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WHY WE CAMPAIGNED TO GET A VAT CUT FOR HAIRDRESSING – AND LOST

WHY WE CAMPAIGNED TO GET A VAT CUT FOR HAIRDRESSING – AND LOST

WHY WE CAMPAIGNED TO GET A VAT CUT FOR HAIRDRESSING – AND LOST

Toby Dicker of the Salon Employers Association took the fight to Government. 

 Toby Dicker

As a salon owner employing 70-plus staff within his five-salon group, The Chapel, Toby Dicker understands full well the financial pressures of operating a hairdressing business on the British high street. Since launching 26 years ago, he calculates he’s seen Employers National Insurance go up by 37 per cent, Value Added Tax (VAT) rise by 33 per cent, and his business subsequently squeezed to almost zero margin.

According to Toby, the hair industry is taxed like no other business on the high street. He claims that around 35p in every £1 is paid in tax by salons employing their teams on PAYE, while other retailers on the high street pay as little as 12p*. With the current VAT rate of 20 per cent triggered once turnover reaches £85,000, some hairdressing businesses deliberately stay below the threshold, either by non-reporting or by stunting further growth. Avoiding the costs and inconveniences associated with VAT means those businesses have the potential to cut their prices by at least 20 per cent, compared to VAT-paying salons. 

And that, says Toby, has created an existential crisis that threatens the very future of the sector: “Budget-squeezed salons are reducing the number of apprentices they take on, while non-VAT registered salons, like ‘rent-a-chair’ models, home and mobile hairdressers, don’t take on apprentices at all,” he says. “Because only PAYE employed salons can run apprenticeship programmes, numbers have dropped to the lowest level ever, to 5,000 intakes per annum. PAYE salons taking on apprentices invest up to £50,000 in salary and training costs per apprentice over two years, yet they receive little Government support in return.” 

In 2020 Toby co-founded the Salon Employers Association (SEA) to campaign for reform on fiscal and tax matters directly affecting VAT-registered and PAYE salons. Almost 1,500 businesses signed up, including high-profile salons like Brooks & Brooks, Errol Douglas, Sally Montague, Daniel Galvin and Barrie Stephens. A survey conducted by the SEA received over 600 responses, revealing that more than 50 per cent of salon owners were considering closing their business. “That’s over 5,500 businesses and 44,000 jobs,” says Toby, “many of them occupying spaces on our struggling high streets, helping to drive millions of customers into cities, town centres and villages each week.” 

The figures are right in front of our eyes: in 2022 the Office for National Statistics (ONS) said there were 11,170 VAT-registered hair and beauty businesses – the majority of those on high streets. Fast forward to today and the landscape looks very different. New ONS data shows that the number of businesses in our sector turning over more than £100,000 – and therefore definitively VAT-registered – has dropped by 17 per cent in the last year alone.  

Feisty stuff! Watch Toby and the NHBF’s Caroline Larissey discuss VAT in an Instagram Live hosted by Creative HEAD.

“The situation is dire and the Government and HMRC are forcing honest businesses to go bust,” says Toby. “Salons add almost all value through labour, rather than product, and we estimate that our business model is hit up to six times harder than other retail outlets because nearly all our costs are labour. We have more people working in salons versus other retailers, so any employment related costs hit us much harder.  

“The industry is close to breaking point,” he continues, “and there is one simple solution: a change in VAT law, which could level the playing field.” Tax breaks in our sector are not unknown: in Ireland, salons were temporarily allowed to pay 9 per cent on services and 23 per cent on retail sales. The Netherlands lowered VAT to 6 per cent in the 2000s for labour-intensive services, resulting in the creation of 4,000 jobs. 

Spearheaded by Toby, the SEA began campaigning for the Government to reduce VAT to 10 per cent for the hair and beauty industry, arguing that the reduction was necessary to ensure salons’ survival on the high street. “It would also align our industry with other essential services like hospitality, providing immediate relief and boosting competitiveness,” he says. “It is a proactive step that aligns with economic recovery goals and

Plenty rallied to the call, with The Hair & Barber Council, the Freelance Hairdressers Association, the Fellowship for British Hairdressing and the Men’s Hairdressing Federation all supporting the cause (together with the SEA they now operate together as the British Hairdressing Consortium) and salon owners up and down the country writing to their MPs using template letters available from the SEA’s Instagram channel. However, the Government’s Autumn Budget came and went without the hoped-for tax break. 

Undeterred, Toby carried on, and as the Government’s 2024 Spring Budget approached, campaigning took on a new sense of urgency. “This is a last chance saloon,” said Toby. “We have to call for something and this is the thing that will make the biggest difference right now. We could argue for the next 10 years about different taxes and whether they’re fair or not, on apprenticeship costs and training and a multitude of other things. We don’t think it’s the solution, we think it’s an emergency and they need to take this now, like they did in COVID with hospitality.” 

With financial support from salon software company Phorest (HQ’d in Ireland, chief executive Ronan Perceval was a big fan of the tax breaks that had been afforded to Irish salons), Toby approached a PR company specialising in business media, armed with his survey and a load of industry stats. A press release was written – and the story exploded. Toby appeared on over 20 TV and radio stations, including BBC Breakfast, GB News and a host of ITV regional stations, while the story was also picked up in high-profile newspapers including The Sun and The Times.  

But did it work? Unfortunately, it did not. On 6 March the Chancellor Jeremy Hunt raised the VAT threshold to £90,000 and cut the National Insurance Contributions (NIC) for the self-employed from 8 per cent to 6 per cent but did not cut NIC for employers. On 1 April the National Minimum Wage will rise again, putting additional pressure on employment costs.  

“It’s fantastic that individuals get more in their pay packet and that the National Minimum Wage has been increased,” says Toby, “but these measures are paid for by small businesses, not by Government, and with no support in the form of levelling the tax playing field many of these employers will be forced out of business.

“This budget just made the scales tip further away from level, by increasing the VAT threshold to £90,000, and we’ll now be thinking about perhaps changing our strategy and our businesses as things go forward as PAYE and VAT-paying salon owners clearly don’t matter to this Government.” 

Toby knows the Government wants industry representatives to speak with one voice, so that issues can be clearly identified and addressed. While the SEA were campaigning to reduce VAT to 10 per cent, the National Hair & Beauty Federation published a report suggesting sliding scales of VAT thresholds could be the answer to the industry’s troubles. Meanwhile, the British Beauty Council’s Value of Beauty 2023 report reported “positive growth” within the sector. According to Toby, these mixed messages undermined the SEA campaign and hampered its chances of success. 

“We are an angry and divided industry at the moment,” he says. “Not having unity clouds everything, and not having all industry bodies share our discussions has been unhelpful.” 

But Toby’s not giving up. He has further meetings planned with HMRC and next item on the agenda is compliance – and particularly around the subject of disguised employment, where a worker functions as an employee but is not classified as one.  

“Our industry is being destroyed by flouting of HMRC payments and tax avoidance,” says Toby.  “The fraud is largely hidden from the Government and HMRC radar but those caught breaking the law are facing severe legal and financial penalties…. Meanwhile, those following it are seeing their profession fall apart and are penalised for doing the right thing. 

We want to help spread the word to get salon owners and stylists to read up on the rules, comply and help us all turn the tide now. 

“A question we need to ask is whether we want this industry to survive,” he concludes. “And if you want sustainable growth in our sector, then we need to balance the playing field.” 

*Information available @salonemployersassociation

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WHY GOING GREY IS GOOD FOR BUSINESS

WHY GOING GREY IS GOOD FOR BUSINESS

SILVER LINING

For decades, we’ve been taught to cover grey. Now we should help clients embrace it, says colourist Nancy Stripe – it could be the best thing you’ve done for your business in years.

Nancy Stripe

When it comes to grey hair, real change is afoot. In 2024, it’s a statement of confidence and intent. Whether on the red carpet (Emma Thompson, Lady Gaga, Andie McDowell); among the fashion crowd (British Vogue’s Sarah Harris, Erin O’Connor, Jan de Villeneuve); or even on the world stage (Christine Lagarde and Princess Caroline), women of all ages are embracing a hair colour that for many years was seen as a sign of “letting yourself go”.

Leading the charge here in the UK is colourist Nancy Stripe (owner of Stripe Studio in Handforth, near Manchester), whose interest in grey was piqued when several of her clients who worked in and around fashion (30-, 40- and 50-year-olds) said they’d had enough of their male counterparts being labelled Silver Foxes and decided to wear their Silver Vixen crown. Stripe’s decision actively to market to grey conversion clients has not only been lucrative for her business (clients have been known to spend £600+ in a single appointment), it’s also led to a new education course, Embrace the Grey, that’s rolling out this year in partnership with L’Oréal Professionnel Paris.

So, when is it time to have a conversation about going grey? “As early as possible,” says Nancy, “because if you start blending the grey earlier, the eye gets used to seeing the grey in the hair. When women wait until they have a more solid amount of grey, they go from looking like they’ve got solidly warm colour hair to maybe being fully grey, and that jump is too much. It makes them feel old.” Clues to look out for that a client might be ready and willing? “When they say they’re sick of coming to the salon every three to four weeks, or they’ve got a white band around the hairline. But lots of clients are still worried about what others might think, so you’ve got to be ready with the support and encouragement.”

Transitioning to grey is a long and winding road – you’re looking at around a year, with some challenging moments along the way – so that initial consultation is absolutely vital. Says Nancy: “Key questions to ask include, How much grey are they comfortable seeing? Do they want a more fashionable grey placement? Are they willing to consider a different – possibly edgier – haircut, or will they look to retain their youthfulness through sharper clothes and make-up? Grey hair is naturally coarser, so you will also need to assess the condition properly before going ahead with any lightening methods, and also how much lift the hair can take because that will determine how many sessions will be needed to achieve the finished result. It’s vital you give your client realistic expectations.”

Is it going to be expensive? Yes, it is. But as Stripe argues, it’s highly likely these clients are already investing in expertly applied Botox and fillers (subtle enhancements being the order of the day), so cost tends not to be a deterrent. “I am very strict with my clients. I let them know there will need to be treatment plans, specialist products and if you don’t think you can do it, we can always go back to full coverage.  But it’s usually three to four appointments down the line where they think, Okay, here we are. Bingo!”

Stripe has identified four distinct client types, each with a different attitude to embracing grey, and each, therefore, requiring a different approach in her chair.

• The Embracer (role model, the actress Andie MacDowell) is excited to explore their natural grey patterns and wants to keep as much of the natural as possible. She will be looking to get maximum longevity from the colour. You’ll mainly be using babylights and balayage with this client, with powerful lighteners (where the hair can take it) and glossing.

• The Blender (à la Jennifer Aniston) wants to work with her natural grey to create a new canvas of blonde and balayage through her hair. She wants to retain a definite coloured look and will be back in the salon every three months for top-ups. High-level lifting will be required, with lots of coverage but easy to grow out.

• The Illusionist (as illustrated by actress Sarah Jessica Parker) wants to look as close to her darker base as possible, but with a softer grow-out She’ll be back in the salon within eight weeks, like a global application would be, but with a gentler blend. She’ll mainly need coverage in foils, but perhaps also some lightening and glossing.

• And finally, there’s The Bold (think, model Erin O’Connor). She may want an edgier look, such as a solid piece of her natural grey in the hairline and the rest of her hair kept darker.

Potential problems to look out for? Clients will feel their hair is too light, as they are so used to being a brunette. In this case, darken only with low lights and leave grey placement. Highlights may go too warm so there is too much contrast against the grey. In this case, use the strongest lightener possible and in fine sections for maximum lift, alongside a treatment plan (Stripe swears by L’Oréal Professionnel Paris’s Absolut Repair Molecular). And if the tint used for coverage in lowlights is fading too warm against the natural, then it’s causing too much of a shift in the undercoat, so go with a cool reflect for a truer tone and a softer fade.

For decades, colourists have been conditioned to cover grey. Now, it turns out that helping your clients transition to grey is not only an impressive showcase of your technical skills, it may also provide you with incredible job satisfaction. Says Stripe: “I’m 40 next year and as you age, things change. You change, your clients change. My 20-year-old self would have thought having an older client base would be so boring. But now I know what great people these clients are to have in your life. The conversations we have are brilliant and quite exciting, actually!”

GOING GREY

 

  1. The start of Michelle’s journey and her two-week dreaded regrowth that made her re-think her approach to coverage.
  2. After starting to go lighter, she still felt like the regrowth line was too severe and wanted a much more natural grow-out.
  3. Session 2 of grey blending and we can see the grey is starting to become part of the fabric of her hair. Object today was to lighten the face frame and melt the colour together to create more depth and dimension.
  4. The result from session 2.
  5. L’Oréal photo-shoot day. Now very established in the grey blending technique, Michelle is getting four months in between salon visits. Today we got to try the new Dia Color shades as it offers up to 70 per cent coverage.
  6. Our stunning result. What a difference from when we first started!

Book the course:

Navigating Grey with Nancy Stripe

£220 per person

Leeds – 3 June 2024

Cardiff – 24 June 2024

London  – 12 August 2024

Edinburgh  9 September 2024

Register

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FOCUS ON: MICHAEL YOUNG – A JOURNEY INTO IMAGE-MAKING

FOCUS ON: MICHAEL YOUNG – A JOURNEY INTO IMAGE-MAKING

0{{current_slide_index}}/0{{total_slide_count}} MICHAEL YOUNG [A journey into image-making] View photos

Focus On: Michael Young – A Journey Into Image-Making

The photographer shares his journey into image-making, frame by frame.

by ATHERINE | PORTFOLIOS

Michael Young

“My journey into hair photography began around a decade ago, initially as an extension of my creativity in hair. What began as experimental test shoots quickly turned into a passion. Immersing myself in the world of hair and fashion photography, I studied techniques, developed concepts and collaborated with some of the best stylists and models around.

With each shoot, I pushed my creative boundaries, exploring new genres and possibilities. Photography has become my canvas for capturing the artistry of hair, fashion and beauty in a single frame. From concept to creation, every step is an opportunity to unleash my imagination and creative vision.

My photography allows me to showcase diversity, celebrate self-expression and tell captivating stories. It’s not just about taking pictures – it’s about capturing moments and leaving a lasting impression.

Michael Young

“My journey into hair photography began around a decade ago, initially as an extension of my creativity in hair. What began as experimental test shoots quickly turned into a passion. Immersing myself in the world of hair and fashion photography, I studied techniques, developed concepts and collaborated with some of the best stylists and models around.

With each shoot, I pushed my creative boundaries, exploring new genres and possibilities. Photography has become my canvas for capturing the artistry of hair, fashion and beauty in a single frame. From concept to creation, every step is an opportunity to unleash my imagination and creative vision.

My photography allows me to showcase diversity, celebrate self-expression and tell captivating stories. It’s not just about taking pictures – it’s about capturing moments and leaving a lasting impression.

The Meadow

Photography by Michael Young

Shooting outdoors during the mid-summer months is amazing. The sunlight’s touch on the meadow landscape, especially at sunset, creates a mesmerising backdrop for those fleeting moments. Shooting in direct sunlight adds a texture that’s  impossible to mimic indoors – each element of the landscape comes alive in the golden hues, drawing viewers deeper into the frame. Using natural light allowed me to authentically capture those ephemeral moments, telling a story through each frame and creating a dreamlike atmosphere that accentuates the hair’s beauty. These images are testament to the power of the sun, capturing beauty in a way studio lighting can’t match.

Ungendered

Photography by Michael Young

This shoot encapsulates the transformative power of genderless fashion. By challenging traditional norms, we created a narrative of acceptance and self-expression, where individuality reigns supreme. The stripped-back aesthetic, with its focus on the models through controlled lighting, allows the authenticity of the subject’s identity to shine through. This is more than just a hair shoot; it’s a declaration of a more inclusive and fluid future, where everyone is free to explore and celebrate their unique style without being confined by societal labels. It’s a message of empowerment and liberation, inviting viewers to embrace their true selves without limitations or constraints.

Annabel’s

Photography by Michael Young

This shoot oozes with the opulence and decadence of a private members club. It’s actually our lounge at home, with some extra props and ornate backdrops creating an air of mystery and allure! Shot with direct lighting, each frame is saturated with intricate details and sumptuous textures, transporting viewers into a world of exotic taste and extravagance. Here, fashion becomes a symbol of privilege and sophistication, inviting viewers to indulge in the allure of Annabel’s.

“My camera kit varies depending on what and where I’m shooting. I started with Canon and have pretty much stuck to that, collecting different camera bodies and lenses along the way. I mostly shoot portrait work with a 50mm prime lens, but that can vary if I’m shooting full length with a more fashion focus. I shoot remotely, as well as at my home studio and London studios, so a large amount of my kit needs to be transportable. Lighting, soft boxes and other accessories are mostly by the Swedish brand Profoto –  they’re incredibly versatile and deliver excellent results, but also give me the freedom to move around. “

NUDE 

I love the simplicity of this picture. There’s no complication or distraction, just a testament to the power of minimalism, where every element serves to enhance and highlight the sheer beauty of the moment.

ODDITY

This portrait captures emotion, personality and narrative. Through experimentation with lighting, make-up and pose, the picture becomes a visually striking creation that challenges perceptions and evokes emotion.

TAPESTRY

The warm sepia tones of this portrait evoke a feeling of nostalgia. The model’s serene expression and delicate features are charming and graceful, reminiscent of tradition and culture.

REVERIE

Enveloped in a serene calmness and lost in their own thoughts whilst drifting into the quiet expanse… This image is a snapshot of a fleeting moment where innocence and serenity converge.

ANARCHY

There’s an air of rebellion and chaos in this image, which challenges perceptions, provokes thought and celebrates the unapologetic expression of self.

SERVING FACE

I love the interplay of shadow and light in this picture. The dramatic poses and expressions create a sense of high drama – it’s a visual feast of power, passion and glamour. 

Sta Studios

Stā Studios

Stā Studios is a first of its kind, innovative co-working studio for freelance creatives in the hair and beauty industry, emphasising collaboration that marries functionality with luxury style.

Located in East London within a five-minute walk from key transportation, a 3500 sq ft brand-neutral environment offers 20 workstations, flexible meeting areas, a community lounge, content creation suites, and podcast booths. Membership provides numerous benefits, including chair rental, private salon suite rental, industry-specific software, and educational spaces, and the opportunity to be part of a community where creativity and client satisfaction are paramount.

And inspiring hub for professionals seeking a collaborative and supportive environment to grow and thrive, Stā Studios is a space to grow, to belong, to create, to connect. 

Q&A

Why is it so important to Stā Studios to sponsor the Independent Stylist category? 

We are beyond thrilled to be sponsoring the Independent Stylist category at the Creative HEAD Most Wanted awards because it aligns perfectly with our mission to empower and support the creativity and independence of professionals in the hair and beauty industry. As a co-working space designed specifically for freelance creatives, Stā Studios is dedicated to providing an environment that nurtures growth, innovation, and collaboration among its members. We are passionate about supporting the freelance movement in our industry and sponsoring this award is another way we can contribute to it.  

Tell us about Stā Studios and how it supports creatives in the hair and beauty industry… 

At Stā Studios, we’re deeply invested in supporting the creative journeys of those in the hair and beauty industry. Our co-working space has been meticulously designed for innovation and collaboration, equipped with everything an independent creative could need – from luxury workstations to spaces designed for creating content. It’s not just about providing a space; it’s about building a community where learning and growing together is at the heart of everything we do. Our mission is to empower every member to reach their full potential, making their entrepreneurial dreams a reality. 
 

What are your top three tips for hair professionals branching out on their own freelance journey?  

Build a strong brand identity, define what sets you apart, focusing on your signature styles or techniques, and use social media to bring awareness to your brand. Use platforms like Instagram to showcase your work, connect with clients, and network with industry peers. 

Set clear business goals – make sure you have a clear picture of what you want to achieve. Set goals for your finances, professional achievements and personal milestones. Also make sure you keep a strict record of income and expenses, and consider consulting a financial advisor for tax and budgeting advice to keep you on track to reach your goals. 

Invest in professional development, never stop learning. Stay updated with the latest trends, techniques, and products through workshops and courses, choosing a workspace like Stā Studios, one that supports your personal development, is key. Networking will also help your personal development, attend industry events, join professional groups, and collaborate with other freelancers to expand your reach.

COMING UP THIS YEAR

LAUNCH OF STĀ RESIDENCY – A NEW TYPE OF CHAIR RENTA

Stā Residency is a new incentive offered by Stā Studios, providing artists and creatives with long-term rental opportunities of both styling stations and private studios. This initiative allows members to secure a dedicated workspace for extended periods. 

STĀ CONNECTED & STĀ EDUCATED – EXCLUSIVE EVENTS FOR HAIRDRESSERS 

Following the success of our Stā Connected: Future Gazing event at the start of the year, we will be continuing the Stā Connected event series and launching our Stā Educated event series throughout 2024. These industry exclusive events provided a fresh take on hairdressing events and provide an opportunity for networking and community building.

 

STĀ SPOTLIGHT  

We’ll be handing Stā over to its members to host a freelance exclusive education day, full of first hand insights into freelance life, professional tips and community building.   

FROM US, TO YOU

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The beauty of freelance is in the freedom to create without bounds. Embrace this opportunity to challenge and elevate the standards of our industry. Best of luck to all of you entering this incredible category, we can’t wait to celebrate YOU! 

 

Samantha Cusick

Founder, Stā Studios