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What You Need to Know on… Branding

What You Need to Know on… Branding

What You Need to Know on… Branding

Maintaining a good brand takes thought and work, as does repairing a damaged one

by Amanda |  BUSINESS, FREELANCE

Unsplash/Austin Chan

What’s in a brand? Your business story as well as your reputation, for starters. Digital expert Harvey Morton offers some pearls of wisdom for getting going. “Conduct thorough market research to gain insights into your potential customers’ demographics, preferences, and behaviour patterns. Identify their pain points, needs, and aspirations.” Just don’t forget your competitors, he warns. “Explore their services, marketing techniques, pricing strategies and customer feedback,” he continues. “By understanding your target audience and competitors, you can position your brand effectively and create unique value.”

The early stages of brand building clearly require lots of research, but what about the more creative part? According to Hellen Ward, co-founder of Richard Ward Hair & Metrospa, the narrative matters. “When creating a new brand, you need to think about the story, the provenance. People need to quickly and easily identify what the brand values are, and what it stands for.” For growing an existing brand, Hellen advises to “identify the strengths, the core USP and go sniper with marketing, not scattergun.” Communicate what makes you stand out. “Market to your target customers and scream your points of difference, whether it’s the team, length of service, expertise, or luxury environment,” she adds.

Unsplash/ Vitaly Gariev

“Focus on building strong relationships with your customers through personalised experiences,” adds financial expert Garry Hemming. “Implement data-driven marketing strategies to better understand them and tailor the messaging and offerings to their needs. Leverage social media and content marketing to engage with your audience and showcase your brand’s personality and expertise.”

Partnerships and collaborations are another route as they “can help expand your brand’s reach”. This includes “complementary brands or influencers who align with your values and target audience”. This, he concludes, can help you “tap into new markets and build credibility for your brand”.

While it’s motivating to brainstorm and think about your goals, including the reasons for doing what you do, part of the brand journey is also about knowing how to respond when your brand is damaged. For Tom Skinner, managing director of digital marketing agency, Go Up, it’s important to apologise with sincerity, he advises. “Cut the business speak and imagine you’re talking to your own grandmother. So rather than ‘we’re sorry if some people misunderstood our Instagram post and were offended’, it should be ‘we’re sorry about our Instagram post’. Customers need to know you’re real. You’ll be surprised what can be rescued.”

Unsplash/Syahrir Maulana

However, simply saying sorry isn’t enough. “Prove you’ve changed,” Tom adds. “Demonstrate tangible improvement and a willingness to move past previous mistakes. Don’t just tell me you’ve fixed the car — take me for a drive.”

Sometimes, the extent of brand damage can mean that a rebrand is needed. Here, Garry has some pointers. “A fresh look and feel can symbolise a new beginning and signal a commitment to positive change. Be sure to involve your target audience in this process to gather their input and feedback.” However, a makeover on its own won’t guarantee customer support. “Consistency is key to regain trust,” he explains. “Ensure that all marketing materials and customer touchpoints are aligned with the renewed brand identity and messaging. Consider ongoing reputation management efforts to monitor and address negative sentiment and maintain a positive online presence.”

Is “Not Accepting New Clients” A Badge Of Honour Or A Death Sentence?

Is “Not Accepting New Clients” A Badge Of Honour Or A Death Sentence?

Is “Not Accepting New Clients” A Badge Of Honour Or A Death Sentence?

Seen the immortal statement featured in stylists’ social media bios? It List 2024 finalist, Frazer Wallace, questions whether closing yourself off to new clients is the right way to approach business

Look on a busy independent stylist’s social media bio, and you might spot the words ‘not accepting new clients’. I’d first noticed this statement being a ‘thing’ in the US, especially for those with 10,000+ followers. As a UK-based stylist, I’m now seeing this crop up more here, with so many stylists producing beautiful work but not letting anyone new book in.

If you’re booked out six months in advance then I understand that having lots of people message or call to get you might be annoying. But why close yourself off to meeting new people and being inspired by new ideas? I think this is new badge of honour, similar to a ‘blue tick’. Yet I feel it’s becoming more negative than positive.

I had this ‘not accepting new clients’ statement in my Instagram bio for a time. I was travelling a lot, and I’d cut down my days in the salon so I couldn’t fit any more guests in. Five months of incredible business then… quiet. Ooh, scary, right? Yes, it was! I couldn’t understand why I had one or two weeks of maybe a single client a day, then after that they’d be back-to-back. Well, it’s because I had ‘not accepting new clients’ in my bio. I had also told my clients that I wasn’t accepting new guests either, so guess what? They stopped recommending me to their friends.

This badge of honour, which was just an ego boost in all honesty, became a real problem. When I wanted to meet new clients, I couldn’t. Instead, I welcome new clients now but with an explanation that there will be a wait time until their first appointment. This way I’m not closing off any potential new clientele, and when I post some unexpected availability (everyone gets it now and again) there are people waiting to fill the spaces… and possibly become lifelong customers.

My point is: don’t fall for it. It’s not inviting to have a big fat ‘no’ on your page. Your social media gathers income. Keep your books open to ensure you stay inspired and to welcome anyone who could replace the person who may just replace you when someone new and cool comes along. There is business around for everyone, but don’t close yourself off to it just to feel important. It’s not worth it. And as a business owner, if I was interviewing someone who had this in their own bio, I wouldn’t take them on. It gives off Big Ego Energy.

We all know that social media brings in the money. Don’t let this stop you from making good money behind the chair that you’ve worked so hard to get busy in.

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WORK FOR FREE? GET REAL!

WORK FOR FREE? GET REAL!

When session stylist Joe Mills raised the issue of pay transparency in the session world, it caused an
uproar.

‘Manifesto’ by Felicitas Hair

‘Manifesto’ by Felicitas Hair

'Manifesto' by Felicitas Hair

Hair:  Felicitas Hair
Photography and Retouching: Esteban Roca
Make-up: Kuki Giménez Agency
Styling: Visori FashionArt
Models: Shock Models
Products: Revlon Professional

 

 

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“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

“This Is More Than Just A Salon; It Is A Beautiful Place That We Look Forward To Being In Every Day” – Ursula Moore On Bond’s New Location

The founder of Bond shares all about the larger space, designed with both the team and clients in mind.

by  | CREATIVE PROJECTS

Located in the heart of Shoreditch in the serene and picturesque Arnold Circus you’ll find the new Bond salon space. An upgrade in size from the previous iteration, founder Ursula Moore felt it was time to expand and offer clients something new. “I had noticed this location a few years ago and always envisioned it as an ideal spot for a hair salon,” she shares. Packed with unique charm away from the bustling Shoreditch High Street, it gives clients a fresh hairdressing destination that stands out from the crowd.

The first salon, designed by Jenny at Milk Design, featured a modern deco aesthetic that was both minimalistic and warm. When considering the new interior, Ursula knew it was crucial to carry over this design ethos to the new location, as it is integral to the brand identity. “The colour scheme throughout is feminine with a strength to it, striking a perfect balance between elegance and resilience,” she comments. She opted for timeless, durable elements such as oak wood furniture, alongside timeless classics, such as The Adria II styling chair from Takara Belmont. The inclusion of black worktops, fixtures, and fittings throughout adds an edgy sophistication.

The lie-down wash beds, designed in collaboration with Max Woodall, are also a highlight of the salon and unsurprisingly have gone down a storm with clients. “It was important to us that the hair wash experience is something to look forward to,” Ursula explains. “Additionally, I had the backwash area elevated slightly so that taller individuals, like me, do not have to crane over while shampooing, making the process more comfortable for both clients and stylists.”

Spanning three floors, the new location also offers an abundance of natural light, especially on the top floor, which is used for styling. It features two large skylights and windows running the full length of one side of the room with a beautiful view of the park opposite.

To deliver a calm environment for both team and clients, Bond specialises in personalised one-on-one services with longer appointment times. This ensures that when working on a client’s hair, stylists dedicate their full attention exclusively to the client, even during hair colour processing. This also reduces wait times, delivering a totally serene experience.

“I aimed to create an environment that would be enjoyable not only for our clients but also for our team,” Ursula says. “This is more than just a salon; it is a beautiful place that we look forward to being in every day.”

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What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

What Makes The Ultimate Sassoon Bob? This One Misconception May Mean You’re Doing It Wrong

Mark Hayes, international creative director for House of Sassoon, reflects on the enduring power of the iconic cut. 

AUTHENTIC BEAUTY CONCEPT Styling products

Following ‘Flash Bobs’ in New York and LA, the Vidal Sassoon team stopped traffic on the streets of London, as models sporting signature bob cuts strutted around the capital to celebrate 70 years of the iconic brand

AUTHENTIC BEAUTY CONCEPT Glow range

When Vidal Sassoon conceptualised the bob, it heralded a cultural shift for women to a low-maintenance style, freeing them from weekly salon appointments, stiff lacquered hair and hours under the hood dryer. Sassoon pioneered the idea that hair should be cut to fall into place and follow the natural curves of the face and body. Fast forward to 2024 and the bob is just as commonplace in salons, favoured by celebrities such as Margot Robbie, Jennifer Lopez and Raye, to name a few.   

While many would consider it a key ‘trend’, as hair pros it’s a common misconception to think of it as such. “The biggest misconception I hear about the bob is that it’s flat and severe; really the bob is a technique as much as a ‘trend’ it’s a starting point for so many variations,” says Mark Hayes. “A Sassoon bob isn’t one specific style of bob, it’s the absolute epitome of technique allied to an innate sense for suitability, he adds.  

The basic principles of the bob guarantee the enduring popularity of the style, as it can be cut to pretty much any length on any texture, and modified to suit any face shape. A Sassoon bob can be cut anywhere from the cheekbones to just above, or slightly touching the shoulders. The emphasis is on a clean swinging line that moves freely with the wearer,” explains Mark.  It’s best cut on superconditioned hair that shows off the natural texture, that could be straight or through to curls.” 

Like many iconic styles, maintenance is key to ensuring the hair looks its best, but with the use of a good styling tool or product, a bob of almost any texture can be altered to suit the mood of the wearer. 

Mark suggests that one length and more geometric bobs best suit more solid colour techniques that make the hair appear thicker. “Darker tones work well as they tend to act as a mirror and increase surface shine,” he adds. On graduated bobs, two-tone colouring with darker tones through the underneath will accentuate the dynamic of the shape.  Alternatively, layered bobs lend themselves to a more highlighted technique as they will add movement and texture.  

Due to fashion’s cyclical nature, the bob look is ever-evolving, building upon references from previous eras.  Mark says: “We update the Sassoon bob every season to move it forward,” sometimes with a change of angle, making it rounder or squarer, maybe deconstructing the texture a little.” Whatever the style switch up, one thing is clear – the Sassoon bob is going nowhere.  

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Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week

Welcome To The Circus – Richard Phillipart Talks Technique Behind His Latest Work At Paris Men’s Fashion Week 

The Most Wanted 2024 Creative Talent finalist shares how he crafted bespoke looks inspired by the playfulness of circus troupes

Cirque du Soleil performance at Kid Studios
Image from @KidSuper

For his second voyage to Paris during Fashion Week, award-winning hairstylist Richard Phillipart turned his attention to Men’s Fashion Week S/S25, bringing his trusted #TeamPhillipart with him to both Études Studio & KidSuper Studios.  

After making his international debut in March, Richard and his team worked on four shows across London, Milan, and Paris for the men’s catwalks – an impressive feat without an agent! 

Bringing big top energy to one of the four fashion capitals, the KidSuper Studios show saw the circus as the overarching theme, while exploring interconnectedness and the unseen forces shaping our world, using strings and puppetry to delve into who controls the strings in our lives, both literally and metaphorically. This included models walking the runway attached by strings to giant hands that circled the stage on tracks as if the models were puppets being played with by giants. Taking the theme one step further, the show also included a spectacular performance by Cirque du Soleil.  
Behind the scenes at Kid Studios
Images by @jowkid
Richard Phillipart at Kid Studios

The look 

Inspired by the whimsical charm of vintage marionettes, Richard designed individual looks for each model that focus on sleek dynamic shapes with “spit curls” and flicked edges that invoke the playfulness of circus troupes. Contrasting longer hair textures reflect the collection’s vibrant and eclectic spirit. 

Backstage at Kid Studios

The how-to 

All models had their hair prepared by cleansing and treating with MyOrganics Supreme Shampoo and Miracle Mask, chosen as they provide intense nourishment without weighing it down. 

Hair was then coated with My Organics Hydrating Strong Mouse to add a pliable texture and hold. A strong parting was given to all models, and their hair was blown away from the face.  

Once dry, MyOrganics Water Moulding Wax was applied liberally. Using a strong brush, the wax was worked into the hair in the desired direction. Hair was then drenched in MyOrganics Strong Hold Hydrating Hairspray and the finished style was set using a hairdryer and diffuser. 

Final look at KidSuper Studios
Final look at KidSuper Studios
“Spit Curls” were shaped into place using MyOrganics Water Moulding Wax and an edges brush to achieve the crisp shape. 

MyOrganics Restructuring Shine Spray was applied moments before the models walked the runway to give the hair a high gloss finish.