No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
A twist on a styling staple, Tariq Howes combined early noughties nostalgia with ‘footballer craze’ energy to deliver an evolution of the classic mohawk at The Coterie: In Session, held in Manchester in October 2022. Presented first to a live audience, Tariq’s take on the iconic style is as fresh today as it was then.
A Creative HEAD event in partnership with BaByliss PRO, hosted by George Driver, formerly of Elle UK.
Hair: Tariq Howes
Make-up: Lou Pye
Fashion: Sonia Genders assisted by Gee Stanley
Model: Andre Hassan
Videography: Black Rock Creative
Photography: Ema Crompton
Production: The Creative Partnerships division at Creative HEAD
Venue: fivefourstudios
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
|
London-based Lauren Bell spent years honing her craft before going freelance in January 2020; she is self-represented and her published highlights include prestigious publications such as Vogue, Harper’s Bazaar, and Elle. Artistic by nature, Lauren immersed herself in the beauty industry at a very young age. Her introduction to the fashion world in 2015 led her to work backstage at runway shows with some of the biggest names in the industry. This experience sparked a passion for individualism as expressed through fashion and beauty. Lauren’s natural talent in hairstyling has allowed her to build an extensive portfolio and clientele, working with all hair types and capable of achieving any desired look. “Building relationships with muses, artists, and brands to bring their vision to life is the most fulfilling part of my job,” she says |
Lauren Bell
London-based Lauren Bell spent years honing her craft before going freelance in January 2020; she is self-represented and her published highlights include prestigious publications such as Vogue, Harper’s Bazaar, and Elle.
Artistic by nature, Lauren immersed herself in the beauty industry at a very young age. Her introduction to the fashion world in 2015 led her to work backstage at runway shows with some of the biggest names in the industry. This experience sparked a passion for individualism as expressed through fashion and beauty.
Lauren’s natural talent in hairstyling has allowed her to build an extensive portfolio and clientele, working with all hair types and capable of achieving any desired look. “Building relationships with muses, artists, and brands to bring their vision to life is the most fulfilling part of my job,” she says
What would you say are your strongest points as a hair artist?
My strongest points are my eye and my fearlessness towards styling hair. I’ve always had the courage to try out different approaches to applying products and techniques. It’s my art, an opportunity for me not to think and just do, go with the feeling, and it’s one of the few times I actually allow myself to get out my head. I also believe my communication skills and being at ease around other people allow me to create a rapport with models and build the trust that’s needed for me to create.
What is important to you, as a hair professional? In other words, what do you want to offer your clients?
Comfort, safety, hair integrity, an opportunity to express themselves, enhance themselves, build trust, not worry about how they look so they can speak their truth or tell their story. It’s become very important for me to work with people who have something to say so I can support them to do this.
The last three months: where have you been, who have you worked with, and what have you been planning?
Since the beginning of the year I’ve been working in Europe for hair brands. I’ve been to Berlin for fashion week and worked fashion week in London with Bimini. I’ve been to fancy hotels with clients, location shoots with Self Esteem, the Brits and worked in London studios with brands like Sephora and Juicy Couture. I’ve also created content and collaborated on editorials, so there’s been a real variety.
Looking back, who/what has got you to this point in your career?
My determination to prove a point! I recently gave a talk at college for Careers Week and it reminded me how determined I had to be to prove that I CHOSE this path to become a hairdresser, that it wasn’t a last resort. I think my need to prove that has definitely played a part in how successful I am now. Also, it goes without saying that I’m here because of my love for this craft and the amazing people I get to work with and the mentors that have helped me direct my path and encourage my growth as a stylist and as a human being.
Your ultimate creative collaboration – what would that look like? Who would be in it?
Oh, wow… Somewhere hot, at dusk, with warm sea air blowing through the hair, all the supermodels, activists and iconic actresses of the past and present on set… It’s really hard for me to answer who would actually be as there are too many people I admire. I see it being a day shoot by the pool and then taking to the coast for the celebration runway. Err, do you think I need a holiday? Lol.
What excites you about hairdressing right now?
There are so many new paths in this industry for people to explore and find out what works for them. I love that about my own journey. My career has been very explorative and full of variation; I don’t know if hairdressing can be beaten in this sense. As someone who has an innate curiosity for people and places, I sometimes have to take a minute to celebrate all the different locations I have had the opportunity to travel to for work and all the different kinds of people I get to meet along the way. The variation and freedom really excite me.
I love this image from a Juicy Couture campaign. The model, Vix, had beautiful hair and I really like the shine I created with product.
This was a super-fun shoot with stylist @izzymoriartythompson and photographer @ulas_merve. I love how we captured movement through the braids I created and embellished with wooden beads.
This is a look I created for [performer and drag artist] Bimini at LFW. I got creative and made a pony out of gaffer tape. It’s always exciting using different materials in place of hair.
I love this look I created using a coloured wax in place of a root – it works so well with the rest of the texture. I’d smashed a pot of the same colour that morning, which gave me the initial inspiration. It’s similar to [ceramics process] kintsugi and techniques used by Cyndia Harvey at Diesel. This was shot in my flat by my friend and make-up artist, Aimee Twist.
Shot by Morgan Roberts, with make-up by Aimee Twist. I love the simplicity of this beauty shot, and how I used small details of hair to complement the make-up.
I love this BTS image from a shoot I worked on. I used so much gel to create the high-shine effect, the hair looks unreal – like it’s set in resin.
What frustrates you about hairdressing right now?
As a self-represented freelance stylist, I find myself getting frustrated with the rates and budget dance that I have to do. I have noticed a big shift in how I am approached for work and how ‘shopping around’ for the cheapest rate has become very noticeable in discussions – I’d hardly call them negotiations. It concerns me that we don’t know how much we should be charging (it isn’t easy to find out, either, believe me) and with clients being able to reach out directly to people via social media platforms, it’s creating so much variation in rates that it has the potential to devalue everyone. I think there needs to be more education on the fee aspect of our job, more honest communication around it. Maybe even a union? A dedicated, pre-scripted rate education platform? While I respect that there is a journey to be had with regards to experience, skill base and our own personal worth, I worry that we are very vulnerable to being taken advantage of, especially compared to other creative fields in the fashion industry.
What’s your opinion on why so many hair pros work for free backstage and on set, and how do you think hair pros can establish more value for the work they do?
I think assisting for free has a value if you know what you want and choose a stylist that you admire – then it’s like a free education course. Do I think it should be totally free? No, it shouldn’t come at a cost to the individual, as it so often does. But when you’re starting out, it’s vital to learn on-set etiquette and how to create hair in that field, and assisting for free is often ‘sold’ as an opportunity to network, which it can be. I was lucky enough to work with people who cared about my career, so I was encouraged to network with the photographer’s assistants, to collaborate with them and build my own portfolio. However, it’s important to manage expectations.
Working for free was a huge part of the beginning of my career. Coming from a working class family, I did not have the resources to sign up for bootcamps or education programmes, and nor could I afford to work solely for free. This meant I had to work triple time so I could eventually afford to go self-employed. I have no regrets, because it takes time to learn, reflect, explore, educate yourself and find your style/ethos. However, I can’t help but wonder whether my career could have gone faster, and I would have had more energy for my creativity if those early financial barriers hadn’t been there.
It’s a shame that some of the most creative aspects of our industry are considered low- to no-pay. Should there be a small fee to make it more affordable? It’s a difficult one to get your head around when the stylist you’re assisting isn’t get paid either. And that’s a problem, especially when the other people on set are getting paid. I don’t have the answers for how things will change, but in an ideal world none of us should be working for free in the first place.
This was a super-cool creative look that we worked on for the episode of Drag Race where musician Self Esteem was a judge. It includes a nod to Betty Boop as our reference for glamour.
This was a BTS shot that Aimee took on her digital camera. I love the hair details into the model’s face.
This is a wig that I have which worked perfectly with some wax to create the texture I wanted.
A campaign for a jewellery brand. I love how clean this look is. It was so cool seeing it on posters plastered on walls all around Berlin!
Things fall apart, it’s inevitable, but it’s how you respond to failure and grow from it that will lead to success.
Concerned for the welfare of your colleague or client? Celebrity hairstylist Sam Kerswell shares his first-hand experience, so you know how best to help.
Session stylist Laura Chadwick shares her top tips for success when styling onset of a music video.
Yolanda Cooper
It was when she was at an airport in 2016 that Yolanda Cooper had her idea for her electrical tool, the SupernovaPRO. She was checking in for a flight with overweight baggage, mainly because of the number of different hair tools she was travelling with. ‘There’s got to be an answer for this’, she thought. It turned out there was. And it’s a game-changer.
The SupernovaPRO is the world’s first three-in-one hair styler combining a fully functioning straightening iron, curling tong and wave wand in one ultra-sleek, beautiful-to-behold tool. It comes with a whole host of first-to-market patented features, including revolutionary SmartSwitch technology that makes it the only hot styling tool with three independently powered functions; premium grade ceramic plates infused with Trionic technology that softens, smooths and hydrates the hair; and a patent-pending ergonomic DoublePivot system, which relieves pressure on the median nerve to reduce the risk of carpal tunnel syndrome – a condition especially prevalent in pro stylists.
The SupernovaPRO tool
Not bad for a young female entrepreneur from Belfast designing her first electrical tool! “I think going in blind to something allows you to be completely free of fear,” says Yolanda. “If you knew what you were getting into before you did these crazy things, half the time you wouldn’t do it because you’ve no idea how complex it is, how long these things take and how many reasons there are for it to fail. Some of the best entrepreneurs are the ones who just have no clue what they’re doing, they just go into it and commit to figuring it out later.”
Armed only with a sketch of what she felt the tool could look like, Yolanda set about hiring industry-leading industrial designers and engineers to turn her concept into a reality. It took five years to refine the tool mechanically and aesthetically as she constantly challenged her team to come up with the technology to match her ideas.
“Going in blind to something allows you to be completely free of fear”
“Very early on we realised that if this is going to be a professional tool, then three-in-one is brilliant but it can’t be a compromised experience – we have to make each of those tools incrementally better than what’s on the market,” says Yolanda. And I think I think that’s what we’ve done. So, straighteners have always been symmetrical and rectangular, but what if you need to get right into the baby hairs at the root? We made our straightener narrower at the tip, so that it allows you – for example – to detail short fringes and work with Type 3 and 4 hair.
Ceramic technology provides great negative ions into the hair, but how do we take that even further? I’m a trichologist, so that’s why I came up with the idea of taking a heat protection formula and infusing it into the plates to give superior shine. When it came to the tong, we changed the tip to a rubber material so that you can literally hold onto it, even when the temperature is set at 200˚C. And we spent a long time perfecting the exact torsion of the spring and the double-pivot system to make the tool more comfortable to use. Consumers might not notice that benefit, because they’re only going to use the tool for 20 minutes at a time, but hair pros, who are styling nine hours a day – they’re really going to see the difference.”
Proud that the SupernovaPRO is designed, engineered and manufactured in Great Britain, and fully aware that she is competing against some industry heavyweights, Yolanda is putting her experience as a former marketing director to good use. “Core to our communication and marketing strategy is a grassroots approach,” she says. “We have a programme called The Salon Spotlight, where we send our film crew into a salon to shoot collaborative content, including interviews with the stylists and footage of them styling their client’s hair in different ways. We can also create an event in the salon, where I and our head of engineering will come along and talk to guests. And the content we create can be used for a salon’s own social media campaign to drive awareness. We may not have the budgets that some of the big brands have, but what we do have is passion and agility and the desire to go and partner with salons on a one-to-one basis.”
And finally, why the name Supernova? “I’ve always been fascinated with astrology and stargazing,” says Yolanda. “And with SupernovaPRO we’re trying to create the biggest shining star in the industry. In space, a supernova is a cataclysmic explosion. And so I thought that was a cool name, because we are aiming to be the biggest thing in the industry. It’s quite fitting.”
Retailing at £299, SupernovaPRO is exclusive to salons across the UK and Ireland. To become a stockist or purchase at the wholesale price of £199 plus VAT, visit supernovahairtools.com/pages/creativehead
The hairdressing landscape is complex and challenging, so it’s more important than ever for business owners to be pro-active and strategic. Here are the best ideas for thoughtful decision-making to come out of Creative HEAD’s networking event for salon and barbershop owners, Salon Smart 2024.
Massarella & Jones
Business collaborations can bring lots of benefits: they help build relationships, generate ideas and create new opportunities. When Jordan Massarella and Ben Jones opened their new Massarella & Jones premises in Leamington Spa, they made it a priority to develop relationships with local businesses that operate exclusively online. A collaboration with a local florist not only ensures the reception area always has stunning flower arrangements, the blooms are also available for clients to purchase; a collection of books on the coffee table includes works by local authors, giving clients the chance to discover new literary talent. Says Ben: “Our salon operates as a shopfront for these businesses, giving them useful exposure, and we gain brand awareness through their social media followings that target a similar local demographic to our own, which in turn brings new clients through the door.”
Chris Foster
Yes, we know, AI feels very Brave New World, but it is revolutionising the way businesses interact with their customers, and salons should grab a slice of that action, argues professional profile-builder (and men’s hair specialist) Chris Foster. AI-powered chatbots can be programmed to do anything from handle queries to offer personalised advice, using natural language processing and machine learning to communicate with customers in real time. “What if you had a retail bot in your business, just retailing? While you’re talking to your client about Love Island, she can interact with the bar code by her chair, which is recommending her products, showing her how they’re to be used, she puts them in the basket and picks them up at your till. A well-trained bot is an asset to any business,” he said.
Sam Cusick
As a business owner you’re probably attempting to do the work of five full-time jobs. Keep hold of the parts where you know you bring value but ensure people with different strengths take care of the rest. As serial entrepreneur Samantha Cusick stated: “In order to grow, you need to take steps to work on your business, not in it. That includes delegating tasks, so that you can create the time you need to work on your plans.”
And after years of being told not to put the salon assistant in charge of Twitter, Instagram et al (something about compromising the ‘authentic tone of voice,’ we seem to recall) it turns out even social media is fair game for delegation. Says Ben Lifton, social media expert of Content Kweens: “I thought my socials had to be all about me, but I learned the hard way that’s not the case. I hired someone to help me with content creation and they shone a light on so many holes in my existing business and so many new avenues I could explore. Delegation is important!”
Mark Ronayne
Are you familiar with the Employment (Allocation of Tips) Act 2023? (Err, hello, what?). It’s a piece of legislation – expected to be introduced on July 1 this year – that creates a legal obligation on employers across all sectors (including hairdressing) to allocate all tips, gratuities and service charges which they are paid or which they exercise control or significant influence over to workers, without any deductions. It also requires employers to ensure that the distribution of qualifying tips between workers is fair.
The legislation and draft code concern what is called ‘Employer-received tips’, which involve tips paid by a consumer and subsequently allocated and distributed to workers by the employer. For example, a client pays a tip via card payment made into the employer’s bank account before being distributed to the workers.
This is different to ‘Employee-received tips’, whereby the employer has no control over how the tips are distributed. For example, if a client pays one of your team members a cash tip that the team member is entitled to keep for themselves. Employee-received tips are not covered by the legislation.
With the aim of promoting fairness, the new legislation places great weight on an employer’s duty to be transparent when it comes to tips and how they are allocated and distributed. To ensure transparency, employers will be required to:
• Have a written policy in place for how tips are dealt with at their place of work: This policy must be made available to all employees and agency workers.
• Consult with workers to seek a broad agreement that the allocation of tips is fair, reasonable and clear. As above, factors determining the allocation of tips must be included in the written policy.
• Keep a record of tips received and distributed to each employee for three years from the date of the tip: All records need to be kept for three years from the date that the tip or service charge is made by a consumer.
• A worker has the right to make a written request (limited to one request per worker in one three-month period) to view the tipping record for a period dating back three years. If a request is made, the employer must provide:
The individual’s tipping record; the total amount of qualifying tips received by the employer (i.e. Employer-received tips); and the amount of tips paid to that specific individual (tipping records of other individuals must not be disclosed as part of this process).
(Luckily for customers of salon software Phorest, as Salon Smart presenter Mark Ronayne confirmed, there’s a free update that ensures your customers can still tip, and you will stay compliant. For more info visit phorest.com)
Maddi Cook
It’s common knowledge that the hairdressing industry can be guilty of discounting (let’s face it, discounts are easy to give away). And yes, they can be a great way to promote your business, bring new customers and turn existing ones into loyal clients but discounts can play havoc with your profit. So is there another way?
“Please put your prices up, guys,” says Boss Your Salon boss Maddi Cook, who once surveyed 20,000 hair pros on how they set their current prices to discover that 80% either copied their competitors or guessed. “The prices you charge need to be tailored to you and your business. You will have your own household income, number of kids, amount of debt and mortgage interest – and that’s what make your goals so specific to you. There are so many moving parts. So your pricing has to be really personalised to you and based on your goals. And actually, when you learn to articulate the value of what you do – the incredible hair you create, the services you offer – pricing becomes less and less relevant. And that is one of the easiest ways to soften the blow for any price increase is to lean into that and learn how to articulate what you do.”
Meanwhile, Danny Coles of colour management system Vish says salon owners need to start looking at the cost of product, in order to price services more accurately and profitably. Other industries charge for every bit of product, he argued, whether that’s ordering an extra ‘side’ in a restaurant or a refill in a wine bar – while salons often lose out by not understanding the numbers (a Vish survey of 2,400 salons showed that one in five colour services are non-profitable). “Learn from your local garage,” said Danny. “They break down their invoice into parts and labour, and you need to start thinking that way too. Break down your services into time and product cost, price accordingly, and the profits will come.”
The 2025 gathering of L’Oréal Professionnel Paris’s (LPP’s) élite salon owner Portfolio Club
Hundreds gather in Marbella to ‘be inspired and get creative’
Findings question if salons are casting the recruitment net wide enough
First things first: Salon Smart 2024 was an absolute belter – packed with people and packed with new ideas for how best to run a hair business now. Tickets for Creative HEAD’s networking event for salon and barbershop owners and managers had sold out weeks in advance, so it was a lucky crowd of 200 first-past-the-post hair pros who descended on the Chain and Buoy Store in East London for a day of insight, learning and inspiration delivered by industry experts and innovators. And what did they learn?
With no less than 22 awesome presenters and panel members taking to the stage, the Salon Smart agenda was diverse and wide-ranging. But as the day played out, some key themes emerged:
• It is vital now to embrace technology within your business, whether that’s using best-in-class software for client bookings, stock management and marketing; creating AI bots to tackle specific areas like retail or staff training; or harnessing the power of social media to find new clients (let’s face it, social media is the only place young humans are looking for a hairstylist nowadays). Tech is not only changing the game in-salon, it’s something your clients expect to experience within their salon visit, too.
• However, whizzy tech should not come at the cost of human connection. We heard a lot about the powerful role hairdressers play in the lives of their clients beyond a cut and blow-dry, whether that’s as an advisor, a listening ear or as a business within the community that’s genuinely making a difference. (Most Wanted Best Local Salon 2023 winner Alison McRitchie, owner of The Head Gardener in Inverness, delivered an incredibly moving showcase of the work she does at the Highland Hospice, where she provides joy and happiness to terminally ill cancer patients.) This human connection is unique and valuable and should lie at the heart of your business long into the future.
• Your client base will change dramatically over the coming years. According to keynote speaker Monica Teodoro, general manager of education and professional development at L’Oréal Professional Products, by 2035 your clients will be older, more male, even more urban, more ethnically diverse and also more culturally and religiously diverse. “Whatever you did before will not be enough for tomorrow,” warned Monica, noting that businesses will need to invest in education, in order to stay one step ahead of new skills and trends as they emerge, and they will need to be significantly more diverse. This latter point was also made in compelling fashion by textured hair campaigner Winnie Awa, who revealed that only 1% of the UK’s 35,000 salons currently cater for textured hair clients. “We need to work harder to create an inclusive environment for the products we use and the services we offer,” she said.
• Don’t be afraid to delegate. As a business owner you’re probably attempting to do the work of five full-time jobs. Keep hold of the parts where you know you bring value but ensure people with different strengths take care of the rest. As serial entrepreneur Samantha Cusick stated: “Take steps to work on your business, not in it. That includes delegating tasks, in order to create the time you need to work on your plans.”
Catherine Handcock, publisher, Creative HEAD
Winnie Awa
Monica Teodoro
Samantha Cusick
Alison McRitchie
And there was so much more to listen to and think about at Salon Smart 2024. In other highlights:
Jordan Massarella and Benjamin Jones shared the clever thinking behind their new Massarella+Jones salon in Leamington Spa, from their collaborations with local online-only businesses (“We give them a shopfront, while we benefit from their social media presence”) to how they created a homely and welcoming salon experience that fully reflects their personalities and brand ethos (the bespoke wallpaper, created by a local artist, features nods to the duo’s pets, agricultural upbringing and even their tattoos).
Mark Ronayne of salon software expert Phorest alerted the audience to upcoming new legislation surrounding tipping – primarily targeted at unscrupulous behaviour within the hospitality industry but also, coincidentally, impacting on hairdressing – and offered excellent advice on how to stay compliant (there was plenty of note-taking during this session!).
Staying with software, Danny Coles of colour management system Vish showed how salon owners need to start looking at the cost of product, in order to price services more accurately and profitably. Other industries charge for every bit of product, he argued, whether that’s ordering an extra ‘side’ in a restaurant or a refill in a wine bar, while salons often lose out by not understanding the numbers (a Vish survey of 2,400 salons showed that one in five colour services are non-profitable). “Learn from your local garage,” said Danny. “They break down their invoice into parts and labour, and you need to start thinking that way too.”
Jordan Massarella and Benjamin Jones
Mark Ronayne
Danny Coles
The Resilient Hairdresser, Hayley Jepson, offered tips on recognising and dealing with burn-out, a condition she believes is leading people to exit the industry. Juggling a business with family life (and the logistical overwhelm that can involve) and the exhaustion that comes with having to be “creative on demand” can lead to feelings of joylessness and resentment and the realisation that you don’t do anything for yourself anymore. Hayley’s advice? “I prescribe fun! Put your phone away, focus on your family, go out on date nights with your partner and make time for other creative outlets that are non-work related. If you’re going to look after clients, you’ve got to take care of yourself first.”
Delegates were fully immersed in the Salon Smart experience, with the opportunity to ask questions after every session, as well as taking part in on-the-spot polls about their business. A Working Lunch session also provided valuable contact with brands providing transformative business support and innovative products and services, including L’Oréal Professionnel Paris, Phorest, Vish, Beauty Works, Glowwa and Moroccanoil.
For a full report from Salon Smart 2024, read the April issue of Creative HEAD magazine. Register for your free copy here.
The 2025 gathering of L’Oréal Professionnel Paris’s (LPP’s) élite salon owner Portfolio Club
Hundreds gather in Marbella to ‘be inspired and get creative’
Findings question if salons are casting the recruitment net wide enough