapped with elastic, before styling into an upward, spiky formation to add a sense of dynamism and tension. 

Products: A strong-hold gel was used to keep the braids neat and in place. I also used edge control to smooth down any fly-aways and ensure the look remained sharp and defined. For the spikes, I employed a hair wax to mould and shape the braids, followed by a generous amount of hairspray for maximum hold. 

Joy: 

Inspiration: The goal was to convey a sense of lightness, playfulness, and exuberance. Joyful hair needed to radiate positivity and energy, which bouncy waves with volume naturally provide. 

Techniques: I started by washing the hair and applying a volumising mousse to the roots while it was still damp. After blow-drying with a round brush to lift the roots and add volume, I used a large-barrel curling iron to create loose, bouncy waves. Each section of hair was wrapped around the curling iron for a few seconds, and then released to form soft curls. Once the entire head was curled, I gently brushed through the curls with a wide-tooth comb to create a more relaxed, wavy texture and enhance the volume. 

Products: For the lift and fullness, a volumising mousse was key, along with a texturizing spray to add grip and enhance the texture of the waves. A shine serum was also Applied sparingly to add a touch of shine and keep the hair looking healthy and vibrant. 

Anger

As two fellow creatives, how imperative is it to collaborate with other creatives? For any hair pros who might be on the fence about reaching out to photographers, make-up artists, and so on to collaborate, what is your advice? 

L: Collaboration is vital in our field. Working with other creatives brings fresh perspectives and skills that can elevate your work. My advice to hair professionals hesitant about reaching out is to take the leap. Find collaborators who respect and understand your vision and be clear about your goals and expectations. Embrace the creative process (including the possibility of failure) as it’s an essential part of growth. Every successful creative journey involves risks and mistakes, but those experiences can lead to extraordinary outcomes and innovations. 

E: I believe in following your creative gut—if you have an idea, it’s there for a reason, and you should follow it with determination. Often, the universe provides the answers or brings the right people into your path to collaborate with, as it did during this shoot. 

Although it is a collaboration, it’s important to stay true to your original vision. Allow others to contribute without diluting the core concept, as too many voices can often muddy the original idea. Finding collaborators who understand and align with your vision is key, as is communicating that vision. 

 


Photography: Elisabeth Hoff
Hair: Laura Chadwick
Make-up: Czar Joshua Ventura
Production: Holly Charlton at Hoff Productions Ltd.
Models: Joy – Kelly Brennan @ Mrs Robinson Management, Sorrow – Gemma Seymour @ The Milk collective,  Anger – Kwan Jo @ Wilhelmina, Fear – Alexandra Beaton 

What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

Mark Hayes, international creative director for House of Sassoon, reflects on the enduring power of the iconic cut. 

AUTHENTIC BEAUTY CONCEPT Styling products

Following ‘Flash Bobs’ in New York and LA, the Vidal Sassoon team stopped traffic on the streets of London, as models sporting signature bob cuts strutted around the capital to celebrate 70 years of the iconic brand

AUTHENTIC BEAUTY CONCEPT Glow range

When Vidal Sassoon conceptualised the bob, it heralded a cultural shift for women to a low-maintenance style, freeing them from weekly salon appointments, stiff lacquered hair and hours under the hood dryer. Sassoon pioneered the idea that hair should be cut to fall into place and follow the natural curves of the face and body. Fast forward to 2024 and the bob is just as commonplace in salons, favoured by celebrities such as Margot Robbie, Jennifer Lopez and Raye, to name a few.   

While many would consider it a key ‘trend’, as hair pros it’s a common misconception to think of it as such. “The biggest misconception I hear about the bob is that it’s flat and severe; really the bob is a technique as much as a ‘trend’ it’s a starting point for so many variations,” says Mark Hayes. “A Sassoon bob isn’t one specific style of bob, it’s the absolute epitome of technique allied to an innate sense for suitability, he adds.  

The basic principles of the bob guarantee the enduring popularity of the style, as it can be cut to pretty much any length on any texture, and modified to suit any face shape. A Sassoon bob can be cut anywhere from the cheekbones to just above, or slightly touching the shoulders. The emphasis is on a clean swinging line that moves freely with the wearer,” explains Mark.  It’s best cut on superconditioned hair that shows off the natural texture, that could be straight or through to curls.” 

Like many iconic styles, maintenance is key to ensuring the hair looks its best, but with the use of a good styling tool or product, a bob of almost any texture can be altered to suit the mood of the wearer. 

Mark suggests that one length and more geometric bobs best suit more solid colour techniques that make the hair appear thicker. “Darker tones work well as they tend to act as a mirror and increase surface shine,” he adds. On graduated bobs, two-tone colouring with darker tones through the underneath will accentuate the dynamic of the shape.  Alternatively, layered bobs lend themselves to a more highlighted technique as they will add movement and texture.  

Due to fashion’s cyclical nature, the bob look is ever-evolving, building upon references from previous eras.  Mark says: “We update the Sassoon bob every season to move it forward,” sometimes with a change of angle, making it rounder or squarer, maybe deconstructing the texture a little.” Whatever the style switch up, one thing is clear – the Sassoon bob is going nowhere.  

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Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week 

The Most Wanted 2024 Creative Talent finalist shares how he crafted bespoke looks inspired by the playfulness of circus troupes

Cirque du Soleil performance at Kid Studios
Image from @KidSuper

For his second voyage to Paris during Fashion Week, award-winning hairstylist Richard Phillipart turned his attention to Men’s Fashion Week S/S25, bringing his trusted #TeamPhillipart with him to both Études Studio & KidSuper Studios.  

After making his international debut in March, Richard and his team worked on four shows across London, Milan, and Paris for the men’s catwalks – an impressive feat without an agent! 

Bringing big top energy to one of the four fashion capitals, the KidSuper Studios show saw the circus as the overarching theme, while exploring interconnectedness and the unseen forces shaping our world, using strings and puppetry to delve into who controls the strings in our lives, both literally and metaphorically. This included models walking the runway attached by strings to giant hands that circled the stage on tracks as if the models were puppets being played with by giants. Taking the theme one step further, the show also included a spectacular performance by Cirque du Soleil.  
Behind the scenes at Kid Studios
Images by @jowkid
Richard Phillipart at Kid Studios

The look 

Inspired by the whimsical charm of vintage marionettes, Richard designed individual looks for each model that focus on sleek dynamic shapes with “spit curls” and flicked edges that invoke the playfulness of circus troupes. Contrasting longer hair textures reflect the collection’s vibrant and eclectic spirit. 

Backstage at Kid Studios

The how-to 

All models had their hair prepared by cleansing and treating with MyOrganics Supreme Shampoo and Miracle Mask, chosen as they provide intense nourishment without weighing it down. 

Hair was then coated with My Organics Hydrating Strong Mouse to add a pliable texture and hold. A strong parting was given to all models, and their hair was blown away from the face.  

Once dry, MyOrganics Water Moulding Wax was applied liberally. Using a strong brush, the wax was worked into the hair in the desired direction. Hair was then drenched in MyOrganics Strong Hold Hydrating Hairspray and the finished style was set using a hairdryer and diffuser. 

Final look at KidSuper Studios
Final look at KidSuper Studios
“Spit Curls” were shaped into place using MyOrganics Water Moulding Wax and an edges brush to achieve the crisp shape. 

MyOrganics Restructuring Shine Spray was applied moments before the models walked the runway to give the hair a high gloss finish. 

An Authentic Take

An Authentic Take

A Creative HEAD and AUTHENTIC BEAUTY CONCEPT partnership

This Creative HEAD shoot, in partnership with AUTHENTIC BEAUTY CONCEPT, showcases signature twists on iconic styles, delivered by Joseph Ferraro and Melissa Timperley.

Hair: Joseph Ferraro and Melissa Timperley for Authentic Beauty Concept
Portrait photography: Andrew Woffinden (A&R Creative), assisted by Marija Vainilaviciute and Luke Weller
Fashion: Harriet Nicolson (Stella Creative Artists)
Make-up: Cat Parnell using Charlotte Tilbury
Editorial: Amanda Nottage (Creative HEAD)
Social media & reportage photography: Kelsey Dring and Aoife Connell (Creative HEAD)
Production: Joanna Kidd (Creative HEAD)
Models: Maisie Stock (MOT) and Nayha Queiroz (MMG Models)
Shot on location at Stā Studios, with thanks to Greg Thomas

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