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Who’s The 2024 Fellowship Hairdresser Of The Year?

Who’s The 2024 Fellowship Hairdresser Of The Year?

Who’s The 2024 Fellowship Hairdresser Of The Year?

Annual Luncheon and Awards also unveils new FAME Team for 2025 

by AMANDA | INDUSTRY NEWS

Hairdresser of the Year Suzie McGill

2024 Fellowship Award winners

Suzie McGill scooped Hairdresser of the Year while Nicky Clarke OBE took home a Lifetime Achievement Award at this year’s Fellowship for British Hairdressing annual Luncheon and Awards. 

Held at The Londoner, president Ashleigh Hodges hosted with help from vice president, Michelle Griffin, and Project X leader, Lisa Farrall, announcing two more Centres of Excellence and a progression into Europe with its Projects initiative, following the launch of Project Scotland this year. 

The 450-plus guests also learned of the new Ann Herman Scholarship, the announcement of the new Fellowship Youth Board and plans for 2025, including their Net Zero and Safe Space initiatives, ahead of revealing their roster of award winners, including the reveal of the 2025 FAME Team. 

Hairdresser of the Year Suzie McGill

Hairdresser of the Year Award winner, Suzie McGill, with Ashleigh Hodges

Lifetime Achievement Nicky Clarke

Lifetime Achievement Award winner, Nicky Clarke, with Ashleigh and past president, Robert Eaton

And the winners are… 

Fellowship Hairdresser of the Year – Suzie McGill, Rainbow Room International 

Fellowship Lifetime Achievement Award – Nicky Clarke OBE 

2025 FAME Team, mentored by Christel Barron-Hough – Sam Bickle, ARKIVE by Adam Reed; Stevie-Leah Loscombe, Blue Tit; Bekki Delehedy, Dot Hair; Annie Franklin, Prestige Hair 

Hall of FAME Award – Josh Goldsworthy  

The Trevor Sorbie Award for Creative and Commercial Innovation – Kelly Rowney 

Community Hero – Laura Leigh Kerr, Rainbow Room International   

President’s Award – Stewart Roberts, Haircuts 4 Homeless 

Member of the Year – Billy Ryan, Tribe Salons  

 

Snapshot Image of the Year – Giuseppe Stelitano, Trevor Sorbie, London 

Men’s Image of the Year – Sam Elliot, Toni&Guy, Covent Garden, London 

Colour Image of the Year – RUSH Artistic Team  

Afro Image of the Year – Cos Sakkas, Toni&Guy Academy, London 

International Image Award – Antoinette Beenders, Aveda, USA 

Image of the Year – Cos Sakkas, Toni&Guy Academy, London 

 

Independent Business of the Year – Stā Studios  

Salon Business of the Year – Medusa 

Barber Business of the Year – RW Wolf Barbers 

Educator of the Year – Laura Leigh Kerr, Rainbow Room International  

Session Stylist of the Year – Nick Irwin  

Lifetime Achievement Nicky Clarke

Snapshot Image of the Year Award winner, Giuseppe Stelitano, with Ashleigh and Lisa Farrall

FAME TEAM 2025 copy

2025 FAME Team – Sam Bickle, ARKIVE by Adam Reed; Stevie-Leah Loscombe, Blue Tit; Bekki Delehedy, Dot Hair; Annie Franklin, Prestige Hair, with mentor Christel Barron-Hough

Achiever of the Year Awards:  

Clubstar Art Team – Jess Dennis, Tate Hair 

Project Colour – Amelia Krasinski, KH Hair  

Project X – Lucy Melvin, Diamond Appearance 

Project Men & Media – Kieran Martin, Charter Cutting Company  

Project Sassoon – Callum Bate-Siney, William & Mary Hair & Beauty  

Project Afro – Nataša Stantić Brajović, Andrew Jose  

Project Extend – Jade Miles, Voila Hair Studio 

Hunter Collective Closes

Hunter Collective Closes

Hunter Collective Closes

As freelancing numbers increase and more co-working spaces launch, the early pioneer closes its brand 

by AMANDA | INDUSTRY NEWS

Lacey Hunter-Felton

Arguably the space that pioneered the trend towards high-end co-working membership, the Hunter Collective has closed its doors.  

Originally unveiled in 2017 by stylist and co-founder, Lacey Hunter-Felton, the brand offered not only co-working membership to freelancers at its Clerkenwell and Spitalfields sites in London, but also a ‘brand neutral’ space for hire that delivered event, education and pop-up opportunities to a host of hair labels and manufacturers.  

‘’I feel very proud of what we’ve achieved as a Collective; our Members and our HCTeam have shown guts and compassion beyond expectation,” said Lacey in a statement. “I am proud of myself, as a hairdresser, stepping out from behind the chair eight years ago, backing myself with the launch of a new way of working, that has enabled so many hairdressing friends to find their own feet and find their own paths.” 

The Hunter Collective hub.

While she has not shared her specific reasons for closing the brand, competition within London has grown fierce, with luxe co-working membership offerings from Electric Space, Stā Studios and Williams & Hirst among them. 

Recent Ringworm Cases Raise The Question: Is Hygiene A Growing Issue In Barber Shops?

Recent Ringworm Cases Raise The Question: Is Hygiene A Growing Issue In Barber Shops?

Recent Ringworm Cases Raise The Question: Is Hygiene A Growing Issue In Barber Shops? 

Reports of ringworm infections linked to barbers have reignited debates about hygiene practices and industry regulation. 

by MADDI | INDUSTRY NEWS

michael-demoya-Q82AM6BWBPM-unsplash

Mike Taylor, owner of Mike Taylor Education barbering academy in Poole, has denounced “cheap, dirty, unqualified barber shops” to BBC News after seeing “loads of cases” of young male clients catching ringworm after barber visits. 

“I’d say 70 per cent to 80 per cent of clients coming in ask for skin fades. To get that effect you’ve got to use the foil clipper, but the problem is it takes in hair and it needs to be thoroughly cleaned,” he told the BBC, while one Bournemouth local and barber shop regular, Christian Reynolds, experienced the consequences of poor hygiene firsthand. “I felt annoyed because, after researching, I realised it was due to improper practice and not cleaning equipment properly,” Reynolds said to the BBC.  

Taylor’s outburst has shone a spotlight on the responsibility of barbers maintaining hygiene levels. “The close proximity of clippers to the skin creates an ideal environment for fungal infections,” said Miles Wood-Smith, master barber and creative director of Murdock London. “Ensuring tools are sterilised and promoting good aftercare for clients is crucial.” 

Gareth Penn Headshot

Gareth Penn

Gareth Penn, registrar at The Hair and Barber Council, pushes for stricter standards as part of its ongoing mandate for registration for hairdressing and barbering. Penn argues that the rise in infections also reflects broader industry challenges. As the number of barber shops increases – 663 more shops in 2023 according to the Local Data Company – price competition forces some establishments to cut costs, often at the expense of hygiene standards or proper training.  
 
“The high street is depleting, it’s dying and then suddenly there’s 12 barber shops on the same street and they’re all trying to go a little bit cheaper than each other,” added Mike. “If the prices have to be knocked down then something else has to go and maybe it is all the time spent cleaning the equipment or the time spent getting the proper knowledge.” Increasing costs following the October Budget will also add pressure. 

Charles Rose, 2023 Business Builder winner at the 2023 It List awards and founder of barber shop/grooming brand Crate Cheshire, called for a renewed focus on education. “Now that this issue is being spoken about more widely, I hope it will encourage barber shops to prioritise cleanliness and prevent further cases of ringworm,” he said.  

With ringworm now being discussed more openly, there’s pressure on barbering to increase hygiene levels and training to safeguard clients. As Penn concludes, “Prevention is far easier than treatment, and it’s time we made consumer safety a priority.” 

Charles Rose Crate

Charles Rose

“We’re Curating Something Special Here” – Inside The Noir, Edgy Revamp Of Josh Wood’s Atelier

“We’re Curating Something Special Here” – Inside The Noir, Edgy Revamp Of Josh Wood’s Atelier

“We’re Curating Something Special Here” – Inside The Noir, Edgy Revamp Of Josh Wood’s Atelier

A decade on, the iconic Notting Hill salon has transformed into a sleek, modern space with
a bold vision – blending high-end design, artistic flair and next-level support for its talented team.

by MADDI | CREATIVE PROJECTS

A decade after its initial launch, the Josh Wood Atelier has enjoyed not only an interior refresh but a business rethink, too. Design group West and Vittori were brought on board to elevate the space. “I wanted it to look slick, stripped back, modern,” says Josh. “It’s a little more noir, slightly edgier. We’ll be hosting art and flower installations, so we need to have a backdrop that can keep evolving.” His favourite element? A pink quartz underlit table in the colour room: “It glows,” he whispers, describing it as his pièce de résistance. “It took some doing with engineers because those quartz bricks are quite heavy. It was a labour of love.” 

This transformation wasn’t just aesthetic; it reflects a shift in the Atelier’s ethos. Josh explains, “We wanted to think about the next five to ten years and what the industry might look like. It’s about creating a much cleaner, crisper space – a blank canvas – using very high-quality furniture and materials. The design before was quite full-on and we pared it back to focus on timeless functionality.” 

Located in Notting Hill, just behind Holland Park tube station, the Atelier aims to strike a balance between its international reputation and a local salon feel. “A lot of our clients are high-profile or high-net-worth individuals, and their image is incredibly important. But they don’t see hair as separate from their overall look – it’s about the full picture,” he explains. “So, we think about how they’re going to look and feel at the end – whether they need brows, lashes, nails or make-up. We’re a one-stop shop for incredibly time-starved clients.” 

The redesign also prioritised flexibility, allowing the space to evolve over time. “The upstairs floor, for example, used to feel more curated with old furniture I’d collected – library tables from France, a black metal chest from America. Now, we’ve stripped it back so it’s more open and adaptable. I dream of hosting a sculpture exhibition up there one day,” Josh shares. 

Beyond the physical changes, the Atelier now operates more like a talent management agency, nurturing the careers of its self-employed stylists, including The It List Editorial Stylist winner Mike Mahoney. “The industry has shifted,” Josh explains. “Most people here are self-employed and running their businesses. We encourage their growth, whether that’s through creativity or building a team. We act almost like agents, helping manage both their salon clients and creative work. If someone has a big job, we’ll take care of the logistics so they can focus on their craft.” 

Clients have embraced the changes wholeheartedly. “They love the freshness and cleanness of the space,” Josh says. “But more than that, they appreciate the spirit of the business. We’re curating something special here, from partnering with Chanel for make-up at Claridge’s to introducing Bio Sculpture nails and collaborating with local food producers. It’s all about creating opportunities and taking the headache away from the team, so they can focus on what they do best – being creative.”  

Related

‘At KIT, Everything Is Prescriptive And Tailored To The Individual’ – Inside Karrie Fitz’s Vision For Elevating Hairdressing Talent

‘At KIT, Everything Is Prescriptive And Tailored To The Individual’ – Inside Karrie Fitz’s Vision For Elevating Hairdressing Talent

‘At KIT, Everything Is Prescriptive And Tailored To The Individual’ – Inside Karrie Fitz’s Vision For Elevating Hairdressing Talent

From behind the chair to elevating global talent, Karrie Fitz of KIT Studios reveals the emotional and strategic alchemy behind building a successful hairdressing career and brand. 

by MADDI | DOCUMENTS

Karrie Fitz

For Karrie Fitz, founder of KIT Studios, the journey into the hair industry has been anything but traditional. From starting as a salon assistant in Ireland to leading a forward-thinking agency that reshapes how hair professionals approach business, Karrie’s career has been defined by creativity, adaptability and a drive to elevate the craft. 

“Hair was always my path,” Karrie explains. Growing up in a household surrounded by creativity – her parents ran a garden centre – Karrie was drawn to hands-on work. ‘It wasn’t so much why hair but rather, what else could I have done? Hair was a natural fit.’ 

With the encouragement of her mother, Karrie wrote a CV and landed a job at Hugh Campbell Hair Group in Ireland. “I loved it so much,” she recalls. “But after 10 years, I realised being behind the chair wasn’t for me. At 25, I wanted to do something different – not out of hair, but not doing hair in the traditional sense.” 

In search of inspiration, Karrie took a trip to London with a friend. “We were walking around Notting Hill, popping into vintage shops and I suddenly thought, ‘I’m moving here.’ A month later, I was in London.” 

Karrie’s first role in London was with Rush Hair, where she earned accolades like Newcomer of the Year and a spot on the junior art team. Yet, something still didn’t feel right. “I thought moving to London meant I’d be doing shows and Fashion Week, but it was still five days behind the chair. It wasn’t the change I was looking for.” 

KIT Instagram

@kitstudios on Instagram

KIT Instagram

After a year and a half, Karrie left Rush to go freelance, assisting on music videos and editorial shoots. “I entered a competition with Rankin and created some of my proudest work. But even then, I knew I wasn’t quite where I wanted to be.” 

A chance opportunity at L’Oréal marked a turning point. Initially freelancing as an educator, Karrie transitioned into a full-time role after six months. “Moving into the corporate world was worlds apart from salon life. I struggled with presenting myself in a corporate way. But with the right mentorship, I found my footing and started to thrive.” 

Karrie’s creative instincts quickly found a new outlet in digital strategy. While working on L’Oréal Professionnel Paris’ Instagram account, she noticed a gap in the content. “The page was very consumer-focused, but we were talking to hairdressers. I wanted to showcase the amazing work happening in our academy every day.” 

To address this, Karrie launched L’Oréal Professionnel Paris Education UK on Instagram – a bold move that grew the page by 30,000 followers in just six months. “That was a real pivot point for me. It showed me the potential of digital platforms in connecting with hairdressers and elevating their work.” 

After five years at L’Oréal, Karrie moved to Hamburg to work with Schwarzkopf Professional. “Working on a global scale was amazing. I collaborated with incredible talent like Paddy McDougall and Andy Smith and led projects like Essential Looks and Indola’s Street Style collections.’ 

Despite the professional success, Karrie felt isolated in Germany. “I didn’t speak German, and I was quite lonely. So, I decided to return to London.” 

Back in London, Karrie collaborated closely with Jack Howard, helping him grow his digital profile. “We worked on fine-tuning his content to go viral while adding real value for his audience. It was such a buzz to see the results – thousands of new followers, millions of views. It was success after success.”

The momentum led to the creation of KIT Studios in 2021. “I wanted to build something that truly supported hair talent and brands, helping them grow their profiles and achieve their goals. At KIT, everything is prescriptive and tailored to the individual. It’s about mentoring and strategising in a way that’s unique to each client.”

Karrie emphasises the emotional aspect of the work. “A lot of what we do is addressing emotional blockers. Whether it’s fear, limiting beliefs or confidence issues, we sit with those and help people move forward. Growth often comes from discomfort and that’s where the magic happens.”

KIT Studios has since expanded into consumer PR and content production, with plans for further growth. “We want to elevate the industry by thinking outside of it. Our team works to create fresh, exciting opportunities for our clients, whether that’s through PR, events or digital strategy.”

Looking ahead, Karrie is developing a digital platform to serve hair professionals at all stages of their careers. “It’s a one-stop destination for hairdressers worldwide. Whether you’re looking to collaborate, find freelance work, or simply grow your profile, this platform will be for you.”

Reflecting on her journey, Karrie shares, “I’ve been told before that the most valuable person on your team is the one who doesn’t always agree with you. At KIT, we’re not afraid to have honest conversations, even when they’re uncomfortable. That’s where real growth happens – for us and our clients.”

From her early days in Ireland to the launch of KIT Studios, Karrie Fitz has remained committed to elevating the hair industry, one connection at a time. “It’s about creating spaces where people can thrive, both creatively and professionally. That’s what keeps me excited and inspired every day.”