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How K18 Changed The Way We Think About Hair

How K18 Changed The Way We Think About Hair

“The Science Came First. We Built The Brand From There.” How K18 Changed The Way We Think About Hair

Suveen Sahib had no experience in the haircare industry, but he was curious. And that’s how he came to create K18, the biotech ‘miracle’ product line that’s paving the way for the future of haircare, and much more.

by CATHERINE | CONVERSATIONS

Of all the incredible things there are to say about K18, the product line that promises to restore chemically damaged hair to a near virgin-like state in just four minutes, perhaps the most remarkable is that it was created on a computer.

Yes, K18 was developed (you may want to take a deep breath here) by applying computational models with probabilistic structure/sequence analogy used in the biotech industry to the molecular structure of human hair. Clever stuff, right? Well, luckily for those of us who could read that sentence 20 times and still not understand a word, there’s another way of telling the story.

Back in 1990, US-based tech entrepreneur’s Suveen Sahib’s wife, Britta Cox, had founded Aquis hair towels and turbans, harnessing water-wicking technology to deliver a better way to dry. Suveen was reading some of the customer reviews one day and noticed they were saying things like, “This towel makes my hair less frizzy” or “It gives me better texture”, which he found puzzling because the towel wasn’t adding anything to the hair. He decided to look more closely at the structure of hair and realised that what looks like a fibre on the outside is actually a highly sophisticated biological composite. “The hair towel worked because it understood the biology of hair,” he said. “It absorbed water faster and in a way that meant you didn’t have to move it around so much, and that meant hair didn’t get tangled. But why does hair get tangled in the first place? That took me down the rabbit hole into realising that this wasn’t just about hair drying or hair, it was about beauty in general.”

Suveen Sahib

After talking to Britta about her experience of the hair industry, Suveen concluded that most hair products and routines have only resulted in “needy hair” – hair needy for attention and needy for products. “If you think about it, the entire genesis of beauty has been in cosmetic chemistry, and cosmetic chemistry has created great outcomes – hair colour, make-up, hair styling.  But cosmetic chemistry does not understand biology, so when it comes to repairing hair it’s not the optimal toolkit,” he says. Fuelled by his passion for “less is more”, Suveen quit his job and devoted himself to learning everything he could about the biology of hair.

“Hair is made up of millions of molecular chains like inter-connected ladders running along the length,” he says. “But hair was never designed by nature to have chemical services applied to it, like perms, straightening, colour – these are what cause the keratin chains to break. For 10 years I worked with a team of biochemists reassembling and synthesising every possible sequence inside the hair to figure out what kind of sequence could not just reconnect these chains but also contribute cysteine to the broken bonds and bind with the keratin-associated proteins, because that’s what makes the matrix of hair inside. And we found 18 was the optimal peptide; it restored the molecular chains and brought hair back to its natural elasticity and strength. In pharma, you create a molecule and then you create a delivery system to deliver the molecule for a targeted outcome. For K18 we took a very similar approach and that’s why it was born on a computer, not in the formulation lab.”

Having tested different variations of actual formulations with Australian hairstylists (“That was the eureka moment, when we saw the joy on their faces at how good hair felt after applying the treatment; we knew then that all those theoretical models had translated into a product that actually worked”), in December 2020, with their K18Peptide trademarked and their formulation perfected, Suveen and Britta launched K18 Biomimetic Hairscience as an in-salon professional service that went beyond hair repair to restore chemically damaged hair to near virgin-like strength and resilience. The fact that the world was in the middle of the Covid-19 pandemic did not deter them. Rather, the pair turned it to their advantage, using social media to spread the word among professional stylists who were desperate for something new and positive.

“I deeply believe that professional hairstylists were our guiding light,” recalls Suveen. “People were saying to me, ‘Go online, sell it via retail’, but to me it was non-negotiable that we would sell through salons. And in certain countries, salons were still open; in the Nordic countries and Australia – they closed much later. So, we were able to send our products out to them and we encouraged them to use it on their own hair, to tell us how they felt about it, and that’s how the conversations started. And the other thing was that, thanks to the pandemic, stylists were now using Zoom. We did thousands upon thousands of Zooms with stylists across the world, introducing them to K18 and why it should be a part of their life. And a big part of that was education – we were the first to socialise a 3-D model of hair and share it with stylists – and that’s where they started appreciating our biotechnology. And the fact was, the product experience, the tactile experience, that all matched up in their own hands.”

Within 18 months of launch, the K18 in-salon treatment had reached 20,000 salons in more than 100 countries – effectively an overnight sensation. Stylists loved its simplicity. They loved that it worked in four minutes. And Suveen loved them right back. “I was spending time with stylists and I fell in love with that community of artists. And one of the things that stood out was the struggle they faced in coming out of the pandemic and having hundreds of products in stock – none of that made sense to me. I want stylists to focus more on their artistry than anything else. They want to be able to do it simply. They want predictability. They want to be able to make more money. So, simplifying that life became something very, very important to me.”

In 2021, after a hugely successful year of trading through the professional channel (the business was profitable within its first quarter), K18 launched its bond-building Leave-In Molecular Repair Hair Mask with high street retailer Sephora, with an accompanying #K18hairflip challenge on TikTok generating more than 11.2 billion views. The move instantly turned K18 into a best-selling hair care brand at the beauty retailer, but what did this shift away from the salon mean for stylists?

“People were saying to me, ‘Go online, sell it via retail’, but to me it was non-negotiable that we would sell through salons”

“One thing we realised is that as a stylist, you’re often the first to introduce a product to a client, and the conversation can get heavy if the consumer doesn’t know about it, because it feels like you’re trying to sell it and that wears you down,” says Suveen. “Stylists told us they love it when there’s a product that consumers are telling them about because they’ve seen it on social media, or whatever. That makes the conversation easier and it starts bringing traffic to the stylist’s chair.

“We’d also created K18 to use as a salon service when hair is being coloured. But what about post-colour? A client can wash her hair 20, 30 times between salon visits and coloured hair is more susceptible to UV damage. So, we realised we needed to keep a client’s hair in a reasonable state so that when she returns to the salon you can improve it even more because K18 is progressive. But this was not about driving retail, this was about driving the advocacy flywheel, which works both ways.”

Nevertheless, in December 2023, after just three years in business, Suveen and Britta sold K18 to Unilever for an undisclosed (but presumably rather large) sum. Now expanded with a line of shampoos retailing at £39 and a hair oil at £65, K18 will sit within Unilever Prestige, a tight edit of 10 premium beauty brands, including Dermalogica, Living Proof and Hourglass.

The K18 range has expanded and is now owned by Unilever

“K18 is a fast-growing brand that sits at the intersection of beauty and biotechnology,” said Vasiliki Petrou, executive vice president of Unilever Prestige, at the time. “It has been a pioneer of using social media to educate and engage consumers about the science of hair. This acquisition complements our fast-growing portfolio of premium, culturally relevant consumer brands.”

But what does this mean for Suveen and Britta? “I continue to be CEO,” says Suveen, “and I will continue to steer our destiny for many years to come. And if you think about it, it was too early. There is still so much that’s happening within K18 and there’s still so much to come. And that’s what excites me, what we at K18 can bring to the table and what we can learn from Unilever. Because we were global, literally from day one, and you realise there are things that you don’t know and that’s where Unilever come in with a very strong set of complementary capabilities, which are going to be important if K18 is to become a billion-dollar brand.” 

While Suveen is confident that Unilever will allow K18 to continue to focus their attention on small independent businesses (“What I love about Unilever is they appreciate a brand and that its ecosystem needs to be nurtured – that freedom, that oxygen that brands like us need”), the challenge he sees moving forward will be “re-architecting” the way we work with our hair. 

“Stylists told us they love it when there’s a product that consumers are telling them about because they’ve seen it on social media… that makes the conversation easier and it starts bringing traffic to the stylist’s chair”

“The haircare industry continues to stay rooted in the way it’s always been. The relationship with hair they’ve created is all about control. Controlling frizz, controlling the style. For me, it needs to shift to understanding hair and working with it because that’s how you can impact real change and see the results people want. Less is more for your hair and less is what healthy hair really needs, but the current conversation is driven by an industry with tens of thousands of products which further drives over-consumption and waste. I ultimately want to see the product offering cut by half. The number of resources hair consumes on a daily basis is not good for people, their hair, the planet, or their wallet.

“I believe K18 is leading this revolution already — to offer the technology and science that allows people to own their relationship with their hair in a new way. We take care of our silk shirts and cashmere sweaters with immense care, but what about our hair? We need to apply that same philosophy of care. If hair is one of our most precious resources, are we thinking through the way we wash it, the way we dry it, the wear we put it through, the way we feed it? Hair mindfulness is a new way to think about our routine and in that we can unlock confidence that wasn’t possible until now. To truly liberate expression.”

Every Colourist Should Know This Half-And-Half Colouring Technique

Every Colourist Should Know This Half-And-Half Colouring Technique

Spice up your colour and cutting services with a fresh technique from the Allilon team.

Join Evie and Aki from Allilon in this exciting collaboration, as they demonstrate a stunning colour and cut combination. Discover how even the simplest haircutting techniques can be transformed into something extraordinary with Evie’s amazing half-and-half colouring technique. Enjoy the journey!

 

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It’s Serving Realness

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A Creative HEAD and AUTHENTIC BEAUTY CONCEPT partnership

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A Creative HEAD and AUTHENTIC BEAUTY CONCEPT partnership

Venture behind the scenes as Joseph Ferraro and Melissa Timperley deliver their authentic takes on two iconic styles in a Creative HEAD and AUTHENTIC BEAUTY CONCEPT partnership shoot.

Other hairdressers? We’re fascinated by them. They captivate us. The way they work, their routines and inspirations… And we’re obsessed with gaining that insider knowledge – to find out how a look is approached, to see a creative process unfold, to witness signature skills in action. We’re here for the back stories – and in an exclusive partnership between Creative HEAD and AUTHENTIC BEAUTY CONCEPT, that’s what we’re going to get, as we unpack authentic takes on two iconic styles from a pair of cutting creatives par excellence. Joseph Ferraro? He’s serving long and luscious, while Melissa Timperley is dissecting the modern-day bob. The door at London’s Stā Studios is open…

Joseph Ferraro

Joseph Ferraro
Joseph Ferraro Hair, Harrogate

My authentic style is…
As I’ve gotten older, my authentic style would be something that has to compliment the client’s or the model’s face shape and hair structure. It’s about keeping it as real as possible – try not to make it too extravagant, too complicated and do what feels right for me and the clients.

Who really owns their authentic style?
Paloma Faith, she knows her own identity, whether you like it or not. She comes on stage and portrays herself as who she is. She would be fab to style – she’s fun and bubbly and that comes across with her hair and style as well.

AUTHENTIC BEAUTY CONCEPT Hero?
I love Working Hairspray. On photographic shoots or session work in shows, I love it because it gives you the ability to change it up, brush it out and still keep the shine. 

Joseph Ferraro styling

The Minimalist Mermaid

“This is a very effortless wave that’s brushed out, but it’s a little bit irregular. You don’t want a uniform feel for a new era mermaid wave…”

“Some of the sections I took a little bit lower from the roots, using a triple barrel waver. Some of the sections are higher and then some of the sections at the ends I left out straighter, so it just feels a little bit more effortless. I’ve used the Nymph Salt Spray to prep and give it that sort of gritty, lived-in texture and then working with the Working Hairspray.

“The key to make it look modern? Don’t be afraid to brush it out. Get a comb in there, get your fingers in there and give it that very fluffy texture but still keeping that wave looking through it.”

The kit: Nymph Salt Spray, Working Hairspray and Strong Hold Hairspray from AUTHENTIC BEAUTY CONCEPT

Joseph Ferraro styling

The Piecey Pony

“The genesis is the classic, elegant ponytail… but I didn’t want just a simple pony!”

“This has an editorial twist to it. A little bit of Nymph Salt Spray at the roots gives me some grit when I’m putting it up. I split the hair into two ponytails, with the top one taking hair from around the ear to the top of the head to elevate it. Once they were merged into a tight ponytail, I wrapped a little bit of wire around to create that elongated pony that we could shape later. Once that was in place, I used an invisible cotton to criss-cross all the way through. I used Working Hairspray throughout, then pulled bits out of the pony to create this lovely bubble effect that I could then shape with the wire.”

The kit: Amplify Mousse, Nymph Salt Spray and Working Hairspray from AUTHENTIC BEAUTY CONCEPT

Joseph Ferraro styling

The Nineties Knots

“It’s a little bit more raw, a little bit more textured, very organic and not too symmetrical. It’s very much a visual placement that I’ve done, looking at my model, and with no hard lines.”

“I went for more of a twist on the side rather than a braid, it feels organic rather than a bit more of a pretty braid. This twist is more complimentary to this soft texture.

“I worked in a lot of the Nymph Salt Spray and the Working Hairspray. I’ve just used m fingers to create the section, so no hard lines with a comb. I have knotted the hair just like you would do a knot – probably about three times on each section because her hair was very long. Then I’ve roped and twisted the end and basically wrapped that end into itself and then pulled it out to create something that’s irregular.

“Working through the front, if you just go into circular motions, you’ll see a lot of the baby hair or that new growth hair. It creates a bit more of a three-dimensional look.”

The kit: Nymph Salt Spray and Working Hairspray from AUTHENTIC BEAUTY CONCEPT

Melissa Timperley

Melissa Timperley
Melissa Timperley Salons, Manchester

My authentic style is…
Classic with a fashionable modern twist.

Who really owns their authentic style?
Anne Hathaway – she’s having a moment! Yeah. I love that no matter what role she plays, she seems to be herself always, her most natural self. She can be quite a chameleon in the way she changes her look, but it’s always authentic to her.

AUTHENTIC BEAUTY CONCEPT Hero?
Hydrate Curl Enhancer. We do a lot of curly hair in the salon, and this is my go-to.

Joseph Ferraro styling

The Hydro Bob

“You’ll always see a wet bob seen on the red carpet. My model’s hair has got a lot of natural texture, and I wanted to create a real smooth and shiny canvas without it looking greasy.”

“I cocktailed the Amplify Conditioner and Amplify Mousse together to create this sheen that’s going to take out some of the natural texture and keep it looking flawless. This is a new way of wearing a bob, creating more of a sleek, defined look but still with some
authentic texture in it. Be warned; you’ve got to be careful that it doesn’t look like you’ve just stepped out of the shower. I want that sexy sweatiness about it…”

Be very generous with your product. You want to make sure the products aren’t just for the look – you still want the hair to move. I’ve paired a gel conditioner – using it as a styling gel with a mousse but something that’s not going to dry crispy!”

The kit: Amplify Conditioner and Amplify Mousse from AUTHENTIC BEAUTY CONCEPT

Joseph Ferraro styling

The Bedhead Bob

“This is giving me Zendaya! The whole point of this lock is to enhance the natural texture.

We’ve started with soaking wet hair pre-cleansed, and with this hair type, it needed moisture. We used the Hydrate Cleanser, then it’s a mixture of the Amplify Mousse and the Hydrate Curl Enhancer.

“You need the hair to be absolutely soaking wet to apply the product and then enhance the movement. I diffused the hair, making sure not to move the hair too much as you diffuse – it’s a common mistake people make when diffusing hair. To elevate the look even more I just tonged a little in the front section, shortening the length to create a little bit more movement.”

The kit: Hydrate Cleanser, Amplify Mousse and Hydrate Curl Enhancer from AUTHENTIC BEAUTY CONCEPT

Joseph Ferraro styling

The Fauxhawk

“This creates the softness and versatility of a ponytail, while still keeping all the hair off the face.”

“This is great for anyone who wants to spice up a ponytail but doesn’t want to have that slick look of a bun. We worked with the model’s authentic texture, using the Airy Texture Spray and the Nude Powder Spray to create some fullness in the hair. I separated it into three ponytails – one at the top, one at the crown and one at the bottom back and flipped out each ponytail and then pinned it into place. It’s pretty simple, and one that clients can create at home.”

The kit: Airy Texture Spray, Nude Powder Spray and Working Hairspray from AUTHENTIC BEAUTY CONCEPT


A Creative HEAD shoot, in partnership with AUTHENTIC BEAUTY CONCEPT
HAIR: Joseph Ferraro and Melissa Timperley for AUTHENTIC BEAUTY CONCEPT
PORTRAIT PHOTOGRAPHY: Andrew Woffinden (A&R Creative), assisted by Marija Vainilaviciute and Luke Weller
FASHION: Harriet Nicolson (Stella Creative Artists)
MAKE-UP: Cat Parnell using Charlotte Tilbury
EDITORIAL: Amanda Nottage (Creative HEAD)
SOCIAL MEDIA & REPORTAGE PHOTOGRAPHY: Kelsey Dring and Aoife Connell (Creative HEAD)
PRODUCTION: Joanna Kidd (Creative HEAD)
MODELS: Maisie Stock (MOT) and Nayha Queiroz (MMG Models)
Shot on location at Stā Studios, with thanks to Greg Thomas

“This Project Is Almost The Catalyst For Us” – Allilon’s Pedro Inchenko On Collaboration And Upskilling His Team On Textured Hair Styling

“This Project Is Almost The Catalyst For Us” – Allilon’s Pedro Inchenko On Collaboration And Upskilling His Team On Textured Hair Styling

“This project is almost the catalyst for us” – Allilon’s Pedro Inchenko on collaboration and upskilling his team on textured hair styling

With a major show planned in Berlin with celebrated BIPOC vocal group A Song For You, Allilon is focused on styling texture with confidence and heart.

 

With the Allilon Education team hitting the stage in Berlin at the Davines World Wide Hair Tour 2024, co-founder Pedro Inchenko wanted to do something creative that would switch up their approach to stage presentations, while also working with local talent to deliver something different. The prep journey has seen him introduce collaborative workshops to ensure his team – both with Allilon and at the Ena salon he co-founded with Johnny Othona – are confident and genuinely ready to work with any hair type. Here, Pedro explains how he’s started the process…

          Pedro Inchenko 

Aminata Kamara with Ena stylist

 

“For Berlin, I wanted to break a little bit of that traditional mould – a show featuring a video, cutting and colouring on stage, then doing a catwalk presentation. I’m looking to stimulate my own creative needs as well. The idea is to find talent in Berlin, and we found a collaborative group of about 50 artists from the BIPOC (Black, Indigenous, and People of Colour) community. They’re sharing a place to communicate their talents, individually and when they come together as A Song For You.

About 10 of the artists will be our models, and we’ll be doing their hair on stage. In between, they’ll be performing. I really want the emphasis to be on the audience feeling and experiencing something in terms of performance.

We’ve had our first textured hair workshop, where we invited in some specialists to work with the team, starting with TV and film stylist Deborah Lola and session stylist Aminata Kamara, and we’re going to invite others along over the next few months. The idea is if they’re available, they’ll join us on stage. I don’t want it to be this group of white artists doing black hair; I want to give a platform to textured hair specialists who can collaborate with us.”

“As a company, we’ve always been inclusive when it comes to cutting and colouring hair. But in terms of textured hair – the styling, and the understanding of it, in terms of the approach, how different it can be – that’s something we’ve been leaning into more over the last few years. This project is almost the catalyst for us; it needs development and we need to outsource this to specialists, to help us really hone in on those skills.

In the first workshop, we chatted about what it’s like to grow up having Black hair, the psychological aspects of it, how it can become part of your identity. I really want us to do the work, to understand that because there’s a big movement in the community to lean into natural hair and to embrace it. Everyone brought a model, and it was about playing with hair, looking at how we would approach our models.

We’re doing more workshops to further our skills and we’re going to continue to do that across the board. We haven’t necessarily sought outside influences in the past, but it’s something that we’re going to be doing – with textured hair, with different tools, different philosophies, different approaches to hair. We’re really opening ourselves up – we’ve got our foundation, we know who we are… let’s see what else we can bring in for the team to inspire them to continue their journey.

The team are loving it, learning lots of new things around setting, braiding and twisting. It was great to talk about the simple things, like how to comb textured hair. Our normal approach would just be to brush it out and cut it. But Deborah was like, “no, you need to add moisture, add water, brush it out. And then the hair is ready to be cut and prepped”. The way that you put your brush in, the way that you prep the hair to be dried, or to be braided, or to be set. Unless you’re shown, there is a missing part of our education. This is about giving the team the confidence to be able to approach any hair type. They were buzzing afterwards.”

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Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Gorgeously Gritty, Inspiring Vision And Flawless Skill From Richard Phillipart

Politics, culture, bygone eras, personal stories it all meshed and motivated Richard Phillipart to create two arresting looks for one of our best-loved Creative HEAD front cover stories back in 2018. This is two minutes of creative genius, and we’re still swooning.  

A Creative HEAD shoot in partnership with BaByliss PRO 

Hair: Richard Phillipart
Make-up: Cat Parnell
Fashion: Mekel Bailey
Videography: Sledge
Photography: Jon Baker
Production: The Creative Partnerships division at Creative HEAD
Shot on location in East London 

 

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