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How K18 Changed The Way We Think About Hair

How K18 Changed The Way We Think About Hair

“The Science Came First. We Built The Brand From There.” How K18 Changed The Way We Think About Hair

Suveen Sahib had no experience in the haircare industry, but he was curious. And that’s how he came to create K18, the biotech ‘miracle’ product line that’s paving the way for the future of haircare, and much more.

by CATHERINE | CONVERSATIONS

Of all the incredible things there are to say about K18, the product line that promises to restore chemically damaged hair to a near virgin-like state in just four minutes, perhaps the most remarkable is that it was created on a computer.

Yes, K18 was developed (you may want to take a deep breath here) by applying computational models with probabilistic structure/sequence analogy used in the biotech industry to the molecular structure of human hair. Clever stuff, right? Well, luckily for those of us who could read that sentence 20 times and still not understand a word, there’s another way of telling the story.

Back in 1990, US-based tech entrepreneur’s Suveen Sahib’s wife, Britta Cox, had founded Aquis hair towels and turbans, harnessing water-wicking technology to deliver a better way to dry. Suveen was reading some of the customer reviews one day and noticed they were saying things like, “This towel makes my hair less frizzy” or “It gives me better texture”, which he found puzzling because the towel wasn’t adding anything to the hair. He decided to look more closely at the structure of hair and realised that what looks like a fibre on the outside is actually a highly sophisticated biological composite. “The hair towel worked because it understood the biology of hair,” he said. “It absorbed water faster and in a way that meant you didn’t have to move it around so much, and that meant hair didn’t get tangled. But why does hair get tangled in the first place? That took me down the rabbit hole into realising that this wasn’t just about hair drying or hair, it was about beauty in general.”

Suveen Sahib

After talking to Britta about her experience of the hair industry, Suveen concluded that most hair products and routines have only resulted in “needy hair” – hair needy for attention and needy for products. “If you think about it, the entire genesis of beauty has been in cosmetic chemistry, and cosmetic chemistry has created great outcomes – hair colour, make-up, hair styling.  But cosmetic chemistry does not understand biology, so when it comes to repairing hair it’s not the optimal toolkit,” he says. Fuelled by his passion for “less is more”, Suveen quit his job and devoted himself to learning everything he could about the biology of hair.

“Hair is made up of millions of molecular chains like inter-connected ladders running along the length,” he says. “But hair was never designed by nature to have chemical services applied to it, like perms, straightening, colour – these are what cause the keratin chains to break. For 10 years I worked with a team of biochemists reassembling and synthesising every possible sequence inside the hair to figure out what kind of sequence could not just reconnect these chains but also contribute cysteine to the broken bonds and bind with the keratin-associated proteins, because that’s what makes the matrix of hair inside. And we found 18 was the optimal peptide; it restored the molecular chains and brought hair back to its natural elasticity and strength. In pharma, you create a molecule and then you create a delivery system to deliver the molecule for a targeted outcome. For K18 we took a very similar approach and that’s why it was born on a computer, not in the formulation lab.”

Having tested different variations of actual formulations with Australian hairstylists (“That was the eureka moment, when we saw the joy on their faces at how good hair felt after applying the treatment; we knew then that all those theoretical models had translated into a product that actually worked”), in December 2020, with their K18Peptide trademarked and their formulation perfected, Suveen and Britta launched K18 Biomimetic Hairscience as an in-salon professional service that went beyond hair repair to restore chemically damaged hair to near virgin-like strength and resilience. The fact that the world was in the middle of the Covid-19 pandemic did not deter them. Rather, the pair turned it to their advantage, using social media to spread the word among professional stylists who were desperate for something new and positive.

“I deeply believe that professional hairstylists were our guiding light,” recalls Suveen. “People were saying to me, ‘Go online, sell it via retail’, but to me it was non-negotiable that we would sell through salons. And in certain countries, salons were still open; in the Nordic countries and Australia – they closed much later. So, we were able to send our products out to them and we encouraged them to use it on their own hair, to tell us how they felt about it, and that’s how the conversations started. And the other thing was that, thanks to the pandemic, stylists were now using Zoom. We did thousands upon thousands of Zooms with stylists across the world, introducing them to K18 and why it should be a part of their life. And a big part of that was education – we were the first to socialise a 3-D model of hair and share it with stylists – and that’s where they started appreciating our biotechnology. And the fact was, the product experience, the tactile experience, that all matched up in their own hands.”

Within 18 months of launch, the K18 in-salon treatment had reached 20,000 salons in more than 100 countries – effectively an overnight sensation. Stylists loved its simplicity. They loved that it worked in four minutes. And Suveen loved them right back. “I was spending time with stylists and I fell in love with that community of artists. And one of the things that stood out was the struggle they faced in coming out of the pandemic and having hundreds of products in stock – none of that made sense to me. I want stylists to focus more on their artistry than anything else. They want to be able to do it simply. They want predictability. They want to be able to make more money. So, simplifying that life became something very, very important to me.”

In 2021, after a hugely successful year of trading through the professional channel (the business was profitable within its first quarter), K18 launched its bond-building Leave-In Molecular Repair Hair Mask with high street retailer Sephora, with an accompanying #K18hairflip challenge on TikTok generating more than 11.2 billion views. The move instantly turned K18 into a best-selling hair care brand at the beauty retailer, but what did this shift away from the salon mean for stylists?

“People were saying to me, ‘Go online, sell it via retail’, but to me it was non-negotiable that we would sell through salons”

“One thing we realised is that as a stylist, you’re often the first to introduce a product to a client, and the conversation can get heavy if the consumer doesn’t know about it, because it feels like you’re trying to sell it and that wears you down,” says Suveen. “Stylists told us they love it when there’s a product that consumers are telling them about because they’ve seen it on social media, or whatever. That makes the conversation easier and it starts bringing traffic to the stylist’s chair.

“We’d also created K18 to use as a salon service when hair is being coloured. But what about post-colour? A client can wash her hair 20, 30 times between salon visits and coloured hair is more susceptible to UV damage. So, we realised we needed to keep a client’s hair in a reasonable state so that when she returns to the salon you can improve it even more because K18 is progressive. But this was not about driving retail, this was about driving the advocacy flywheel, which works both ways.”

Nevertheless, in December 2023, after just three years in business, Suveen and Britta sold K18 to Unilever for an undisclosed (but presumably rather large) sum. Now expanded with a line of shampoos retailing at £39 and a hair oil at £65, K18 will sit within Unilever Prestige, a tight edit of 10 premium beauty brands, including Dermalogica, Living Proof and Hourglass.

The K18 range has expanded and is now owned by Unilever

“K18 is a fast-growing brand that sits at the intersection of beauty and biotechnology,” said Vasiliki Petrou, executive vice president of Unilever Prestige, at the time. “It has been a pioneer of using social media to educate and engage consumers about the science of hair. This acquisition complements our fast-growing portfolio of premium, culturally relevant consumer brands.”

But what does this mean for Suveen and Britta? “I continue to be CEO,” says Suveen, “and I will continue to steer our destiny for many years to come. And if you think about it, it was too early. There is still so much that’s happening within K18 and there’s still so much to come. And that’s what excites me, what we at K18 can bring to the table and what we can learn from Unilever. Because we were global, literally from day one, and you realise there are things that you don’t know and that’s where Unilever come in with a very strong set of complementary capabilities, which are going to be important if K18 is to become a billion-dollar brand.” 

While Suveen is confident that Unilever will allow K18 to continue to focus their attention on small independent businesses (“What I love about Unilever is they appreciate a brand and that its ecosystem needs to be nurtured – that freedom, that oxygen that brands like us need”), the challenge he sees moving forward will be “re-architecting” the way we work with our hair. 

“Stylists told us they love it when there’s a product that consumers are telling them about because they’ve seen it on social media… that makes the conversation easier and it starts bringing traffic to the stylist’s chair”

“The haircare industry continues to stay rooted in the way it’s always been. The relationship with hair they’ve created is all about control. Controlling frizz, controlling the style. For me, it needs to shift to understanding hair and working with it because that’s how you can impact real change and see the results people want. Less is more for your hair and less is what healthy hair really needs, but the current conversation is driven by an industry with tens of thousands of products which further drives over-consumption and waste. I ultimately want to see the product offering cut by half. The number of resources hair consumes on a daily basis is not good for people, their hair, the planet, or their wallet.

“I believe K18 is leading this revolution already — to offer the technology and science that allows people to own their relationship with their hair in a new way. We take care of our silk shirts and cashmere sweaters with immense care, but what about our hair? We need to apply that same philosophy of care. If hair is one of our most precious resources, are we thinking through the way we wash it, the way we dry it, the wear we put it through, the way we feed it? Hair mindfulness is a new way to think about our routine and in that we can unlock confidence that wasn’t possible until now. To truly liberate expression.”

The New Frontier


The New Frontier


From Pharrell Williams at Louis Vuitton Men to Beyoncé’s Cowboy Carter, the modern take on all things cowboy is a far cry from the traditional Stetson-toting symbol of the wild west. Think of the Compton Cowboys, astride their steeds in urban Los Angeles. Cowboy Core is diverse, inclusive and rewriting the trad image of what we knew.

by AMANDA | DOCUMENTS

As BaByliss PRO unveils its latest styling innovation STILISTA, it partnered with Creative HEAD to challenge ambassadors Michelle Sultan and Tariq Howes to deliver a uniquely personal take on what ‘modern cowboy’ means to them. With the entire BaByliss PRO tool portfolio at their fingertips, they took a fresh journey through the American West. It’s time to saddle up and explore…

Tariq Howes

The 2024 Most Wanted Men’s Hair Specialist, Tariq is an integral part of Jody Taylor’s session team (alongside Nick Barford, Tariq’s team mate on this shoot), sharing his textured hair expertise for labels such as Vetements. Long-time collaborator with Tariq, Lauraine Bailey, was also on set as a master of intricate braiding. Tariq is also the founder of Avenue Barbers in Cardiff, a popular educator and platform artist and a longtime ambassador for BaByliss PRO – those clippers barely leave his hand!

Michelle Sultan

Celebrity stylist beloved by the likes of Alison Hammond and Alex Scott, Michelle is known for her effervescent aesthetic and exceptional creativity on hair of all textures. When she’s not on set or in the studio, you can find her at Battersea’s legendary Hype Coiffure (along with team mates Deen and Schola, pictured) and working on projects for BaByliss PRO as an ambassador.

Well, hello, Dolly! Michelle couldn’t style up a cowboy-inspired shoot and not invite Ms Parton out to play with one of the largest wigs we’ve ever seen. “We’ve made it Dolly and put texture and movement into it, so it’s not straight blonde,” explains Michelle, “and it’s heavy, almost like it’s been roller set for about 10 years…”.

Toolkit: BaByliss PRO Heated Ceramic Rollers.

Michelle loves to create a character building, so welcome her urban cowgirl. “She’s fearless. She’s carefree,” says Michelle. “She lives in a hot climate in Arizona. The hair is slightly sun-kissed. She’s strong, a warrior. That’s the vibe. She’s my queen!”.

Toolkit: The BaByliss PRO Falco Dryer and the pik attachment, to prep the hair, stretch it out and braid it down. Then, pre-formed faux locks were added, crocheting them for a high pile on top.

“The Billy Ray Cyrus look gives me trailer park vibes, with the mullet, the flat top and the slicked back sides. I wanted to give a textured hair version of that,” explains Tariq. “It’s a square flat top with extensions at the back to make the hair really elongated. It’s super cool.” Shout out to Lauraine Bailey who painstakingly weaved in those lengths over hours…

Toolkit: BaByliss PRO Falco Dryer, BaByliss PRO STILISTA (to smooth out ahead of weaving in the extensions) and the BaByliss PRO FX ONE Lo-Pro Clipper and Skeleton Trimmer, to shape the flat top.

Now, let’s get a little more soulful. Think Rick James along with Coming to America’s Darryl Jenks. “Think Soul Glow, soaking wet curls at the back,” smiles Tariq. “Also, a bit of Lionel Richie. That’s the vibe we’re going to go for…

Toolkit: The BaByliss PRO Falco Dryer and pik, to pull out a little more on top.

With those lengths Michelle delivers a nod to Beyoncé. “This is my Cowboy Carter – who doesn’t love that image of the hair and the cowboy hat?” she asks.

Toolkit: BaByliss PRO STILISTA for wrapping in a little texture.

And with such a canvas, it would be a crime not to get a little playful – Michelle hit up the fashion team to borrow some accessories to embellish those lengths and plaits. “We just wanted to get some texture in there, just as if they live in the desert and they just braid their hair.”

Toolkit: BaByliss PRO STILISTA smoothed and straightened the roots and mid-lengths, leaving the ends with a raw finish, before some braids and accessories were added.

 

We’re hitting the 1950s with this Johnny Cash-meets-Elvis vibe. “I think those comb marks are iconic,” says Tariq. “They stand out. It brings out the hair as more of a feature in the final image.”

Toolkit: The BaByliss PRO FX ONE Lo-Pro Clipper was used to taper hair at the neck, before the BaByliss PRO Falco Dryer primed it all back into shape, ahead of slicking it back with pomade.

Then with a little more action at the front to fall into the face and a dryer finish, Johnny Cash just got cooler.

Toolkit: BaByliss PRO Falco Dryer in at the roots and to push back on the sides.

Michelle took inspiration from the model’s own Afro and just kept on going. “We wanted to build on that, using lots of textured pieces, making it huge!”

Toolkit: BaByliss PRO Falco Dryer and diffuser (to build in movement with plenty of hairspray), with the pik (to pull it out a little bit in places).

Next up, this is giving Beyonce-meets-Dolly Parton-meets Jolene. It’s blonde with dirty roots, she’s that sexy cowgirl. “It’s kind of old school but making it modern – a little bit trashy, almost,” smiles Michelle.

Toolkit: BaByliss PRO Heated Ceramic Rollers to get that smoothness.

We’re back to Billy Ray Cyrus, whose mullet was cut quite square, quite high on top. Not this time – Tariq wanted more of a true flat top

Toolkit: BaByliss PRO FX ONE Lo-Pro Clipper to cut a guideline for the middle, and then clipper over comb to create a true flat top. The BaByliss PRO Falco Dryer helped to push back the sides and set the gel. 

Now to more of a modern flat top, shaved-in tight at the side to make it more square, more extreme.

Toolkit: BaByliss PRO FX ONE Lo-Pro Clipper.

Discover more about the new BaByliss PRO STILISTA

A Creative HEAD shoot in partnership with BaByliss PRO

HAIR: Tariq Howes, assisted by Lauraine Bailey and Nick Barford; Michelle Sultan, assisted by Deen Fashola and Schola Rose, for BaByliss PRO
PORTRAIT PHOTOGRAPHY: Bob Foster (A&R CREATIVE), assisted by Luke Weller
PRODUCER: Joanna Kidd (Creative HEAD)
FASHION: Twinks Burnett, assisted by Rosie Devine
MAKE-UP: Tricia Woolston using Pat McGrath, assisted by Megan Goram
EDITORIAL: Amanda Nottage (Creative HEAD)
SOCIAL MEDIA: Kelsey Dring and Aofie Connell (Creative HEAD), assisted by Harry Dotters
BTS PHOTOGRAPHY: Harvey Williams-Fairley
VIDEOGRAPHY: Charlie Guy-Wilson and Ben Cooke (Clockwise.Film)
MODELS: Alan Bea; Olivia Belgrave-Ruse (The Milk Collective); Ryan Brown; She-Lan Duane (W MGMT); Robbie Jr; Skye Metrowich (Zone Models)
SHOT AT: Street Studios

A Quiet Man

A Quiet Man

A Quiet Man

Niall Colgan doesn’t do razzamattazz. All he asks for is 60 minutes of your time, and he will quietly, patiently give you the perfect haircut​

by CATHERINE | EXPLORE

Given the breakneck speed at which the world is moving nowadays, it’s somehow reassuring that so many people choose to sit in haircutter Niall Colgan’s chair. Niall takes his time, you see. At least one hour per appointment. And those 60 minutes not only give the client a rare opportunity to relax and take stock, they also give Niall the chance to submit himself fully to the task of creating the perfect haircut. 

“For a long time in this industry we’ve been taught to go through as many clients as we could in a day,” says Niall. “But there’s no precision in that. I’ve come to realise that haircutting is like architecture – you’ve got to lay your foundations, you’ve got to build your walls, you’ve got to get the roof right before you bring in the interior designers to make that house a home. The true mastery of haircutting is the basics – you’ve got to build a structure around what you do.”

This absolute dedication to the haircut not only flies in the face of current trends – where colour is so dominant that clients are not required to integrate a haircut into their colour appointment – it’s actually (and paradoxically) resulted in a massive boost to Niall’s business. “I’ve gone from €70 when I first opened my salon 15 years ago to €120 now and I’ll need to charge a premium for new clients because I’ve got such a long waiting list,” says Niall.

“But I never take anything for granted. I’m always checking in with myself because I don’t want to go back to being the hairdresser I was before I opened my salon, where I was stuck in a rut and full of fear and frustration. I’ve gone from being someone who measured success in terms of how many clients I could do in a day, to someone who takes pride in the fact I deliver incredible hair and that my 20 staff also deliver that too.”

While the luxurious interior, buzzy environment and – yes – high-end price tags make it clear to all that Niall runs a successful business in an exclusive area of Limerick, the haircuts that give him the most satisfaction are neither the most expensive, nor the most glamorous. “Our post-chemotherapy haircuts are the most important and an area where we can demonstrate the highest level of skill,” says Niall. “This requires total vision and precision. I’m not talking about cutting wigs here. This is about going on a journey with your client that could last a year or 18 months, but that will take them to a place where they start to feel themselves again – feminine, safe and in control. You have to follow a process. You have to be consistent. They have to trust you when you tell them, ‘It’s going to be okay’.”

@niallcolganhairdressing

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When Errol And STIL Hit Shanghai

When Errol And STIL Hit Shanghai

When Errol And STIL Hit Shanghai

by KELSEY | CREATIVE PROJECTS

The creative sparks flew!

Every year, thousands (around 40,000, to be exact) of hairdressers from China, Japan, Malaysia, South Korea and beyond descend upon Shanghai for the Asian Hairdesigner Festival. This incredible three-day event, a riot of shows, seminars, shopping and feasting, is organised by the Asian Hairdesigner Association (AHA) as a showcase of the new hair trends and techniques from amongst its illustrious members. Alsoring featu in this year’s line-up, as guests of AHA founder Eric Zhao, were Errol Douglas MBE, plus colourist Christel Barron-Hough and her photographer husband Alex, co-owners of Chelsea salon STIL. Both teams delivered a seminar and show that injected a shot of London cool into the mix. Creative HEAD was in the audience…

 

STIL

The Concept

What made you accept an invitation to appear at the AHF in Shanghai?

Alex: This was an opportunity for Christel and me to come together to create something specifically for STIL – a photographic collection and a film that would then feed into a seminar at the AHF. It felt very different to when we both work for other brands, and we have to work to their brief. This was a blank canvas for us to get creative and push our boundaries.

You created an incredible photographic collection and film for your trip, which featured a collaboration with session stylist Nick Irwin. How did you incorporate his ideas into your work?

Christel: I’m inspired by Scandinavian film-making and the interplay between light and dark, which directors such as Ingmar Bergman use for dramatic effect. I wanted the collection to play around with shadow and blurring, so it reflected that landscape. Nick was very excited by the looks we wanted to create and added his spin by making things a bit more editorial, not-so-perfect looking, so the wigs were placed so they obviously looked like wigs, for example.

The Prep

While in Shanghai you had to rely on a team of assistants you’d never met before. How did this impact on your prep?

Christel: Often when you work on shows abroad these days you will inherit a local support team and sometimes the language barrier can be a challenge. But the beauty with hairdressing is that we all speak the same language when it comes to creating looks and styles. The team in Shanghai were absolutely fantastic – talented, lots of attention to detail and incredibly hardworking, which made our experience very pleasant and enjoyable.

STIL models

The Seminar

Talk us through the looks you showcased during your seminar…

Christel: I chose to do one look that was quite creative and inspired by fashion and another that was more commercial but that also had personality through creative colour. We do a lot of Scandi-bobs in the salon because they’re so wearable, but the creative placement of the fuchsia shades brought out a more playful side and hopefully gave inspiration to the audience. My second look, featuring a mesh that I melded onto the head, is something I’ve seen Eugene Souleiman create a version of, but I had watched a documentary about hat-making and I found it interesting because they were talking about silhouette and sculpting. So that’s what inspired me to show something that played around with different textures, with the top super-sleek and the hair a bit more deconstructed at the back and a mesh in different colours sculpted onto the head to keep everything super-tight. But this was also about colour placement because I wanted to continue the theme from our photo-collection of things working but also not working at the same time, so I left the roots, kept the ends really bright and chose the red to contrast with the pink and yellow of the mesh.

The Show

And then came the show… It brought the house down!

Christel: The show was driven by the original creative shoot that was shot in London. We presented a total of five models and the concept was highly focused on personality and colour, which was complemented by the content playing on the screens.

Alex: We knew the film was going to play out on a series of enormous, curved screens on the night of the show, so we decided to showcase each look as if it were a portrait. We filmed each model in really slow motion because we wanted the audience to think that each portrait was a still image before realising that tiny details were moving. We wanted the film really to draw people in and create a more immersive experience. And it was also a feast of colour because we had different models on different screens – there was stuff that was yellow, stuff that was orange, there was colour everywhere. Opening your brand up to new territories and markets is always positive, especially to your peers and the trade press. It’s important for to share our concept and vision for our brand outside of the UK. With our backgrounds in education and production/image making this is a great platform to bring it all together and share what inspires us at STIL.

Errol

Shanghai is a long way from London! Why did you make the trip?

 When I got the invitation from Eric Zhao, I didn’t hesitate. The AHF is one of the most successful gatherings of hairdressers in this region, it’s been going since 2006 so it has a really successful heritage. Even though I have lots of clients who come from China, and I know a lot of hairdressers in the country, I’d never been before. When the chance came up, it was a ‘Hell yes!’

How did you go about deciding on the theme and content for your seminar and show? What ideas did you want to share with the audience?

 My show was called Motions and is loosely based on my most recent photographic collection – Frame. We pushed the ideas that were born in Frame to the extreme, so they had maximum impact on the stage, translating the hair looks I’d created and reinventing them for a live show.

 

Errol Douglas
Errol Douglas

You used some incredible outfits on your models. How did this come about and how important is it that every detail reflects your brand?

It’s impossible to separate hair from fashion when you’re creating a show. Every detail reflects an overall look and it’s so important to make sure every element is totally cohesive. I wouldn’t necessarily say the Errol Douglas brand has a definitive ‘look’ because for us, it’s about always evolving and adapting, reacting to trends and interpreting them in our own unique vision. For this show, I worked with Christina Davies, a highly acclaimed designer from Central St Martins who I’ve been collaborating with recently. She’s really going places. Her instinct for fabric, fluidity and texture brought to life with body-sculpting clothes and knitwear has a real contemporary feel.

Talk us through the looks you showcased during your seminar…

During the seminar, I wanted to demonstrate two of the looks I’d be presenting in my show and how I bring those very futuristic, avant-garde concepts to life. It’s important for me as an educator to make sure people can see and understand my vision. Step one is the foundations of the looks, so before anything, I talk through the structure needed to hold the hair. The starting point for the seminar was right back to basics, demonstrating how you create a corn roll that forms the base to sew in the hair. I worked intricately with hair pieces, which were made specially for the show and included hours of pre-show work. The main way I make the hair maintain a realistic edge is I don’t use too many pins, choosing instead to mainly weave or sew the pieces together. Also in the seminar, I taught how visually to create a shape, plus the importance of pre-planning and always stepping away from your model to check the shape is coming together how you want it. You should never create a hairstyle that just gets placed on without thinking how it suits the model and you also have to make sure you’re using appropriate products for the prep.

… And the looks for the show…

During the seminar, I’d already demonstrated the techniques of two of the looks, which we then recreated in a bolder, stronger way and stepped things up a notch to create drama and a spectacular vision for the evening gala show. Overall, I was really pleased with how it all came together. The looks were super dramatic, incorporating extreme flowing lengths and bold, eye-catching colours in crushed pink and a striking azure blue. You have to be super careful with placements when you’re doing colour fades. It’s not easy to do and all the hair pieces were sewn in by hand.

Which part of the show/seminar gave you personally the most creative satisfaction? Was it a particular moment, or did you find the whole process creatively satisfying?

There’s definitely something satisfying about the whole process of designing and staging a show. Bringing a small, creative vision to life on a huge stage to a global audience is hard to beat. There’s not really a moment to sit back and enjoy the show yourself as it’s so busy backstage getting the models prepped and out on the runway, but it is a great feeling when you take to the stage yourself at the end, seeing the happy faces and soaking up the applause. For me too, it’s a great buzz when you know your models feel amazing – you can see it in their faces and how they walk. That satisfaction of ‘it’s done’ and knowing that we’d executed the show beautifully  without a foot wrong, was my highlight.

How do appearances like this help build the Errol Douglas brand?

They help massively. Errol Douglas is an international brand and I’ve always been dedicated to sharing the amazing reputation of UK hairdressing around the world. This year alone I’ve taken part in major shows in Australia, Portugal and Korea. Each country I’ve ever visited has its own take on their homegrown industry and I love learning and taking elements away with each new experience, in turn sharing my experiences and knowledge too. Being curious and interested is the secret to staying power, it’s a big world out there and there’s so much to learn from it.

Secrets Of Two Social Media Experts

Secrets Of Two Social Media Experts

Following the success of Stā Social, Samantha Cusick and Conor Doyle chat candidly about all aspects of social media

Samantha Cusick

Conor James Doyle

The first in a series of free educational events, award-winning hairdressers Samantha Cusick and Conor James Doyle joined forces for Stā Social – a social media masterclass for hairdressers looking to level up their content. Following the event, Creative HEAD chatted to the dynamic duo about their relationships with social media and what they’ve learned about building a following.

Samantha Cusick

Talk us through your relationship with social media – how has it transformed the way you work?
 I have a genuine love to create content and share knowledge with others and social media is the best avenue for this. Social media has completely revolutionised the way I approach my work. Before, it was all about word-of-mouth and local advertising, but now I can showcase my work to a global audience in real-time. It’s like having a portfolio that’s constantly updated and always accessible. Social media has allowed me to build a community, engage with clients on a more personal level, and attract new business – be that clients or attracting the attention of brands – which has led to paid ambassador roles. The instant feedback and interaction I get through platforms like Instagram and Facebook have also helped me stay on top of trends and continuously improve my skills.

What would you say is your favourite platform, and why?
Instagram is hands down my favourite platform. As a visual person, it’s the perfect place to showcase my work. The platform is designed for sharing beautiful images and videos, and that’s what my business is all about. The ability to reach people with just a hashtag or location tag is incredibly powerful. Plus, Instagram Stories and Reels have added an easy way to engage with my audience, giving them a behind-the-scenes look at my life as a hairdresser and business owner, which they love.

As well as the benefits, what would you say are some of the pitfalls or common misconceptions? 
One common misconception is that social media success happens overnight. It takes a lot of time, consistency, and effort to build a following and create content that resonates with your audience. Another pitfall is the pressure to constantly produce perfect content, which can be overwhelming and lead to burnout. It’s important to remember that social media should be a tool to enhance your business, not a source of stress. Being authentic and sharing real moments, even the imperfect ones, can actually strengthen your connection with your clients and audience.

If there was one thing youd wish you had done differently when building your profiles, what would it be?
I wish I had started engaging with my audience more from the beginning. When I first started, I was so focused on posting content that I didn’t prioritise responding to comments and messages as much as I should have. Building a community is just as important as showcasing your work, and it’s something I’ve really focused on improving. Engagement is key to growing your presence and turning followers into loyal clients. I used to think it was all about growing my follower count but actually engagement is the most important.

 

One common complaint we hear is the time involved with capturing, editing, and posting content. What would your advice be to fellow hair pros with not enough hours in the day?
I totally get it—creating content can be incredibly time-consuming. My advice is to batch your content creation. Set aside specific times during the week to capture photos and videos, and then use scheduling tools to post them. This way, you’re not constantly interrupted by the need to create content on the everyday. I also make sure I use each client I do to make multiple pieces of content, think beyond the usual before and after and capture things like your consultation process, the colouring process, styling etc. Each step can be its own piece of content, building you a library of incredibly low-effort content that will do well and give value to the viewer. Also, don’t be afraid to repurpose older content or share user-generated content from your clients. It’s a great way to keep your feed active without spending hours every day on it.

When social can be so all-consuming, what are your top tips for setting boundaries and managing a work/life balance?
It’s so important to set boundaries with social media to avoid burnout. I’m a big believer in time blocking – set aside specific times in your calendar to edit and schedule your content as well as designating specific times for checking and posting on social media, rather than being on it all day. I also make it a point to unplug from my devices during personal time. It’s okay to take breaks from social media – your audience will understand, if you’re comfortable sharing that, honesty and authenticity really resonates with people. Remember, your mental health and well-being should always come first. Being mindful of the time you spend online will help you maintain a healthy work/life balance while still growing your business. I think it’s important to add as well that you shouldn’t compare yourself to others online, I used to fall prey to this and it was super damaging to my mental health, just be you and share what you feel is right for your business. 

Conor James Doyle

Talk us through your relationships with social media – how has it transformed the way you work?
Social media has changed how I work mostly through reach. I’m from a small town in Ireland, there’s no way I would have reached the opportunities I’ve had in LA, Australia, Europe and the UK if not for the audience I’ve connected with internationally online. I don’t even think it’s to do with the numbers but the connections I’ve made.

What would you say is your favourite platform, and why?
Personally, I prefer Instagram. TikTok is great for reach and discovery of new people, but I think it cannot foster a connection with your audience. Instagram is somewhere you can get to know and nurture your community. 

As well as the benefits, what would you say are some of the pitfalls or common misconceptions?
The main misconception is that big numbers = success. I know many creators with huge followings who struggle to monetise it. Your following is like a little garden you create. Success and prosperity rely on how you tend to it and how consistent you are. If you just focus on expansion the whole thing can fall apart.

If there was one thing youd wish you had done differently when building your profiles differently, what would it be?
Realise what my audience is really looking for instead of overcomplicating things and pushing out what I ‘thought’ they wanted based on seeing other creators. So many times, I’ve lost myself and point of view but ultimately I don’t regret that either. These mistakes help give us clarity and direction when navigating back to ourselves. When you’re on the right track it’s a feeling, you just kind of know. 

One common complaint we hear is the time involved with capturing, editing and posting content, what would your advice be to fellow hair pros with not enough hours in the day?
Stop overcomplicating and start maximising. I really only do hair 2-3 times a month and when I have those clients in, the second I see a nice aesthetic shot I shoot. I bank a load of these throughout the service, sometimes only 3-5 seconds long. I’ll share some text or a helpful tip and that’s it. I also will recycle a lot and assemble them to create longer-form pieces with a different angle. 

When social can be so all-consuming, what are your top tips for setting boundaries and managing a work/life balance?
Avoid checking first thing in the morning; if it’s your first hit of dopamine it tells your brain this is the most important source, and you will check it more during the day with more of a sense of urgency. Don’t take it to bed with you either. Treat it like your office or workspace and log off as you would work. Easier said than done and that’s why having a separate phone with zero social media has been a game changer for me. I leave my work phone in a separate room. 

Also, a final note; forget the algorithm. If social is getting you down, take a break. It’s fine to go. It’s when most of your fresh ideas will flourish.