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FASHION EAST WITH MARK HAMPTON

FASHION EAST WITH MARK HAMPTON

Feb 27, 2024 | CREATIVE PROJECTS

CATEGORIES > EXPLORE > CREATIVE PROJECTS

FASHION EAST - MARK HAMPTON

Celebrating 40 years of London Fashion Week, Mark Hampton led the hair team for Fashion East at the A/W24 show, which saw both Johanna Parv’s and Olly Shinder’s collections showcased under one roof.

Fashion East has a reputation for giving a voice to young fashion creatives, steering the conversation, and highlighting the most innovative new names, with inspirational ways of spotlighting their work across Fashion Week. 

Flying in from Hollywood, working alongside two different designers and co-ordinating a hair team for two shows seems like no easy feat, so we caught up with session and celebrity hairstylist Mark Hampton backstage at London Fashion Week to find out just how he works his magic. 

Creative HEAD: Firstly, what does 40 years of London Fashion Week mean to you? 

Mark Hampton: It means it started before I was born! But it also means heritage. I trained at Vidal Sassoon – his connections with fashion were so deep. For me he was the first person who transcended fashion and film and art. His inspiration for Bauhaus and cutting Mia Farris’ hair for Rosemary’s Baby were things that made me go ‘wow! This is where you can go with this job?’ 

CH: Is that what sparked your interest in taking your session work further? 

MH: Yeah, and then working with Guido. I could see the industry from the true creative perspective that it should be. 

CH: So, how do you navigate working with two designers for one show? 

MH: I have a lot of ADD so I don’t think it really matters for me. I enjoy it more; I like the diversity and the challenge of trying to pull off two shows (normally we do three!). For me, it feels more like a show, the atmosphere is better because there’s less focus on one specific thing and there is more of a vibe.  

CH: How do you keep the vibe positive and the team calm? 

MH: Good assistants! My first assistant Clare [Hurford] is a legend – she really helps me with the production, separating the team and finding the strengths and weakness to play in our favour. When you’re doing two shows, the hair is very different. Olly’s show is predominantly guys, so you need barbers and people who are strong in cutting, whereas Johanna’s is more about styling, so you need people with a different mindset. 

CH: How have you approached the hair looks for Fashion East? 

MH: I think London is more about selling a character instead of selling clothes. For example, with Johanna’s collection, the clothing has a big focus on streetwear and functionality but on a very elegant level, so the hair must really reflect that character. You want to get into their psyche, what would they do if they were wearing these clothes? Did they have their hat on? Were they cycling and took their helmet off, and what would their hair look like? I think it’s important for Johanna that the person that wears her clothes looks like she could have done her own hair.  

CH: We heard you’ve been using the Supernova Pro… 

MH: Yes, it’s so fun! It’s so nice to have something that really works! And the fact that it’s professional means it’s going to do what I need it to do. 

CH: How did you use it on the looks for Fashion East? 

MH: We’ve straightened a few of the girls’ hair. On some of them that already had straight hair, we added a bit of texture as well. Then after I did the chignon, I used the straightening iron to accentuate some of the straighter pieces. 

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WHEN INSPIRATION WON’T STRIKE – GRACE DALGLEISH

WHEN INSPIRATION WON’T STRIKE – GRACE DALGLEISH

Feb 27, 2024 | CONVERSATIONS

CATEGORIES > EXPLORE > DOCUMENTS

GRACE DALGLEISH ON... WHEN INSPIRATION DOESN'T STRIKE

The 2023 double Most Wanted award winner shares her guide on how to find inspiration when it’s playing hard to get

We all know the importance of finding inspiration. It’s a powerful force that drives creativity, motivation, and the generation of new ideas. It often involves a deep emotional or intellectual connection that sparks enthusiasm and a sense of purpose. Finding inspiration can be a highly personal and subjective experience, but what happens when inspiration dries up? Even with the best will in the world, all artists experience periods when inspiration just isn’t there. What can colourists do when it happens? 

 Switch up your tools 

Why should we be limited to a tint brush? It’s fun to experiment with different sized paintbrushes; different angles can create various blends and placements. Sponges are a great way to create seamless freehand blends, making the most commercial applications fun. 

Play with paints 

Truly understand your colour wheel; it’s essential to know this inside out to take your formulas to the next level. When looking to customise shades, play with acrylic or water paints to understand how to create the most unique tones. For example, while working on different shades of greens, I found that adding a dot of red to my formula created a more muted beige effect, giving me the perfect pistachio.  

Get swatching 

Personalisation is exactly where colour is; crafting colour for the individual and giving our clients a reason to return to us. After playing around with paints, I love to test my shades on swatches to see how they transfer onto hair. This gives me a starting point, allowing me to keep tweaking until I find that perfect shade.  

Press pause 

To be creative, we need downtime. It’s essential to pause and stop. I find new inspirations spark when I take a break from social media and immerse myself in something other than hair – whether that be watching a documentary or taking a walk and observing people. Recently, I was inspired by a group of students who had been colouring their hair themselves. It was super visual and made me consider how I could recreate it. 

Inspiration can’t be forced; it needs to flow through you. When life is busy or there’s a deadline attached it can be difficult to feel inspired. Looking at colour through a different perspective, stepping away from the situation or trying something new, gives internal space for creative thinking and fresh ideas to come alive. Inspiration can’t be forced but it can be encouraged, it needs to be nurtured. Stay open and stay curious. 

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THE TOP TRENDS SPOTTED AT LONDON FASHION WEEK A/W24

THE TOP TRENDS SPOTTED AT LONDON FASHION WEEK A/W24

Feb 27, 2024 | DOCUMENTS

CATEGORIES > EXPLORE > DOCUMENTS

THE TOP TRENDS SPOTTED AT LONDON FASHION WEEK A/W24

Get the lowdown on the key hair trends spotted on the catwalks at London Fashion Week A/W24 shows

Backstage at Mithridate A/W24

As London Fashion Week concludes, we’re reflecting on the biggest trends spotted on the catwalks at the A/W24 shows. A melting pot of creativity, this season saw a number of stand out styles, including metallic foiling, the return of the deep side parting and a celebration of natural texture. Here’s the looks which will be setting social media ablaze come A/W24…

A touch of metallic

At New York Fashion Week the use of gold foil was seen at Christian Siriano, with Lacy Redway adorning models with foiling on buns and at the roots. Not be to be outdone by our American counterparts, the session world in London also embraced the intricate foiling technique this season, with both gold and silver details appearing across the weekend.

At Mithridate, Johanna Cree Brown was inspired by statues of ancient Buddhas in the jungles of Asia and the gold patina weathered with moss and slight decay. Using L’Oréal Professionnel Paris products, we saw gold leaf applied in broken pieces to reflect the patina on ancient statues. Using a brush and bowl, Tecni.ART Fix Max gel was applied to the centre parting, before pieces of gold leaf were added at the parting to catch the light, using the handle of a tail comb to press into place. The hair was finished off with Ellnet Spray to keep everything in place.

Photography by Rebecca Maynes at Chet Lo A/W24

Meanwhile at Chet Lo, it was silver leaf in the spotlight. Hair lead Anna Cofone worked with Authentic Beauty Concept products to add silver leaf to the hair as a nod to the collection. It was a genius way of referencing the concept of clothes becoming armour, which is also reflected in the slicked-back spiked graphic shapes created. “My relationship with Chet has spanned more than three seasons and it’s one that I really treasure, as there is absolute creative trust and a genuine authenticity within the design process,” Anna said. “It was amazing to have the support of Authentic beauty Concept, the products worked perfectly for what we needed to achieve.”

The return of the side parting

It’s an age old debate between generations as to what parting is ‘cooler’ but if this season’s shows are anything to go by, the side parting is back on top for A/W24.

Spotted on the catwalk of Harris Reed A/W24 was a more subtle take from Ali Pirzadeh, crafted using Dyson Professional tools. In harmony with the sweeping drapes and billowing volume in the garments, Ali introduced a structured side parting with an ‘S’ shape lift at the hairline, and a healthier looking, high shine blow-dry finish, created using the new Dyson Supersonic r professional hair dryer. The graphic take on a classic up-do incorporates a sense of masculinity, nodding to Harris’s fluid approach to gender.

Images: Backstage at Harris Reed A/W24, model at Eudon Choi

Over at Eudon Choi, hair lead Adam Garland also used a sweeping side parting as a core detail. “The overall look is designed to have no hard lines,” Adam explained. After creating an irregular parting on the left, Airy Texture Spray from Authentic Beauty Concept was used to create a dry, dusty texture. Next, a ponytail was created at the nape area. “We then created texture on the right-hand side by rubbing a balloon up and down the hair shaft to create static, using a light mist of Working Hairspray then repeating to lock in the new texture,” he added. To complete the look, hair was placed over the right side of the face and random pieces were tucked to create a veil over the face.

Likewise, a sweeping site parting and low ponytail were core details seen at KNWLS, with hair lead Mustafa Yanaz using Session Label from Schwarzkopf Professional to achieve the lived-in finish. “Imagine a New York, Upper East Side girl with beautiful hair. She goes to a second party and ties the hair in a knot,” Mustafa explained. “She looks like she partied already, but the hair still looks healthy and shiny.”

Images: Photography by Alex Barron-Hough backstage at KNWLS A/W24 

Nature’s touch

While some shows and presentations offered statement styles, with others a ‘less is more’ approach was seen, as hair teams looked to enhance the model’s own natural texture. At Supriya Lele, Syd Hayes created “freshly washed and brushed out, beautiful hair.” Syd and his team worked with a  centre partings on all of the girls, with freshly washed hair dried flat using the new BaByliss PRO Falco dryer and nozzle attachment, and brushed to create fluffiness and texture to ensure the look of real-life lived-in hair. To finish the look and add some movement, Syd used the 25mm Titanium Expression Curling Tong to add a very slight bend to the front sections of the hair to frame and open up the face.

Images: Supriya Lele A/W24, 16Arlington A/W24

Similarly, at the 16Arlington show, Sam McKnight and his team delivered a look which personified natural, Cool Girls. It was Inspired by the beautiful models walking in fresh off the street. Some models had their hair de-frizzed and de-fluffed with Happy Endings or Dressed to Kill, smoothing through where needed. Other models had a soft wave added to the front, using a straightening iron. An S shape was created with the section, before gently tapping with the straightener to create texture.

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DYSON UNVEILS ITS NEW PRO-EXCLUSIVE DRYER

DYSON UNVEILS ITS NEW PRO-EXCLUSIVE DRYER

Feb 27, 2024 | INDUSTRY NEWS

CATEGORIES > INFORM

DYSON UNVEILS ITS NEW PRO-EXCLUSIVE DRYER

The Supersonic r Professional hairdryer is smaller and lighter with no heat damage. 

Dyson has unveiled an innovative hair dryer exclusively for stylists at New York Fashion Week that’s smaller and lighter, with new technology to avoid heat damage to hair.
The Dyson Supersonic r Professional hair dryer comes with a variety of attachments that include intelligent Radio Frequency Identification sensors. These communicate with the dryer, automatically adjusting the motor and heater to deliver the ideal airflow and temperature for each one. If a stylist alters any of the settings on an individual attachment from one client to the next, the sensors will also remember the last settings used. The new dryer is 30 per cent smaller and 20 per cent lighter, and more manoeuvrable to deliver fast drying, alongside smoother, frizz free and shinier results on hair.
It will be used across the four main Fashion Week cities during the A/W 2024 season, starting with Christian Siriano and Prabal Gurung in New York. The reveal follows ongoing surveys and interviews with nearly 700 stylists since 2017. Through these, Dyson identified challenges hair pros were facing, and was keen to provide a tool that responds to “real world demands” while still delivering on styling experience and results. Its research found that a stylist will typically see between 4-16 clients each day, spending on average 30 – 60 minutes styling per client, adapting their angle up to 30 times during one styling session. It pointed to the prevalence of strain related injuries such as carpal tunnel syndrome among stylists as a result.

At a glance: Dyson Supersonic r professional hair dryer

It has a new ergonomic design
The Dyson Supersonic r has been designed ergonomically in an ‘r’ curve and, at 325g, weighs less than a can of hairspray. The shape allows stylists to reach where it’s normally difficult, for better control when styling hair, and for better comfort while doing so.

There’s more even heat thanks to new heaters
The new curved heater ensures the dryer heats the airflow more evenly, with no hotspots. For stylists, this means you can rely on more even temperatures (including when using the attachments), a higher temperature for faster drying and styling, with no heat damage. The dryer checks the temperature constantly using Dyson’s intelligent heat control – seen in its other hair tools, too – measuring air temperature more than 20 times a second.

The attachments have sensors… and they’ll remember how you used them
There’s a range of attachments that have integrated Radio Frequency Identification sensors, which communicate with the dryer, automatically adjusting the motor and the heater to deliver what Dyson engineers have set as the ‘optimal’ airflow and temperature. For example, the diffuser is set to low flow and low temperature to reduce frizz and enhance curls without disrupting the curl pattern. In contrast, the rough dry mode uses maximum power heat and flow to minimise drying time but while keeping the airflow controlled. However, stylists can adjust these settings depending on the hair type and style of each client, and the dryer will remember that setting the next time the attachment is added.

Its filter can go longer between cleans
The 3D mesh filter at the bottom of the dryer, designed to capture salon pollutants such as hair and styling sprays, now lasts up to two times longer in-between cleans.

Stylists can join a waitlist here for the new pro-exclusive dryer. 

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NEW GUIDELINES REVEALED FOR ALLERGY TESTING

NEW GUIDELINES REVEALED FOR ALLERGY TESTING

Feb 27, 2024 | INDUSTRY NEWS

CATEGORIES > INFORM

NEW GUIDELINES REVEALED FOR ALLERGY TESTING

Collaboration of industry bodies unveils new testing protocols for professional colour in the UK.

A new allergy testing protocol for professional hair colour has been unveiled through a collaboration of industry bodies. 

Associations including the National Hair and Beauty Federation and Hair & Barber Council have blended the changes announced by Cosmetics Europe last year with existing industry best practices. The new guidelines offer a clear benchmark for hair professionals, insurers and hair colour brands to meet to promote the safe use of professional hair colour services in the UK. 

Posting professional colour to a client’s home for them to test at home is not recommended under the new protocol, as this goes against industry best practice and may invalidate insurance cover.

The new protocol recognises three systems for professional allergy alert testing:

1. The Allergy Alert Test (AAT)
Instructions designed by manufacturers and printed on packaging and instructions for use.

2. Protocols designed for professional use only and conducted by a hair professional*
Hair colour brand protocols are applicable to their own products only, whereas some hair industry, trade organisations’ and insurers’ protocols can be used with any hair colour brand.

3. Universal allergy screening tests licenced as medicines for consumers to use at home to screen for the most common hair colour allergen (PPD)
These products are available to buy online or via approved stockists and may only need to be used once.  

“Having three options that have been thoroughly researched and examined by our industry leaders makes it simpler to understand and easier for us to communicate to the public,” says Gareth Penn, registrar at the Hair & Barber Council.

“Allergy alert tests are vital to protect clients and guard against potentially expensive legal action if something goes wrong. This is a huge step in the right direction,” added Caroline Larissey, chief executive at the National Hair & Beauty Federation. “These collaborative guidelines will help raise standards and also support clients make an informed choice.”

The industry bodies working together are Good Salon Guide, Salon Employers Association, the Barber Council, the Fellowship for British Hairdressing, the Freelance Hairdressers’ Association, the Hair Council, the Men’s Hairdressing Federation and the National Hair & Beauty Federation.

* Precise protocols differ and it is the responsibility of hair professionals to check cover with their own insurance provider.